Bring me some plantains, brother
WOULD YOU RATHER:
a) No longer have to (or be able to) pay for any food, clothing, prescription medicines or household consumables, but in order to acquire them you'd have to ask the air and then Hulk Hogan would come lumbering into wherever you were, mustache-first, eyes bulging, glistening with sweat and not speaking a word, and arduously, with a lot of roars and heavy breathing, poop it out. It would come out dry and for all intents and purposes clean, although if it was an individual item over $20 it would come out in a moist pink membrane that you'd have to take apart with your bare hands. The things would vanish after 24 hours, and they would be useless to anyone who didn't witness them come out of the Hulkster's butt. If you attempt to apologize or explain he beats you up.
OR
b) Live in a world where at the end of every rain dollar bills of various sizes and your favorite food served the way you like it come fluttering gently down from the sky, the Republicans continue to exist but their attempts to affect public policy and federal law never last for more than a day before it fizzles, and every time you go outside you're guaranteed to see at least one instance of an interspecies animal friendship. BUT. You are married, forever, to Donovan and Matthilde.
Donovan is a 29-year-old white dude with a beard and a bun who grew up in Menlo Park but talks with a fake cowboy accent and dialect. Matthilde is a 22-year-old who grew up in Portland but decided she wanted to have an Icelandic accent. She wears nothing but flowy dresses that are basically giant loose tank-tops/pillowcases with arm-and-head-holes adorned with birds or flowers. She dropped out of art school when a teacher tried to encourage her to draw or paint things that weren't birds or flowers, and while hitch-hiking through Humboldt she met Donovan, who was touring the coast with his guitar, crashing parties to explain feminism to college freshman women, and it was love at first sight.
They have a band which has gone through many incarnations and been retitled with many different Thomas Pynchon quotes- the two of them have remained the only constants, with their egocentrism and inability to handle criticism constantly alienating different bassists, drummers, accordionists, etc. Donovan writes the dumb, faux-philosophical lyrics; Matthilde mostly takes some molly and then dances along with her eyes closed, sometimes uncoordinatedly banging a tambourine, and maybe once an album she sings a song. Your parents love their music, and it's pretty much all they want to talk about when you see them. Their surprising wealth of fans (which keeps them financially afloat, so they never have to work) views you as a parasite and regularly send you e-mails disparaging your looks and your perceived lack of worth.
In conversations Donovan gets huffy when accused of being privileged, and regularly rants about how being an artist and a dreamer is harder than being POC or queer or trans because there're no parades or hashtag movements for people like him. Matthilde eerily echoes his various talking points. If you try to argue or debate with them about anything Donovan reacts as if you're frothing at the mouth and constantly tells you to calm down, whereas Matthilde just gives you a condescending smile and then boops you on the nose or pats your hair.
They will never have sex with you without your consent, but if you try to so much as kiss anyone else you will be pulled away, like a disinvited True Blood vampire, and the only sex they'll have with you is Handmaid's Tale-style while Donovan whispers his lyrics in your ear as poetry.
They smell, at all times, like old, cold TV dinner curry.













