This post contains spoilers for Knight Rider 2000, the 1991 film which attempts to expand on the canonical universe of Knight Rider (1982-1986). Key word, attempts. I know that this film came out almost 30 years ago at this point, but I also know that this fandom grows a little bit every day, and there will ALWAYS be people who havenât seen every episode (myself included), let alone every movie! I happened to catch it on Charge! for Hoff's birthday (yes I'm hella late posting this LOL) with my good friend @trust-doesnt-oxidizeâ, and boy let me tell you, it was⌠Something.
From here on out, Iâm not holding back from sharing my impression of the film based on specific details from it, so if you want a spoiler-free viewing, go watch it and come back!! Or⌠donât, itâs kind of awful. I can only think of one thing in canon that it may spoil, and even that appears in early Season 2 and is fairly minor, so if you are curious about it, I HIGHLY recommend watching it BEFORE reading this. The scenes with the most impact are touching because they come as a surprise, so even if you know the general plot of the film, I would recommend watching it first.
Also this is really rambley because I have a lot of emotions about this series and, by extension, this movie. I really donât blame you if you click away here, but if you DO read it all the way through, I would love to hear anything you would like to add, agree or disagree!
OKAY!  Knight Rider 2000 is a movie that exists! And I hate it!
The film sets up an interesting argument between two groups of people whose names I donât remember because they were boring (except for Devon, I know his name at this point). In this interpretation of the âfuture,â gun control has been implemented to,,, some extent, I canât entirely tell if there have been some policies implemented across the country or if it is all localized in this one city that even the Wikipedia page for this movie doesnât bother to mention. And no, this city is NOT in California for once! Usually I would be happy to see a change of setting, but considering that everything in this film felt so foreign to the Knight Rider that we know, it would have been nice to at least have a familiar setting. Anyway, gun control stuff. The debate between whether these gun control policies are ethical or not is very interesting. Innocent people are dying because the wrong people have guns and the police are rendered useless when they themselves donât have access to weapons. This argument happens to support my perspective on the issue, so I appreciated how it took a look at that side WITHOUT it sounding like we are crazy murderer people, but I digress. It makes sense that the ban happened in the first place, because much like how the main conflict in Pixarâs latest film Incredibles 2 revolves around societyâs over-reliance on superheroes, I could see Knight Riderâs society becoming dependent on technology to save them. It can be easy to seem like the most advanced tech in that society is present only in KITT and KIFT, and to SOME extent that is true. However, Shawn does say that it is relatively common in this society for people to have memory chips in their brain. That counts for something. And the police DO have a defense mechanism according to the Wikipedia page for this movie, itâs just nonlethal.
So as you can see, I am very interested in the conflict this world sets up. I sure hope they expand on these conflicting ideologies throughout the film, giving us a clearer idea of why the bans were set in place AND giving us insight into what exactly has caused some revolt against it. That subject is seemingly timeless, and with how decently the introduction tackled it, I have some confidence that this film could pull it off in a tasteful way. Wouldnât that be amazing?  Itâs some of the most serious subject matter Knight Rider has ever tackled. Itâs so interesting!
Yeah they pretty much abandon that plot in place of a very, very bad copy of the original showâs âHearts of Stoneâ (season 1, episode 14). Illegal guns exist and are bad, but we donât really know why. I may know a little better if I had been listening closer, but I was trying to not get so bored that I missed Kittâs parts!
At some point during this sequence, we are introduced to Shawn, a happy police officer who is happy to have a family on a happy birthday. And then she gets shot! Due to head force trauma rendering her unconscious, sheâs sent to the hospital. She goes in for a risky operation that miraculously saves her life against all odds.
Then, Michael wakes up with Garthe Knightâs face and hears a great story about how one man CAN make a difference!⌠I mean what? Â
Jokes aside, itâs kind of amazing how much this very Michael-esque sequence comes across very differently. Itâs almost the perfect example of why I donât like this movie. The surgery is weirdly realistic for a Knight Rider entity. Thereâs blood and screens and surgeons and a sterile white room for operations. Michael woke up in a Medieval castle with one doctor and two random people heâd never met at his side. Shawnâs situation clearly makes more sense, but is it half as fun and whimsical? No, no itâs not. This whole film comes across as depressing to me, and itâs only worsened by whatâs to come. Apparently, she had KITTâs CPU/Microprocessor/something sciencey implanted into her brain. Thatâs especially strange since all that I saw was a yellow liquid being injected directly into her skull! Thatâs a lovely image, and definitely gave me the idea that there was a full computer chip going in there??? (It may have actually been explained more clearly, and I just looked away because eek weirdly bloody operation scene) This caused her personality to do a full 180. So, Shawn is going to be fun, snarky, and full of personality like KITT is because they share memories now! Right? Right???
