#igjazzvinyl

[3rdstreetjazz]

“In ‘N Out” by the great #JoeHenderson is his third album as a leader and was recorded on April 10, 1964, at the Van Gelder Studio in Englewood Cliffs, New Jersey for #BlueNoteRecords featuring Henderson on tenor, Kenny Durham on trumpet, McCoy Tyner on piano, Elvin Jones on drums and Richard Davis on bass. This is a Blue Note Records Classic Series reissue that was mastered by the legendary Kevin Gray that is one of my favorite Henderson sessions. The Reid Miles cover design is classic as well. Overall, the Blue Note Classic Series is a great series with its overall sound quality that shows in the mastering of Kevin Gray which to me eliminates the overall brightness in my Liberty pressing. I decided long before their release of the first 80th Anniversary reissue I was going to collect them all and when they decided to continue with the series and rename them The Classic Vinyl Editions it was a plus for any collector. The only gripe I have with this series in the shabby album cover and paper sleeve the album came in. Maybe add a little to the cost and improve the packaging, but overall, this album is a great purchase for the price and quality of the vinyl which is very clean. My favorite piece of the session of course is “Punjab” and because I’m so used to listening to the alternate take of “In ‘N Out” on my CD that comes right after the tune “Brown’s Town”. I forget that it’s not on the album and I have to get up and change the record. . . . . #Igjazzvinyl #vinyljazz #jazzvinylcollector #JazzRecordCollector #JazzVinyl #hardbop https://www.instagram.com/p/CVTa4xzPmlE/?utm_medium=tumblr

[3rdstreetjazz]

Getting this on vinyl the other day because it had been on my bucket list ever since I started back purchasing albums again was something special. Especially when I had just been listening to “Dat Dere” on my drive over to the record store about 20 minutes before I arrived. The Bobby Timmons Trio “In Person” was recorded on October 1, 1961, at the Village Vanguard in New York City for the Riverside Record Label featuring #BobbyTimmons on piano, #RonCarter and Albert “Tootie” Heath on drums. Although this classic had been in my CD collection for years it’s a welcomed addition to my vinyl collection and I want to thank the folks at @mlwl2809 for their hospitality on Sunday as well. . . . . . #Igjazzvinyl #vinyljazz #jazzvinylcollector #JazzRecordCollector #JazzVinyl #hardbop https://www.instagram.com/p/CVQdTgYJAGf/?utm_medium=tumblr

[3rdstreetjazz]

Getting this on vinyl the other day because it had been on my bucket list ever since I started back purchasing albums again was something special. Especially when I had just been listening to “Dat Dere” on my drive over to the record store about 20 minutes before I arrived. The Bobby Timmons Trio “In Person” was recorded on October 1, 1961, at the Village Vanguard in New York City for the Riverside Record Label featuring #BobbyTimmons on piano, #RonCarter and Albert “Tootie” Heath on drums. Although this classic had been in my CD collection for years it’s a welcomed addition to my vinyl collection and I want to thank the folks at @mlwl2809 for their hospitality on Sunday as well. . . . . . #Igjazzvinyl #vinyljazz #jazzvinylcollector #JazzRecordCollector #JazzVinyl #hardbop https://www.instagram.com/p/CVQdAg0gLID/?utm_medium=tumblr

[3rdstreetjazz]

Getting this on vinyl the other day because it had been on my bucket list ever since I started back purchasing albums again was something special. Especially when I had just been listening to “Dat Dere” on my drive over to the record store about 20 minutes before I arrived. The Bobby Timmons Trio “In Person” was recorded on October 1, 1961, at the Village Vanguard in New York City for the Riverside Record Label featuring #BobbyTimmons on piano, #RonCarter and Albert “Tootie” Heath on drums. Although this classic had been in my CD collection for years it’s a welcomed addition to my vinyl collection and I want to thank the folks at @mlwl2809 for their hospitality on Sunday as well. . . . . . #Igjazzvinyl #vinyljazz #jazzvinylcollector #JazzRecordCollector #JazzVinyl #hardbop https://www.instagram.com/p/CVQcu7QAztW/?utm_medium=tumblr

[3rdstreetjazz]

