Dylan Thomas said Rage against the dying of the light but some folks like being in the dark ig, depends on how you interpret the bliss that ignorance brings,
like how he said he didn’t wanna talk politics then said the girl at the bar had a nice ass, but it really was an emotional support donkey bc apparently you’re allowed to have those in bars now, to comfort you when you’re being objectified by an apolitical (he said, he said) man who asked if you were from Georgia, bc apparently emotional support donkeys are really popular in Georgia, what w the peaches and all,
how they are attentive now bc they find each other challenging but they both also secretly wonder what happens when they’ve got each other all figured out bc they both like to dig to the bottom of things like how much abyss do we really need and why are abysses things you can only crawl out of when you would rather leap,
how it never works out to stay in a place just bc other ppl think it’s a cool place bc when their faces light up they only illuminate all the reasons you want to leave,
how yesterday’s whiskey can turn so quick into tomorrow’s regret when all the gifts were covered in black bc the one on your right cut out early to score some blow and left you w the tab,
how music can guide you and embrace you and keep you safe in all the same ways that shepherds can guide you and arms can embrace you and shotguns can keep you safe,
how we can still rediscover all the ways we undo each other when we let go of the outside world and tumble into each other bc laughter is the best medicine but naturellement the only prescription your health insurance company will cover is more cowbell,
how you can ask if cowbells only appear around the necks of their eponymous bovine or if not perhaps other ungulates also accessorize w harmonic percussion bc you’ve noticed that the emotional support donkey appears to be wearing one and if a bell lacks its mechanism to toll, we might have an existential crisis on our hands,
how we related at first and at last on a topic we always come back to even as we’re pushing it away bc we know just how informed by trauma we are, and that’s making us wonder if we even really like all the things we really like, or maybe that’s just me, maybe there’s a reason I end up having coconut rum once a year,
how the real years add to the virtual ones, the ones that were pure in a digital, wireless way now capped w ones that are messy, visceral, and full of a profoundly catastrophic love, a love that drips down the sides and soaks into the virtual memories, rewriting itself into their code,
how I’ve never been able to muse off of anyone for more than a few months bc there’s nothing dynamic abt love captured in lines and letters and even paper airplanes lack any semblance of control and words are inadequate anyway what with their struggle to contain and make sense of the infinite and the nonsensical,
how there’s been this time and these moments and this shared language that means you will get more out of this poem than anyone else ever could,
how you could spend an hour explaining all the rabbit eggs that lurk beneath the surface and anyone else would still only share at best something approaching a passing empathy,
how I can’t write a poem without turning it into a poem abt you and us and this bc poetry is a creation, not an occupation, and we are bound to create as we are bound to Rage, as Dylan Thomas said.