I think they tried to do that, but it came across flat. So flat. She speaks in a purposefully monotone, robotic voice and delivers downright mean comments that leave Michael and KITT scratching their heads. She seems to lack basic empathy until her own memories start flooding back, and at that point, the emotions she show seem so foreign to the character we see that itâs not remotely believable. You want me to believe that this robotic woman with -10 personality points started nearly crying after one string of memories, albeit a very traumatic one, entered her mind? This would have been believable if she was entirely changed afterwards, coming across as far more human, but that was only the case sometimes. It also would have been believable if the film had the same energy that the original Knight Rider show does, where suspending oneâs disbelief is necessary to make it past the opening credits. However, this movie tries to be so grounded that the kind of dramatic beats that would work in the original seem forced here.
Shawn is not the only character who I take issue with, though. Letâs start with the most potentially problematic change from the usual canon in the entire film: KITTâs personality. I have very mixed feelings on how he is portrayed. If youâve seen as much as a spattering of quotes from this movie, you probably could sense that KITT was⌠off. When KITT first comes on screen, he slams Michael with a wave of insults, and none of them come off as their normal joking around. However, I donât necessarily have a problem with that because he has the proper motivation to be very, very upset. He is sitting on a desk as a heap of loosely connected parts that have just enough power to make the signature red scanner whir and make an oddly terrifying red light eyeball thing (Hal???) move. The first thing he hears is Devon nonchalantly saying something along the lines of, âIâm afraid he was recycledâ to explain why KITT has been deactivated for OVER A DECADE and is not currently in anything that moves (my Charge! stream thing lagged at this point but @trust-doesnt-oxidizeâ has since told me that Devon DID appear upset about KITT's being sold, but KITT likely wouldn't have heard that and what Devon said seemed to be moreso directed at HOW the chip was sold and not the fact that it was sold in the first place). KITT is justifiably mad, and if they had kept KITTâs actions in character while his emotions said otherwise, I would have no problem with it at all.
However, once KITTâs CPU is somehow implanted into Michaelâs Chevrolet, KITT does not act in character. Shawn drives, not Michael, so it stands to reason that he would not necessarily listen to her. She stole his CPU, his life for over a decade. KITT does tend to listen to human companions, regardless of whether he is programmed to or not, but I can see where this would be an exception. However, Michael soon intercedes and essentially tells him to cut it out. Based on everything that the original Knight Rider told us, KITT no longer has a choice of whether to listen or not. Michael is ultimately the one who calls the shots because of KITTâs very programming. And yet, in this scene, KITT doesnât listen to Michael and apparently gets so angry that he downright stops functioning. Because that happens all the time in the original series!
And if youâre wondering where I got the conclusion that KITT frustrated his circuits to the point where they could no longer work, he said that. KITT. Admitted to having feelings. In fact, he did not just admit to being angry in the moment. He told Michael that, while it may seem like he is an emotionless robot, he does have a âfeelings chip.â A FEELINGS CHIP-
I am for recognizing KITTâs obvious emotions as much as the next guy. I think they are often overlooked when discussing his character. While I donât think that real artificial intelligence will ever reach the level of human consciousness, the entire energy of Knight Rider comes from playing with this concept by portraying an AI character who clearly emotes interacting with a human who doesnât seem to know that. But the thing that makes this show feel so sincere is that neither character plays too heavily into that trope. While not always knowing how much KITT feels and by extension hurting those feelings alarmingly often, Michael recognizes it enough to work in concert with KITT, apologize for his more major flubs, and consider KITT a friend. And KITT subverts the trope by never recognizing that he has feelings to begin with. He will say that he cannot feel sadness but, in the next breath, say that something upset him. He will say he cannot hold a grudge only to immediately rattle off a string of insults directed at the person he clearly has a grudge on. The show is magic in how these two characters display a subtle chemistry that always has room to grow because both characters are slowly coming to see each other for who they truly are and supporting one another along the way. From what I can tell, the original show never fully concludes that arc, and it may even start regressing after Season 1. However, we can feasibly see how Michael could slowly come to understand that KITT really does feel things just as much as he does. And we can imagine the relief KITT would feel knowing that Michael was never bothered by that possibility.