Getting this on vinyl the other day because it had been on my bucket list ever since I started back purchasing albums again was something special. Especially when I had just been listening to “Dat Dere” on my drive over to the record store about 20 minutes before I arrived. The Bobby Timmons Trio “In Person” was recorded on October 1, 1961, at the Village Vanguard in New York City for the Riverside Record Label featuring #BobbyTimmons on piano, #RonCarter and Albert “Tootie” Heath on drums. Although this classic had been in my CD collection for years it’s a welcomed addition to my vinyl collection and I want to thank the folks at @mlwl2809 for their hospitality on Sunday as well. . . . . . #Igjazzvinyl #vinyljazz #jazzvinylcollector #JazzRecordCollector #JazzVinyl #hardbop https://www.instagram.com/p/CVQb7Spg17w/?utm_medium=tumblr

[3rdstreetjazz]

“Charisma” by #LeeMorgan was recorded on September 29, 1966, at the Van Gelder Studio in Englewood Cliffs, New Jersey featuring Morgan on trumpet, Jackie McLean on alto, Hank Mobley on tenor, Cedar Walton on piano, Paul Chambers on bass and Billy Higgins on drums. Although it was recorded in 1966, it wasn’t released until May of 1969. With a powerful frontline of Morgan, McLean and Mobley and the stellar rhythm section of Higgins, Chambers and Walton makes this an outstanding session. Not sure why Blue Note Records decided to shelve this for three years because this is one of my favorite Lee Morgan albums. If you don’t have this in your collection, I highly recommend it. . . . . #Igjazzvinyl #vinyljazz #jazzvinylcollector #JazzRecordCollector #JazzVinyl #hardbop https://www.instagram.com/p/CVJZ2mwsHZ7/?utm_medium=tumblr

[3rdstreetjazz]

Growing up in Camden, New Jersey in the late 70’s early 80’s there was this jazz fusion radio station out of Philly simply called “98” mainly because it was located 98.3 on the FM dial and this station and its style of music turned me onto a lot of artist I probably would have never heard listening to the other jazz radio station out of Philly, Temple University’s WRTI or “The Point” that I still listen to every day. But, on “98” I got my first taste of the Brazilian Jazz-Funk band #Azymuth. I played “Outubro” almost every day in my dorm room when I was stationed at Dover Air Force Base and couldn’t wait until I upgraded my American copy with a Japanese copy when I arrived in Okinawa, Japan. After listening to their new collaboration with #AdrianYounge and #AliShaheedMuhammad on #JazzIsDead I just wanted to listen to some of their stuff that got me hooked on this amazing band back in the day, so I pulled out both “Telecommunication” and “Aquia Nao Come Mosca” and started listening to the Azymuth I’m used to listening too with that Latin flavor. Memories! If “Jazz Is Dead” could have captured the magic that tunes like “Voo Sobre O Horizonte” and the title song “Aguia Nao Come Mosca” did back in the late 70’s, I think I would have liked their JID004 a little more. . . . . . #Igjazzvinyl #vinyljazz #jazzvinylcollector #JazzRecordCollector #JazzVinyl #LatinJazz @ivancontimamao https://www.instagram.com/p/CVHCnFEsmK4/?utm_medium=tumblr

[3rdstreetjazz]

I’m trying to get the entire @JazzIsDead Series, but a few have disappointed me in the way they are showcasing the featured artist, but this #GaryBartz “JID006” and his collaboration with #AdrianYounge and #AliShaheedMuhammad is the best I’ve heard so far. It combines Bartz smooth alto sound with a more modern sound. As he explained in a recent interview, “I believe there has never been an innovation in this particular music that has not come through a working band that was a mix of young and older musicians. The older musicians have the experience, the know-how and the knowledge. The younger musicians are learning that, but they bring a new energy, a new experience, a new sound. So, it’s a very good combination. Art Blakey saw that many years ago.” I’ve listened to this album since it arrived in the mail a few days ago multiple times either on the turntable or through my @Roonlabs app on my iPad. The first tune on side 1 “Spiritual Ideation” sets the mode on how the rest of the album is going to be, but my favorite piece of the session is “Visions of Love”. Overall, this is an enjoyable album that I highly recommend. . . . . #Igjazzvinyl #vinyljazz #jazzvinylcollector #JazzRecordCollector #JazzVinyl https://www.instagram.com/p/CVGp_OBPd5V/?utm_medium=tumblr