That the story of Narcissus has proposed itself as a focus of contemporary meditation owes something to its concerns and something to its nature: like much contemporary fiction, it is all psychology, no narrative. Impossible to film. As a static image, it encourages projections of the kind narrative limits or interrupts. As an image concerned with the self’s engagement with the self, it falls quite naturally in line with one of our century’s engrossing discoveries, psychoanalysis. Further, it adopts and extends Romanticism’s attentiveness to the soul, or the inward.
Louise Glück, American Originality