So, you can see where I have a big problem with KITT spelling it out so plainly. The audience gets full confirmation about what has been displayed to us through nuanced hints throughout the series, which sounds a lot more satisfying than it really ends up being in this film. But worse than an underwhelming conclusion to a thrilling story, Michael knows it plain as day. There is very little buildup to KITT admitting this. He barely even sounds moved. Instead, in this movie, the âfeelings chipâ is a fact of life that does not need to be covered up in the slightest. Michael himself doesnât really⌠react. He just kind of nods along, as if heâs saying, âHuh, makes sense, alright.â After everything these two have been through, if there really was such a simple explanation for why KITT is the way he is⌠why arguments went south, why the mere mention of a Chevrolet was enough to get a seemingly jealous response, why inconsequential things like music taste and gambling were subjects of debate, why KITT had always acted so exaggeratedly dismissive when topics of emotional significance struck a chord, why every little sarcastic banter had a hint of happiness until it didnât⌠donât you think Michael would do something? Whether that something would be a gentle, âI always knew that, palâ; a shocked, âWhy didnâtchya tell me sooner?!â; or even a sarcastic, disbelieving, âYeah, rightâ is up to interpretation. But there would be something.
And yet, even that concept is flawed. We learn a lot from KARRâs inclusion in the original series, and what I take away from it boils down to a simple sentiment. FLAG never meant for their AIs to be human. I do realize that directly contradicts what Devon says within this film, but I see that as another way for the film to steer the plot in this direction, not as a tie in to the original. When Wilton says that one man CAN make a difference, he means that. He isnât considering that KITT is just as much a person as Michael. Heâs not seeing that, at the end of the day, teamwork is what makes the show work, even if Michael is the glue that holds it together. So, I think that to say that there is a âfeelings chipâ is to disregard the entire point of the original, that in this world life finds a way of inserting itself and that KITTâs (and KARRâs for that matter) humanity is an anomaly, not the rule. At the end of the day, KITTâs humanity canât be explained away with science. And really, I donât think it should be explained away at all. The show has had an amazing trend of showing us how KITT feels, in all its unorthodox glory, alongside private moments that had me sobbing like a baby. The movie should just be like a longer, more complex episode of Knight Rider⌠Although I cannot pinpoint exactly how it should be done in the context of this film, I know there are ways that Michael could have been shown that KITT feels rather than being told.
One last complaint, albeit a more minor one, is the idea that he has to listen to what Shawn says over Michael's authority. I have spent a decent amount of time thinking about this one point, which has caused a lot of the delay in posting this. There's multiple reasons why this flies right in the face of what is canon in the original series. Perhaps the most obvious of these problems is the fact that, in the original pilot episode, it's made very clear that KITT can't assume control of the Knight 2000 without Michael's express permission unless Michael is unconcious. Devon makes it quite clear in this episode that KITT is programmed specifically to listen to Michael, not just anyone who happens to be piloting the vehicle at the time. In case there was any doubt about this, KITT ejects two people who are attempting to steal him later in the episode (well, ok, later in the two-parter, I don't know if it was the same episode or not). The show isn't SUPER strict about this in future episodes, but it does at least acknowledge Michael's authority in a few pivotal moments throughout Season 1 (I can't comment on episodes that I haven't seen yet, but I suspect that this pattern continues). Of all the rules set up throughout the series, it actually seems to be the most loyal to this one. One moment that stands out to me is in Trust Doesn't Rust when KITT attempts to stop Michael from causing a head-on collision with KARR, but Michael then overrides him and the climax unfolds. If one of the most iconic moments in the series is caused by this one bit of programming, to throw it out in the film is to disrespect the basis of the original series.
Speaking of KARR, he provides yet another reason niglecting this detail is such a big problem. From what we can tell, KARR isn't programmed to one specific driver (at least, not anymore[?]), and so he can override anyone in the pilot's seat. This is something they seem to highlight in TDR as well, although not so plainly as the previous point. KARR ends up ditching Tony to gain speed and get an upper hand in the chase with Michael and KITT (although a scene they deleted would have made this a mUCH MORE SENSIBLE ACTION THAT R E A L L Y ISN'T A BETRAYAL but y'know what this post isn't about that) whereas KITT has to listen to Michael even to his own detriment. If this one feature is indeed one of the major things that separates KITT from KARR, the idea that Shawn can override all of that cheapens the original conflict between KITT and KARR.
