#kunstwollen #nyc (at Guggenheim Museum)

seen from Canada
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#kunstwollen #nyc (at Guggenheim Museum)
#kunstwollen #philosophy (at Berlin, Germany)
#kunstwollen #berlin (at Berlin, Germany)
#kunstwollen #art #museum #nyc (at Guggenheim Museum)
#kunstwollen #berlin #art (at Museuminsel Berlin)
MEDITERRANEO, IL MARE TRA PASSATO E IL PRESENTE
MEDITERRANEO, IL MARE TRA PASSATO E IL PRESENTE
Mediterraneo di Albert Camus
Mediterraneo Albert Camus, attraverso questa sua poesia, ci rivela la realtà di un mare che porta con sé un enorme bagaglio storico, di profumi, tradizioni e colori. Noi, però, quando viene pronunciata la parola Mediterraneo all’istante pensiamo a quel mare intercontinentale situato tra Europa, Africa e Asia e che, secondo la storiografia, è tradizionalmente…
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Im Gegensatz zu den Semperschen mechanistischen Auffassung vom Wesen des Kunstwerks muß eine teleologische treten, indem das Kunstwerk das Resultat eines bestimmten zweckbewußten Kunstwollens erblickt wird, das im Kampf mit Gebrauchszweck, Rohstoff und Technik durchsetzt.
Die spätrömische Kunst-Industrie nach den Funden in Österreich-Ungarn im Zusammenhange mit der Gesamtentwicklung der Bildenden Künste bei den Mittelmeervölkern Alois Riegl (Vienna, 1901)
For many Americans born in the 1980s and 1990s — members of Generation Y, or Millennials — particularly middle-class Caucasians, irony is the primary mode with which daily life is dealt. One need only dwell in public space, virtual or concrete, to see how pervasive this phenomenon has become. Advertising, politics, fashion, television: almost every category of contemporary reality exhibits this will to irony.
Christy Wompole, "How to Live Without Irony," 2013
"Will to Irony" = Ironiewollen. Not quite as nice as Kunstwollen, but still good.