How delightful and pleasant is the feeling of completed work - but how unfamiliar it is to my anxiety, and how I yearn for it every one of all my attempts. Each series of drawings is a brother to each other, but in my eyes, like children, they are different in their tones, ideas, practices and abilities - and it is always difficult for me to compare them with each other.
But in the meantime, I completed my warmest, closest thought for this month! And Hellenic au was revealed - not fully, but close to my ardent and ragged thoughts and tones of my soul, changeable, like the characters of these drawings.
It all started with Asra - in them I saw the sacrament of sensuality, Eros - the chaos of darkness and night, an arrow of love in an exhausted, yearning heart. The reflection of the will of Hecate lives in them - in Asra I see the moon, the mystery of witchcraft, the lord of both magic and the underworld, and in the duality of their gentle hand they are the most beautiful of all.
Pavla is beautiful and crushingly tender, like a May thunderstorm, like a gentle summer rain - like Hebe, she is the embodiment of the purity and joys of youth, the cupbearer of the divine table - and like Euphrosyne, she is the embodiment of grace, sisterhood and beauty, the spark of Aphrodite, a sign of goodwill and the joys of life in the world.
Ilya struck me with the gloom and sensuality of his nature from the first day, all of him - like a kiss, like an open wound - and in him I see a vulnerable pain, and a nightmare, and the prevention of a cursed end - a nymph of the underworld Melinoya rises like a black mare at night. They are merciful, the gentle, sensitive hand of the guide of the underworld - and with Elia you are blind from love will step to hell, as if into a house of celebration and pleasure.
Lucio, full of morbidity and greedy predation, began to play with completely different colors - gorgeous and exhausted, like a misty sun, he dressed in scarlet clothes as Apollo, in him are both pleasure and adoration, and a holiday of every day. But there is still hidden dried blood in the mouths of hounds, and an endless, dishonest war - the statue of Ares was the embodiment then, and a man of heavy will holds a sword in a deceptively soft now, iron, like a vice, hand.
Nadia was powerful and gorgeous in each of her incarnations - in the guise of a Hera she stands above each of the heavens, and on the face of the goddess of a zealous and fierce are shadows of a heavy soul, and in her hand, rigid, ruling, a gilded blade, distorted by past battles, is expectantly clenched. It was a picture full of gravity and striking, and in this I see beauty amongst all women - like Boreas she rises like a heavy north wind, and like Ananka, Nadia is relentless.
Muriel avoided my hands for so long, and I turned to him with longing questioning - but a picture of light amid darkness and clarity appeared to me, and in it I saw a reflection of the most primary of my feelings, the very first and most familiar one. I had the idea to portray him as Dionysus - and in him I saw both nymphs, and naiads, and Pan, and Zephyr, but only after writing the Hermit Muriel was born in my hand - and who else but Hades, invisible, gloomy, eternal, compassionate in a gentle ruling hand, was given to become him?