...Well okay, let's be real, KARR was never that compelling as an antagonist to begin with because he's a LOYAL SWEETIEPIE-- I'll stop.
And finally, we have the biggest, most bizarre reason that this is a problem:
If Shawn can override Michael's authority, that means KITT can override Michael's authority.
Why? This would be the first time (outside of episodes where some sort of reprogramming or mind control was involved) in the series that KITT had not only listened to another human instead of Michael, but also listened to that person OVER Michael. The only difference I can see between Shawn and quite literally anyone else in the show's history is that Shawn has KITT's chip implant thing. If that's the reason her opinion has more credence than Michael's, then wouldn't that mean KITT's own opinion has that authority? If that is the case, literally every example I've gone through in the last couple of paragraphs is not just challenged but rather negated entirely.
The most frustrating thing about this scene is that it simply didn't have to happen. Michael could have gone along with KITT's plan, showing him (and us) that he does trust his former partner even after all these years. Shawn could have convinced Michael to go along with it using her... feelings chip. Blegh. Or we could have had a stubborn Michael force this scene to be delayed, likely improving the pacing overall. Maybe we could have even seen a frustrated and emotionally exhausted Shawn wait until Michael is not in the car and then plead KITT to give her the truth, no matter what Michael says. We have seen KITT control his actions without Michael's input plenty of times, and we could have seen some more of his humanity show through if he could relate to Shawn's struggles... after all, he too has missing memories because she has his chip. They're both going through a bit of an identity crisis. I'm sure that he could find some workaround in his programming to help her if Michael wasn't there insisting that he does not take this course of action.
But even after all of that fussing over what has been done wrong with KITT, I canât deny that he is the heart and soul of this film. There was only one scene in this film that brought me near tears. I got more of an emotional impact from this one clip than I have from a lot of movies that are undeniably much better. Michaelâs old-fashioned Chevrolet does not hold up in the year 2000, and it is clear that the usual car chase sequence wonât work as police vehicles quickly creep up on them. I was personally very curious what they would do here. I figured that KITT would find some way to outsmart the drivers of the police cars, maybe by ending up on an elevated mountain road that trips up the other drivers and causes them to waste time turning around and hopping on that same path. Or, maybe, KITT would access a road thatâs too narrow for the relatively bulky police cars. However, it quickly becomes clear that this city is made up of wide roads on the ground. As KITT veers off the road and tells Michael to trust him, the I found myself having to trust him. This isnât the way Knight Rider chases usually go, and with all these odds stacked against him, the only thing we can do is hold our breath. The way this scene is staged to send us into this just as blind as Michael is, frankly, genius. Water slowly creeps into the frame as a feeling of dread builds at the thought of what KITT might do.
Surely, we are led to think, he will knock into some boxes and turn right back around. Right? Weâre reminded of the fact that this is not the Knight 2000, that there is no chance of this car floating. That if KITT does what he really seems to be doing, thereâs no chance⌠but he wouldnât, would he? This is the only action sequence in the film that had me at the edge of my seat, staring wide eyed at the screen. And then, the turn that you want so badly to come doesnât, and you have to wonder whatâs about to happen. What was KITT thinking? Wonât Michael and Shawn drown? And, most prominently in my mind, wonât KITT drown?
For a moment, this scene plays us into believing that, because magic FLAG science that is pretty par for the course, everything is fine. KITT explains that they have an airtight cab and over 20 minutes of oxygen. Everyone lets out a collective breath of relief. We see it in Michael and Shawn, and I know I felt myself relax.
