Teresita Montez in elegant day dress by Griffe, Vogue Paris, May 1951.
Photo by Arik NĂȘpo.
From 1950's Fashion/1950's Haute Couture facebook group
seen from United States
seen from China
seen from TĂŒrkiye

seen from Malaysia
seen from China
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States

seen from United States

seen from China
seen from China

seen from United States
seen from China
seen from United States
seen from TĂŒrkiye
Teresita Montez in elegant day dress by Griffe, Vogue Paris, May 1951.
Photo by Arik NĂȘpo.
From 1950's Fashion/1950's Haute Couture facebook group
Model wearing a satin pale apricot evening dress by Griffe, photographed by Henry Clarke for American Vogue, November 1st, 1955.
"Ensemble du Soir" de Jacques Griffe en tulle noir et applications de bandes de tulle blanc, écru et rose perle au motif noeud (circa 1948-50) et "Robe de Cocktail" de Jean DessÚs en organza noir (circa 1958) présentés à l'exposition "Azzedine Alaïa , Couturier Collectionneur" au Palais Galliera, décembre 2023.
Photo ratée mais trop belle ^^)
Le aye-aye, le plus étrange des primates
Nouvel article publié sur https://www.2tout2rien.fr/le-aye-aye-le-plus-etrange-des-primates/
Le aye-aye, le plus étrange des primates
LĂGENDE | Pierre qui croule, oratoire et Griffe du diable Ă Uchon ✠https://bit.ly/3GGwuJr Au milieu du XIXe siĂšcle, la « pierre qui croule » dâUchon, galet de granit de huit mĂštres de large et de 2 mĂštres 30 de haut, pesant plus de 20 tonnes et situĂ© Ă lâorĂ©e du bois dâEscrots, jouissait dâune propriĂ©tĂ© curieuse, celle dâosciller du nord au sud Ă la moindre pression. CâĂ©tait mystĂ©rieux et divertissant
Adrien AUG-reste Day 15 - Control
This story is part 5 of a series: a sequel to my Marinette March, Adrinette April, Marichat May, Ladrien June, and Ladynoir July stories; I highly recommend reading those first.
You can also read this story on AO3: Petrichor
---
When Renard opened his eyes, it took him a few seconds to adjust after the brilliance of the portal. But he quickly found that they were standing in a small alleyway. He looked over at Lacorne, but she was already de-transforming so that she could feed Fluff and Kaalki. So he walked to the edge of the alley and peeked out to see what the street looked like.
Pretty much the same as their Paris, he discovered. Nothing seemed different to the naked eye. He stood there watching the quiet street until Lacorne, freshly transformed, came up behind him and put a hand on his shoulder.
âI tried to bring us back as close as I could to the moment when I left. So Griffe and ChloĂ© should still be in the park,â she said. âI donât know how to contact them otherwise, so we should go.â
blium,
criterium,
21x29,7cm
2020
marie léon
https://www.instagram.com/leon_evangelion/
Clawed lookÂ
drawing Art de NoĂ©Â