shoko ieiri

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shoko ieiri
Judith Wright - Rain Forest - Australia
The forest drips and glows with green. The tree-frog croaks his far-off song. His voice is stillness, moss and rain drunk from the forest ages long.
We cannot understand that call unless we move into his dream, where all is one and one is all And frog and python are the same.
We with our quick dividing eyes measure, distinguish and are gone The forest burns, the tree frog dies, yet one is all and all are one
There's a hare in the moon tonight, crouching alone in the bright buttercup field of the moon; and all the dogs in the world howl at the hare in the moon.
"I chased that hare to the sky," the hungry dogs all cry. "The hare jumped into the moon and left me here in the cold. I chased that hare to the moon."
"Come down again, wild hare. We can see you there," the dogs all howl to the moon. "Come down again to the world, you mad black hare in the moon,"
"or we will grow wings and fly up to the star-grassed sky to hunt you out of the moon," the hungry dogs of the world howl at the hare in the moon.
Full Moon Rhyme by Judith Wright
SOUTH OF MY DAYS
South of my days' circle, part of my blood's country, rises that tableland, high delicate outline of bony slopes wincing under the winter, low trees, blue-leaved and olive, outcropping granite- clean, lean, hungry country. The creek's leaf-silenced, willow choked, the slope a tangle of medlar and crabapple branching over and under, blotched with a green lichen; and the old cottage lurches in for shelter. O cold the black-frost night. The walls draw in to the warmth and the old roof cracks its joints; the slung kettle hisses a leak on the fire. Hardly to be believed that summer will turn up again some day in a wave of rambler-roses, thrust it's hot face in here to tell another yarn- a story old Dan can spin into a blanket against the winter. Seventy years of stories he clutches round his bones. Seventy years are hived in him like old honey. Droving that year, Charleville to the Hunter, nineteen-one it was, and the drought beginning; sixty head left at the McIntyre, the mud round them hardened like iron; and the yellow boy died in the sulky ahead with the gear, but the horse went on, stopped at Sandy Camp and waited in the evening. It was the flies we seen first, swarming like bees. Came to the Hunter, three hundred head of a thousand- cruel to keep them alive - and the river was dust. Or mustering up in the Bogongs in the autumn when the blizzards came early. Brought them down; we brought them down, what aren't there yet. Or driving for Cobb's on the run up from Tamworth-Thunderbolt at the top of Hungry Hill, and I give him a wink. I wouldn't wait long, Fred, not if I was you. The troopers are just behind, coming for that job at the Hillgrove. He went like a luny, him on his big black horse. Oh, they slide and they vanish as he shuffles the years like a pack of conjuror's cards. True or not, it's all the same; and the frost on the roof cracks like a whip, and the back-log break into ash. Wake, old man. This is winter, and the yarns are over. No-one is listening South of my days' circle I know it dark against the stars, the high lean country full of old stories that still go walking in my sleep.
-- Judith Wright (paintings by Australian Aboriginal Artist Albert Namatjira.)
The leaves that hurry on this black wind too early out of time
remind me that I am sad and tell me the reason why;
for to love in a time of hate and to live in a time of death
is lonely and dangerous as the last leaf on the tree
and wrenches the stem of the blood and twists the words from truth.
from West Wind, Judith Wright, in The Two Fires, 1955.
Judith Wright (1915-2000) was a poet and environmentalist from Australia. She was also a campaigner for Aboriginal land rights.
Her poetry deals significantly with environmental topics, as well as the relationship between man and the environment. She campaigned for the conservation of the Great Barrier Reef and Fraser Island, and served as the President for the Wildlife Preservation Society of Queensland. In 1994, she won the Human Rights and Equal Opportunity Commission Poetry Award.
It was for Death he took her; death is but this; and yet he is uneasy under her kiss and winces from that acid of her desire.
Judith Wright, from "Metho Drinker"
- Judith Wright