And then thereâs a flicker in the screen, and that pit in the bottom of my stomach came right back. Michael is confused, and KITT explains what we should have realized was inevitable. This is KITT sacrificing himself. He even goes as far as to let Shawn know that she can use any of his computer chips that she may need. This comes off as strange at first, but it goes to show that KITT is, at his core, the same kind soul we always knew. He acts angry because he feels betrayed, but given the choice, he will chose another personâs life over his own, always. Even the microprocessor that he is most frustrated over, the thing that seems to drive a wedge between him and Shawn, is just how he is expressing his hurt. Now, thinking it is the end, he offers it up freely, and Shawn doesnât seem to know how to respond. KITT is calm as he says his final goodbyes. And this is the first place in the film that we get to hear the amazingly nuanced voice acting that William Daniels is so great at. KITT sounds collected and at peace with what is to come, but there are also subtle hints that he is at least a bit nervous, a bit sad. âI know. I guess this is goodbye.â He doesnât want to leave his friends, but he knows that he has to for them to be safe. Even if the pacing of the film seems to actively try to undermine this moment, it stands out to me as an amazing scene, even if the reaction from Michael is underwhelming at best and the reaction from Shawn is⌠as much as can be expected from Shawn, but thatâs not saying much. As far as KITT knows in that moment, these are his last words: âMichael, take care of yourself.â Down to the last moment, Michael is everything to him.
And I felt sad, big time sad. The movie up until that point was unbelievably boring to me, and this wasnât a turning point where the movie suddenly became great. It was a moment so darn good that I almost donât think the movie deserved for it to have as big of an impact as it did. But that shows just how powerful this universe is, how wonderfully honest these characters are. Even after being butchered practically beyond recognition, one scene in-character can still bring you to tears because you have connected with them so deeply throughout the TV series.
AND THEN DEVON DIED IMMEDIATELY AFTERWARDS :D
I donât like Devon.
Devon was actually more tolerable in this movie than normal, and I can see where people who donât hate him could be sad that he died I just,,, he has hurt or talked down to KITT and KARR so many times that I actually could not sympathize. Whatâs even more frustrating about that is that Devonâs death is the one that Michael got all sad over when KITT sacrificed his life for him and Devon got kidnapped randomly but okay go off movie you canât ruin that scene for me. I knew going in that Devon died, but I was expecting them to spend a lot more time setting it up and making it as dramatic as possible. Nope, he just got a shot to the old air tanks I guess? My view of it is nothing more than that itâs a thing that happened.
OH AND DEVON DID PULL ONE HEINOUS ACT. He said that KIFT was better than KITT in every way other than that KITT has humanity. SINCE WHEN HAS DEVON GIVEN ONE SINGULAR HOOT ABOUT THE AIâS BEING ALIVE??? TELL KARR THAT??? HECK, TELL DEACTIVATED KITT THAT YOU WERE JUST FINE SELLING OFF AT AUCTION THAT?!?! Also also, KIFT DOES NOT C O M P A R E TO KITT. We are coming back to KIFT in a moment, donât you worry. For now, I just. Low blow, Devon, low blow.
Michael was fine too, he played a weirdly small part and that felt off but everything he said seemed pretty in character. The most out of character parts were when he said nothing at all. OH AND WHERE HE WAS REPLACING BONNIE but thatâs besides the point, no Bonnie OR April⌠no Bonnie OR April⌠Iâm fineâŚ
âŚ
It feels like this movie wants you to forget that Michael exists because Shawn is here sheâs more interesting, right? Right???
Sheâs really not.
So back to KIFT. My favorite part of KIFT is that pronouncing KIFT in your head sounds funny. Itâs like âgiftâ but if the gift were actually an underwhelming villain of sorts that is overtaken in a garage, parked, by Michael either removing his microprocessor entirely or moving it to a Chevrolet.
I was surprised how not bad KIFT looked. I had seen stills from the movie that looked really uninteresting compared to the regular designs, and while I still agree to some extent, it was a lot more epic than I would have thought. Something about how the paint shines on it is captivating. I was genuinely happy when KITT was moved to the snazzy red vehicle, although a big part of that could have been how disgusting mint green looks with red. Seriously, including the red scanner on that bizarre seafoamy-bluey car (and yes, I do think it is a very pretty car by itself) was like when people say movies were âinspiredâ but in the opposite direction. And the scanner looked weirdly small? Was it just me?
Am I the only one who feels w e i r d just looking at this??
I think this is the most normal thing to be categorized as being in uncanny valley but there we go, I did it. Itâs not right.
Anyway, as neat as KIFT looks, it is no comparison to the classic Knight 2000 or even Season 3 KARR. Red can be striking, but not when the classic scanner is also red. No contrast!
