#kht

[theoptimisticfatalist]

peak character design tbh

[tokyo-akb48]

[zxrysky-writes]

show me how to burlesque

1.

Tsuna, at the age of five, is an interested child. He will willingly toddle around the entire district of Nanimori if his mother doesn’t stop him, which is often. He has yet to encounter the monster that most people fear, the boy with black hair and black eyes that puts the fear of god into people. This is why he can still happily stumble around without said fear of god.

There is a place down the street, shrouded in shadows and bright neon lights, with unscrupulous people loitering around it. Money is exchanged, alcohol is passed around, and Tsuna peeks in through the front door. The interior is full of golden wallpaper and plush red armchairs, silver tables with champagne glasses (and champagne itself) on top. His eyes widen, and Tsuna attempts to dive into what he sees as heaven’s gift to him. His mother never let him buy chairs like that.

Someone catches him around the scruff of his neck, a man with blond hair and shades. “This isn’t the place for little kids,” he smirks, eyebrow rising. “Go on, scat.”

Tsuna struggles against his grip. He is not going to scat. He knows that word – it’s what all those strange housewives use when they want to chase away cats on the street. Tsuna is not a cat (although, thinking about it, being a cat wouldn’t be half bad) and hence that word is insulting.

Another set of hands grip him around his waist, softer and gentler, bringing him away from the shady man. Tsuna furrows his brows at the man, and looks up to see a woman with shades. It’s like she’s the twin shade sister of the man. The shades gang. He isn’t sure if this turnabout is much better.

“Don’t be so mean to the little dear,” she coos, lips smothered in bright red and nails covered in glitters and sparkles. Tsuna doesn’t know if she is more dangerous than the man. He suspects, but he can’t be sure. Those nails can probably kill a man.

“He’s a kid. He should be home by now.”

“But look at him,” she pouts, looking at the man. “I want to keep him, if only for a little while.” Tsuna doesn’t really understand this turn of events, but he turns his own puppy eyes on the man, so as to achieve his goal of attaining at least one plush chair. Tsuna can probably drown in the chair. It looks like heaven.

The man swallows, Tsuna thinks hah! The woman laughs and suffocates Tsuna against her cleavage, before sweeping in through the doors. She makes a beeline for the stage, which is not where Tsuna wants to go, because the chairs are right there and are getting further and further away which is not good for his immature heart that desires them the way his mother desires chocolate on a bad day. Which is to say, a lot.

He struggles. He loses. Tsuna cries a bit in his mind.

The lady introduces him to more ladies, all clad in pretty dresses and fancy nails with bright lips, and they collectively coo over him. Tsuna wilts a bit, trying to source for an emergency exit (this is an emergency), and doesn’t find one. There are no plush chairs here, but there are strange amounts of poles and whips and Tsuna thinks that those ring chain thing resembles the handcuffs that he sees the policemen carry.

It takes Tsuna a while before his mind registers that he might be in a bar.

2.

Tsuna is very flexible, or so he thinks. He pales in comparison to the other ladies, and he silently mourns the death of his ego backstage.

Some strange feeling pulls him back to the bar, and he’s visited long enough for the man with blond hair and shades to recognize him as a regular (is that a bad thing?) and the ladies to all see him as a permanent fixture. They are pole dancers, simple as that, and sometimes they use a whip that cracks and makes Tsuna throw his hands over his ears.

He’s tried it, tried to crack the whip, and he ended up tying himself up and toppling over. The crack sound was not achieved, and the main thing he achieved was him making a fool out of himself.

Tsuna wants to learn the whip, however. It looks cool. Tsuna wants very few things in life, and what he wants, he usually gets (courtesy of his mother), and hence he employs his famous puppy eyes on the ladies who melt over him.

He secures lessons on the whip, and just for the heck of it, the ladies throw in some pole lessons as well as makeup lessons.

Tsuna knows that he looks feminine, even at his age, and makeup doesn’t help his case, neither does the very pretty wig.

His first attempt at stilettos results in a sprained ankle and a broken heel, even though the heel wasn’t very high in the first place.

But the ladies tell him that he’s actually doing a good job, and Tsuna revels in being able to actually crack the whip. He shows off to his mother at home, going around and cracking the whip at every little thing.

“Wow!” His mother exclaims. “My Tsu-kun is growing up!”

Tsuna smiles and tries to catch his alarm clock with his whip. It falls on the ground and breaks, and Tsuna decides that that outcome isn’t that bad after all. Now it won’t irritatingly ring in the morning.

His mother buys him a new one.

Tsuna silently despairs. He wants to be nocturnal, like the ladies at the bar. All of them work at night only.

