1928 Last Night I Dreamed You Kissed Me sheet music by Gus Kahn and Carmen Lombardo
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1928 Last Night I Dreamed You Kissed Me sheet music by Gus Kahn and Carmen Lombardo
Sheet music for "Let's Talk About MY Sweetie," music by Walter Donaldson, lyrics by Gus Kahn, 1926. Introduced by Ruth Etting.
Photo: Smithsonian Institution
Ruby Keeler in Ziegfeld’s Production of “Show Girl” (1929) by Alfred Cheney Johnston.
Show Girl is a musical by William Anthony McGuire that ran from Jul 2, 1929 to Oct 5, 1929. The show tells the story of aspiring Broadway showgirl Dixie Dugan (played by Ruby Keeler) as she is pursued by four suitors (played by Eddie Foy, Jr., Joseph Macaulay, Austin Fairman, and Frank McHugh). The music was written by George Gershwin, with lyrics by Ira Gershwin and Gus Kahn.
The character of Dixie Dugan was created by J. P. McEvoy and was first introduced in Liberty before McEvoy published his 1928 novel Show Girl (on which the musical was loosely based).
The Broadway production was produced by Florenz Ziegfeld, directed by McGuire, and choreographed by Bobby Connolly, with ballet sequences—including one set to An American in Paris—by Albertina Rasch. Duke Ellington conducted the orchestra. The show opened on July 2, 1929 at the Ziegfeld Theatre and ran for 111 performances. The cast included Ruby Keeler as Dixie, Jimmy Durante, Eddie Foy, Jr., Frank McHugh, and Nick Lucas.
Keeler's husband, Al Jolson, frequently sat in the audience and serenaded her with the show's closing number, "Liza (All the Clouds'll Roll Away)," from his seat. The song was featured in the 1946 biopic The Jolson Story.
In 1929, Ruby had to withdraw due to illness and Dorothy Stone took over the role.
Warner Brothers filmed this musical as Show Girl (1928), with Alice White as Dixie Dugan; a sequel, Show Girl in Hollywood (1930) was made with White again starring as Dixie.
#RubyKeeler #ACJ #GeorgeGershwin #GusKahn #FricPic #Colorized
Just Because
Three versions and something else
1 Lloyd Price’s ‘Just Because’, 1956
Just because you left and said goodbye Do you think that I will sit and cry Even if my heart should tell me so Darling I would rather let you go
Just because you think that you`re so smart Going around and breaking lovers hearts Before I let this thing happen to me Darling I would rather swim the sea
I know you think you`re smart Just going around breaking lovers hearts
Just because I want someone who`s kind With a heart as good and pure as mine But maybe I am asking far too much Darling please don`t ever break my heart
Nina Simone performing "Love Me Or Leave Me" on The Ed Sullivan Show in 1960. ________________________ Love Me Or Leave Me Music by Walter Donaldson; Lyrics by Gus Kahn
Miu Miu Women’s Tales #23: House Comes With A Bird - Directed by Janicza Bravo, starring Kelsey Lu and Pedro Pascal
Over the weekend I watched Honolulu, a mostly forgotten 1939 MGM musical. There’s quite a bit of racism that makes the film unredeemable -- both a blackface musical number and a native Hawaiian (ETA: or maybe Chinese immigrant? hard to say what they were going for, but his name is Wong and in at least one scene he whips out a “Confucius say.”) servant played as a racist caricature. However, it was the last film in which George Burns and Gracie Allen appeared together, and Gracie in particular is at the top of her game. And Eleanor Powell gets a number of knock-out dance numbers. I like this sequence because it shows off both Gracie and Eleanor, and the way they get Gracie out of the way so Eleanor can bring out the fireworks is particularly fun. The song is by Harry Warren and Gus Kahn, and the close harmony group featured is the Pied Pipers.