Matte painting shots by Albert Whitlock from The Sting (1973)
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Matte painting shots by Albert Whitlock from The Sting (1973)
Uma tediosa adaptação literária: "Slaughterhouse 5", 1972
(vía David Navas — Vertigo Storyboards.
Director: Alfred Hitchcock. Vertigo. Storyboards: Henry Bumstead
Rear Window (Alfred Hitchcock, 1954).
Storyboard for the bell tower scene in Vertigo
“Of course, I enjoyed designing the church tower and steps leading up to the bell tower. You know you could never get Hitch to go and look at a set, and the bell tower was completed. So I asked Herbie Coleman [the associate producer] to bring Hitch over. Herbie asked Hitch to come over, and Hitch said, ‘Isn’t Bummy a professional? So why do I have to go look at it?’ Some mornings I was rather nervous because you would be waiting for Hitch to arrive and look at the set. All the driving scenes, for instance, we did in the studio with rear projection. You know how most directors now hate rear projection and want to be in a real car hanging on to the sides! But Bob Burks was such a good cinematographer that he really knew how to make those plates for the process shots. I always work carefully with a cameraman, the set dresser, and with the costume designer, Edith Head. I did about thirty films with her.”
—Henry Bumstead
Slaughterhouse-Five(1972)
A Little Romance (George Roy Hill, 1979).
I want this apartment.