Another hyperfixation on a crime thriller I'm doomed...
seen from Kenya
seen from United States

seen from United Kingdom
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seen from United States
seen from Uruguay

seen from Canada

seen from Mexico
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seen from United States

seen from United States
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Another hyperfixation on a crime thriller I'm doomed...
I'm back in the fucking building again
me: if I post this will anyone get it
my friend: only one way to find out
Happy Birthday, Kevin Spacey!!!
Friday Fives: Theives
I'm going to be ranking the best five thieves in fiction that I've consumed. I plan on having a Friday Five every Friday for five weeks or more. Not in any particular order.
1: Danny Ocean
He has an entire trilogy that placed him as the face of the heist genre.
2: Keyser Söze
He successfully manipulated several parties over the course of several months for the sake of winning.
3: Neil McCauley
Being honest, he could've been number one if he had any of his heists actually go right.
4: William James Moriarty (Moriarty the Patriot)
He has been pulling heists since he was a kid. Nuff said - Stan Lee 2018
5: Irene Adler (Sherlock Holmes's RDJ version)
She outsmarted the masterful detective and manipulated him several times in this one movie.
Reminder, this is only for media that I've consumed. Not all media ever made. They're certainly helping me as a writer.
No more
UNRELIABLE NARRATORS; SIDE D
Keyser Soze (The Usual Suspects) vs. Jane (The Yellow Wallpaper)
Keyser Soze
Jane
Keyser Soze propaganda:
I'm gonna be real I have never seen the movie but I watched a TV show- Derry girls- in which a character was watching that movie and it fucks her up. So the guy is screwing up the narrative for pieces of media he's barely mentioned in. And I think that's iconic
Jane Propaganda:
Centering around a young wife whose husband prescribes her the “resting cure” for a nervous condition (actually postpartem depression), Jane begins seeing women in her room's wallpaper, which she initially found unsettling and later found great need for. Jane's progression in the story can be read as a total loss of all sanity as a result of extreme isolation or a freeing of herself by 'freeing' the woman in the paper (the woman is literally trapped in the wallpaper; Jane is figuratively trapped. All women are confined to a role society has dictated for them).