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Nobody:
Latine Characters:
Barbie: Big City, Big Dreams Gift Set (product code: GXF28)
Dear Loveable (Latina) Lesbians,
Once upon a time, back in colonial South America, there was an influential mining city called Potosí that sourced a significant portion of the world's silver. Given the degree of exploitation of the native people that kept the mine in business, the majority of the people were impoverished and crime was abundant.
Enter Ana Lezama de Urinza and Eustaquia de Souza, the Valiant Ladies of Potosí. Eustaquia was a nobleman's daughter and Ana was a street urchin eventually adopted by the family. Together, the two lovers acted as vigilantes, fighting crime and protecting the weak of Potosí.
The best part of this? Those two were real people, and this book is based on their true story. Part murder mystery, part love story, this novel is a delight to follow.
Shipping.
(from The Owl House, S1E11: “Sense and Insensitivity”)
Rosa Diaz
Brooklyn 99 is a comedy about a group of New York cops, one of my favorites being the hardcore and somewhat intimidating Rosa Diaz.
This badass bisexual Latina may seem unaproachable, but really she would go to great lengths to help those whom she considers her friends. Rosa has handled so much, from going to prison as an innocent cop, to dealing with parents who didn’t accept her. She is played by the very talented Stephanie Beatriz, who really gives this character her many dimensions and layers.
Just a Normal Day at War
For Star Wars POC Week 2020
Day 2: Cultural Traditions
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Summary: For every Muslims in the galaxy, the celebration of Eid ul-Fitr is filled with happiness and laughter in the air. For Erina Almarez-Guttierez, on the other hand, who is on duty as a Republic admiral during the Clone Wars, Eid won’t be the same for her anymore
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Glancing at her datapad, the Republic admiral’s eyes were glued to a particular date on her calendar, which was circled in red ink. 21st of this month, which was tomorrow. That was the day Erina would be at home with her family and childhood friends, celebrating Eid ul Fitr.
After 30 days of Ramadan, where she had to eat before dawn and abstain food and water until the sun sets, where she would take a bite of her fresh dates that she would buy at the marketplace on Coruscant from a Muslim seller like her.
Wearing a black hijab around her head, Erina Almarez-Guttierez had brown skin and dark, amber eyes with thick, black eyebrows. A native of Lothal, her parents spoke fluently in Spanish and practiced Islam as their religion.
The showrunners of One Day at a Time and Vida talk Hollywood, Latinx representation, and the “alchemy” of seeing yourself on TV.
“If the Latinx community comprises 18 percent of the U.S. population — and 25 percent of 6-to-21-year-olds in the nation are Latinx, according to Pew Research Center — why are Latinx stories so hard to find on television, especially considering the record volume of shows made in the Peak TV era?
That is the question Latinx Hollywood has been asking more and more in recent years, and perhaps most loudly in the wake of the recent cancellation of One Day at a Time, a Netflix critical darling and Norman Lear reboot about a Cuban-American family living in Los Angeles. The departure of the show from the TV landscape leaves only three shows on the air centered on Latinx families that do not delve in criminal or gangster stereotypes: Netflix’s On My Block, which launched its second season on Friday; the CW’s Jane the Virgin, currently in its final season; and Starz’s Vida, which drops its second season on demand on May 23 (and premieres on the cable network May 26). That’s three of 495 scripted series produced in 2018. (ABC will premiere Grand Hotel, executive-produced by Eva Longoria, on June 17.)
Last week, One Day at a Time co-showrunner Gloria Calderón Kellett, who loosely based her sitcom on her life as a Cuban-American, and her friend Tanya Saracho, creator and showrunner of Vida, participated in a conversation about Latinx representation on television at the Riveter’s L.A. co-working space. The highlights of their hour-long discussion, led by Lindsay Scola, director of strategic communication and social impact at Friends at Work, have been edited and condensed below.”
Read the full piece here