Mar 31, 2020
Introduzione all’oscuro (2018) · Gastón Solnicki
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seen from China
seen from China
seen from Russia
seen from Germany
seen from China
seen from China
seen from United States
seen from United States
seen from Italy
seen from Germany
seen from United Kingdom
seen from India
seen from China
seen from United States
seen from Australia
seen from China
seen from Germany
seen from United States
seen from China
seen from China
Introduzione all’oscuro (2018) · Gastón Solnicki
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Introduzione all'oscuro (Gastón Solnicki - 2018)
Introduzione all’oscuro (2018) · Gastón Solnicki
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Introduzione all’oscuro (2018) · Gastón Solnicki
los sábados a las 20 en Malba
¡Gracias, reicine!
It's a film festival's job—and increasingly so—to create moments of recognition, of enjoyment, of shock, of learning. Not of consumerism. Not of implementing cultural policy. But moments without pretence, unclouded by vested interests, by intervention, by cynicism, by everyday business. Committed to nothing but the thing itself. Under obligation to nothing, to no one, not even to the filmmakers themselves. To basically seek access to a form that does not yet exist, a place no one has been to, a time that has not yet come. 'A form that thinks, and a thought that forms,' as Jean-Luc Godard has it.
Hans Hurch, curator of the Viennale Festival