KIFT is absurdly easy to forget, and I donât think that the carâs design has anything to do with it. KITT spends most of the movie piloting that car, and while it is not what we are used to, it doesnât come across as super lame to me, eitherâŚor at least, not because of the design. The biggest problem with KIFT is, I think, simply his voice. His voice feels so out of place in the movie, and itâs so strange to me considering that Danielsâ voice is integrated just fine. The recording sounds too crisp, too clean. KITTâs voice always has a great deal of character, a very Earthy-sounding voice for an AI character. I actually think that this incongruity is purposeful, and itâs a very clever concept. We are supposed to recognize that KIFT isnât human like KITT is. KIFT sounds out of place in the real world among real people; heâs too neat around the edges. Itâs especially obvious when KITT and KIFT talk to each other. This is also mirrored by how KITT occupies a well-loved Chevrolet that has little imperfections that make it feel real whereas KIFT is in this red⌠whatever it is that feels like it comes out of a sci-fi film. This effect would have really worked if we had enough time with KIFT to understand his personalityâor, more aptly, his lack of personality. What makes this not work is the fact that we spend practically no time with KIFT. We donât get to hear what he feels he is programmed to do, we donât get to hear him deliver the sort of lifeless lines that Shawn did that made her so unlikable, and we donât even get to hear his voice more than 4-5 times. Every time comes as a shock, taking us out of the moment of the film. We could have gotten used to his crisp sound if he had spoken more, and we may have seen the actual plot significance of it. Instead, it pulls you right out of the movie.
Oh yeah, and the only line(s?) that KIFT delivers to KITT are full-on taunting⌠thatâs not very lifeless of you KIFT.
Alright, just one last thing to really hammer home a point from earlier and conclude this whole thing. You know what I was saying about this movie lacking the whimsical nature of the TV show? Well, the final chase puts the icing on this oddly sullen crab cake.
Yes, crab cake.Â
Because the pinchy crab that is Shawn makes it quite painful to get this particular cake and icing doesnât even belong on it anyway.
KITT is racing down the street in this bright red car that I just explained is thematically wrong for him to be driving tbh but whatever, heâs racing in it and comes up to a barricade of randomly stacked up cars.
Oh Yeah, we all know what is coming.
The music swells. Michael looks at the upcoming barricade with furrowed eyebrows and quietly asks KITT what the heck theyâre going to do now.
OH YEAH, we definitely know what is coming.
And at last, for the first time in the filmâŚ
KITT veers off to the right and they drive on water.  âItâs really sink or swim with you, isnât it?â Michael asks, pretending thatâs funny as if I am not still emotionally raw from that scene that happened an hour ago.
Apparently, KIFT had that one obscure feature from âReturn to Cadiz,â the Season 2 episode where April forces KITT to follow KARR into the ocean on the hopes that waterproof wheels might work maybe, directly ignoring his many attempts to get out of it. Yay. I love references to That Episode. That Episode which baited me with an opening that looked like KARR could have been discovered underwater only to show me that not only was there no KARR, but KITT was going to be bullied into repeating what his brother did when he died. Wholesome. Lovely. Fantastic. And how did KITT know for sure that would work? KITT clearly still has some technical hiccups in his own CPU from Michael tampering with it, that was an awful lot of confidence to place in a maybe.
AND MORE IMPORTANTLYâŚ
THIS MOVIE DID NOT HAVE A TURBO BOOST
AÂ TURBO BOOST
I cannot believe that a movie based around Knight Rider did not have a turbo boost (or for that matter, the THEMESONG???). Like I am honestly still surprised by it. Almost every episode of the original show had at least one turbo boost, and there is a reason. The idea of a talking car jumping in midair, sometimes with Michael âWOO!â-ing like a girl, is so fantastically fun that nobody even tries to question how impossible it is. I think we all know how impossible it is, and that doesnât matter, it is yet another thing that embodies the heart of this show.
And⌠not even one.
âŚ
So yeah, that just happened. I think this is technically a small novel. Wow.
 I know that I'm still missing a lot... I have a lot of thoughts about this movie, and if you for some reason want more please ask! I would also love to hear your thoughts on this! Do you agree with my analysis? Do you disagree entirely? Did you notice something that I failed to mention entirely? Pleasepleaseplease send ideas, I would love to hear them! Also know that, no matter how much I was disappointed by the movie itself, I am fully open to hearing your ideas about how to improve or expand upon it. I truly believe that this film introduced some great concepts, and I would absolutely adore seeing them reworked in a way that's more true to the original. Thank you for reading! :D
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