Miniature English Bedchamber of the Jacobean or Stuart Era, 1603-1688
Narcissa Niblack Thorne & Unknown Artisans
c.1937
Art Institute of Chicago (Reference Number: 1941.1187)
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Miniature English Bedchamber of the Jacobean or Stuart Era, 1603-1688
Narcissa Niblack Thorne & Unknown Artisans
c.1937
Art Institute of Chicago (Reference Number: 1941.1187)
Lucy Harington (1581-1627), Countess of Bedford, Married to Edward Russel, Earl of Bedford
Artist: Manner of William Larkin (British, 1580–1619)
Date: c. 1610's
Medium: Oil on canvas
Collection: National Museum, Stockholm, Sweden
Depicted Person:
Lucy Russell, Countess of Bedford
Description
Around the turn of the 17th century, the English aristocracy had a predilection for full-length portraits in lavish, meticulously depicted dress. Lucy Harington’s crown and costume were worn for state occasions such as coronations. She belonged to a court circle of politically and culturally active women around Anne, Queen of Scotland and England.
One face, one voice, one habit, and two persons ; a natural perspective that is, and is not !
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Portraits by William Larkin the "Curtain Master"
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In Journey from Chester to London, published in 1782, Thomas Pennant wrote of her portrait then at Gorhambury, Hertfordshire: In the room is a fine full-length of the countess of Suffolk, daughter of Sir Henry Knevit, and wife to the lord treasurer. She is dressed in white, and in a great ruff; her breasts much exposed: her waist short and swelling; for she was extremely prolific. This lady had unhappily a great ascendancy over her husband, and was extremely rapacious. She made use of his exalted situation to indulge her avarice, and took bribes from all quarters.
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circa 1630