3.

When Tsuna is eleven, the school gives him a career sheet.

WHAT DO YOU WANT TO BE IN THE FUTURE, it asks him in big letters.

DANCER, he replies, in equally big letters and what is hopefully nice handwriting, with what the ladies have forced into him. They are very intense when it comes to etiquette. He even knows how to fold a cravat, though that was, admittedly, mainly for costume purposes.

Some of his classmates laugh at him, but Tsuna actually has a very bright future ahead of him as a dancer at Rising Wave. He’s gone on stage to perform before, once or twice, just for fun, and he didn’t realize just how much money he could earn.

He shakes his head when the biggest bully in class, Kikuchi, sniggers at his career option. Kikuchi’s father actually brings a lot of money to the bar, and throws all of it at the pole dancers. He always leaves very inebriated and very delusional. Tsuna has the last laugh, when his career option is the very thing Kikuchi’s dad pays big money to see, and Kikuchi will probably end up as a janitor.

4.

The neon lights flash, heavy music starts playing, hands clap, and money is thrown haphazardly at the stage before Tsuna even steps onto it.

He wears a dress, hair wet and flowing down his back (as much as half-wet hair can flow), eight inch stilettos clacking on the platform, and his whip is in his hand.

People whistle at him, and he flashes a smile at them. Most of them (if not all) don’t realize that he’s not a girl. They also don’t realize that he’s a minor. Tsuna has private laughs with the ladies backstage at this.

Tsuna is crazily proud of his whip, and the crowd is crazily entranced by it, so it works out.

Money is further thrown on the stage, and Tsuna winks at a couple of men who try to get too close when he goes to pick up the money. Liam – the blond man with shades – is good at security, he ensures that no one gets into touching proximity with Tsuna. Mainly because Tsuna is fifteen years old.

Tsuna seems short, but with his stilettos and whip, he seems larger than life.

He thinks that his sparkly nails are very pretty, and his mother agrees with him.

[125dreamy]

THE CONTRAST IS CRAZY YOOOO

[r0d30-brqt]

pov: choir beats you the fuck up. no cap. 🤜🏾💥💥💥

[kht-us]

KHT GmbH

In the eighties, KHT was the first company on the market to develop commissioning robots. This first generation of robots was installed for the first time in 1986. Efficient warehousing This knowhow laid the foundations for further product generations and innovations. Since 1986, our systems have been operating at the most diverse companies all over the world, including pharmaceutical wholesalers, automotive spare parts manufacturers, makers and retailers of spectacles, jewellery, shoes, and tools, to name but a few. Our developers and designers never fail to create innovative solutions for the most diverse requirements and are continuously optimising the efficiency and performance of our plant. This gave rise to the revolutionary KHT two arm technology, as just one example. More than 30 years experience In its present position as one of the market leaders, KHT maintains a production portfolio including mobile logistics instrumentation for measuring simple parcels and complex item geometry. Perfected and sustainable solutions are guaranteed, thanks to the knowhow and experience gained from many projects and our trained team, who will support you through the planning, design, production, project management, and commissioning phases.

Source: LinkedIn Public Company Page

[kht-us]

KHT Textile Co.,Ltd

KHT Texitle Co.,Ltd China yarn manufacture with 160,000 spindles and service our worldwide customers for eight years. We are yarn manufacture and offer yarn as below : 1).CD , CM , Combed Compact , OE 2).20S-140S , range of yarn conts. 3).CVC , TC , RC , Viscose , Bamboo , Modal is available. 1).High quality of PIMA , Xin Jiang Long staple cotton , Australia cotton , American cotton support.

Source: LinkedIn Public Company Page

[kht-us]

Knowsley Housing Trust (KHT)

Now part of the First Ark group of companies, KHT is a not for profit, independent Housing Association, providing high quality homes at affordable rents. In business since 2002, it provides homes for around 25,000 people, through its near 14,000 homes in Knowsley, Merseyside. Its life changing work in the community addresses a number of social and economic challenges and the needs of the environment. Additionally, its wider objectives are to provide opportunities for people to have a better quality of life, to build new homes to help to meet the demand for housing in Knowsley, and to enhance the life chances of all residents. Our range of housing stock includes; houses, bungalows, sheltered housing schemes, as well as low rise and multi-storey accommodation. We actively encourage the participation of our tenants in the management of their homes, with tenant representation on the main board, at area level and through Knowsley's network of residents'​ associations. We are committed to making a lasting and positive contribution towards the regeneration of Knowsley, working with a range of partners to deliver this.

Source: LinkedIn Public Company Page