DAMNN your way of writing is amazing !!! If it's not a bother could I request slashers x reader with anger issues ?? 🌹🌹
Thank you very much, this is an interesting idea, I want to warn you right away, as in previous posts, English is not my native language and there may be mistakes in the text
SLASHERS WITH A READER WHO HAS ANGER ISSUES
With Bo Sinclair, Vincent Sinclair, Stu matcher & Billy Loomis, Thomas Hewitt, Carrie White, Patrick Bateman
BO SINCLAIR
When you and your friends arrived at Bo's gas station, he noticed how rude you sometimes were to your friends, which made you stand out from your other friends for him.
It reminded him a little of his mother. You were rude and even a little aggressive towards your friends, but they still stuck by you.
But neither is he. He was no angel either. He often took it out on his brothers. You suited him in his warped sense.
He decided not to kill you, well, not yet. You could be a good model for his mini-collection of photos of naked, tied-up women on the wall in the basement (I only noticed these photos on the wall during the last viewing of the movie, when Bo was gluing Carly's mouth shut). And he should tie you up tighter for this occasion, because you're definitely a biter.
He's definitely ragebait you just to enjoy the way you insult him, and can't hurt him cuz while you're tied up in bed.
VINCENT SINCLAIR
Vincent already has someone with anger issues, so he's not too happy about another one. Give this guy some peace.
He will try to avoid you, fearing that you might ruin the wax figure he is working on or something like that.
Just like Bo, you remind him of his mother, she was also unstable and had anger issues, Vincent often saw how she treated Bo, but I have to admit, Bo was not sugar either.
STU MATCHER & BILLY LOOMIS
Stu would ragebait you as a friendly prank; it would be his favorite part of being friends with you. Although, if you get really angry, he'll quiet down and offer to help you with your homework or maybe go to diner after school. It's easier for him to appease you than angry Billy, who might start ignoring Stu for a week.
For Billy, your anger issues are a powerful tool. He skillfully manipulates you by directing your aggression at whomever he wants. Billy will say, "They underestimate you. I know what it's like to be misunderstood." It's a lie, but a convincing one. Eventually, he'll tell you about his "horror movie script irl" and say, "I'll help you. But it's our secret. If you tell anyone, they'll turn you in and put you in jail."
Billy would use you for his plans, just like he used Stu. If anything went wrong, he would turn you in to the police, claiming it was your plan and all those murders were your doing. Of course, the police would take his words into account, because even according to the teachers, you're a troubled child with anger issues and a history of getting into fights.
THOMAS HEWITT
(You'd been living with their family for a couple of months after the abduction.) Thomas wouldn't approach right away. He'd spend weeks watching his new "neighbor in misfortune" - a teenager who was constantly taken out into the field to scream and pound his fists on abandoned cars. Thomas saw something familiar in this ritual. He'd done the same thing in his youth, going into the woods to howl in pain after being bullied, when he was afraid to show his tears at home.
His thoughts (primitively figurative): "Noisy. Painfully noisy. But… doesn't laugh. Not like those others. The ones who threw stones. This one… hits things, not people. Like me. Back when the mask wasn't a face yet."
He won't understand the essence of the problems. But he will feel strong emotions and react to them on an animal level: fear, curiosity, imitation, or immediate destruction.
If you were to break things (without directing aggression at Thomas or the family), Thomas might start imitating you. He'd see it as a way to let off steam he hadn't been taught. He might also start breaking things, but with a childish, clumsy interest, occasionally glancing at the character.
CARRIE WHITE (1976)
Carrie before prom
During this period, she herself is an "anger-prone character," only her anger is directed inward, turning into shame and self-hatred.
Seeing a new kid at school, especially one who openly displays anger (yelling, protesting), Carrie would experience a deep, almost painful thrill. She would think, "They dare to be angry. They dare to yell. And I… I just cry." She would see in you a reflection of her pain, but in a more "intense," active form.
She would be terrified of open aggression. Her mother raised her to believe that anger was a sin. But secretly, she would envy the courage to express her feelings.
If you'd shown her even a modicum of kindness, without ridiculing her, Carrie would have happily accepted the relationship. She might have quietly said, "I understand… they can be terrible to me too. Don't let them see you're hurt… it'll only get worse." Her "advice" would have been that of a victim: hide, endure.
She could share her thoughts. "Sometimes… sometimes I imagine the lamps in the classroom bursting when they laugh at me. It's bad, I know. But it's easier this way." She would unconsciously acknowledge her own powers, seeking understanding.
Carrie after prom
After the bloody ball, Carrie is no longer a victim. She is a "goddess of vengeance," her wrath crystallized into an absolute, all-consuming force.
Problems with teachers and bullies at school will seem insignificant to her. She's been through absolute public humiliation and bloody revenge on an entire city. Her scale has shifted. "Are you angry because of the ridicule? I'd wipe my town off the face of the earth."
Knowing that there is no longer a single obstacle in her path, she would hardly care about anyone, even you (unless you become her good friend)
PATRICK BATEMAN
Patrick perceives his own cold-blooded, ritualized sadism as something superior, aesthetic, and intellectual. The anger of the average person is a pathetic, animalistic counterfeit to him.
His internal monologue: “They scream. They slam their fists on the table. A primitive release. No elegance, no tension building, no final cathartic symphony. Their anger is spam, mine is algorithmic poetry… A polluted, noisy adrenaline rush versus the controlled application of a blade. They don’t experience anger, they suffer from it. Like an animal. But they… serve me.”
In public settings, especially if there are onlookers (colleagues, passersby), Patrick can play the role of an understanding, superior spirit.
His speech (smooth, with false concern): "Anger is essentially a reaction to feeling inadequate in the social hierarchy. I would recommend, say, intense cardio sessions at Xclusive. Or maybe a new perfume. You smell like despair and budget deodorant. Try Thierry Mugler Amen. It smells of power and patchouli. It can help… structure your inner chaos."
His advice will always be about superficial changes (the gym, diet, cosmetics, music). He tries to "fix" the outer shell because he doesn't acknowledge the existence of an inner world in others.
Patrick might try to channel this anger to his own advantage. For example, he might slander a mutual acquaintance, suggesting they're to blame for his problems, and watch as that person becomes a blind instrument of his revenge. "Paul Allen, just between you and me, spoke very disparagingly of you. He considers you a loser on all company of us. It's a shame some people can't keep their mouths shut."
