Apr 24, 2024
John Blow (1649-1708) - Chacony for Strings and Basso continuo in G-Major. Performed by Reinhard Goebel/Musica Antiqua Köln on period instruments.
seen from United States
seen from China
seen from United States
seen from China
seen from United States
seen from United States
seen from Iraq
seen from United Kingdom
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United Kingdom
seen from United States
seen from China
seen from Australia
seen from United States
seen from Türkiye
seen from China
John Blow (1649-1708) - Chacony for Strings and Basso continuo in G-Major. Performed by Reinhard Goebel/Musica Antiqua Köln on period instruments.
John Blow (1649- 1708) - A Ground for Violins,
The Consort of Musicke, Anthony Rooley.
John Blow, Chaconne 1687 for harpsichord played by Timothy Roberts on a Patrick Chevalier harpsichord.
John Blow: Tell me no more you love - Text: Anonymous Music: John Blow (1649-1708) Published in 'Amphion Anglicus' (London: John Blow, 1700) ___ Andreas Scholl, countertenor Markus Märkl, harpsichord Concert: 22 November 1999 in London (Wigmore Hall)
John Blow (1649-1708) - Ode on the Death of Mr. Henry Purcellfor 2 countertenors, 2 recorders and continuo
René Jacobs & James Bowman Countertenors
Ricardo Kanji, Marion Verbruggen Recorders
Anner Bylsma Baroque Cello
Gustav Leonhardt Harpsichord /Conductor
John Blow (1649-1708) - How doth the city sit solitary (After Matthew Locke) ·
Ensemble Cosmos :
Baritone Vocals: Maxime Saïu; Counter Tenor: Damien Ferrante; Organ: Loris Barrucand; Soprano Solo: Alice Kamenezky; Soprano Solo: Morgane Collomb
Love this semi-staged version of John Blow’s masque-tragedy!
And let’s take a couple of moments to savor Alexander Chance in WINGS:
John Blow (1649-1708) - Suite in D Minor: V. Ground · ·
Richard Egarr, harpsichord