Apr 4, 2025
not only did you get me, you got google’s AI
Tech companies: AI is perfect place to get i\nfo! AI always very reliable use AI. Use AI always. no problems ever with AI
The AI:
seen from United Kingdom
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seen from Russia
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seen from Malaysia
not only did you get me, you got google’s AI
Tech companies: AI is perfect place to get i\nfo! AI always very reliable use AI. Use AI always. no problems ever with AI
The AI:
In the years 1919/20 Malevich was still deeply engaged in his Suprematism movement during 1919 and 1920. In fact, this period was significant for him as he continued to develop and refine the principles of Suprematism. Malevich believed in the supremacy of pure artistic feeling over depiction of objects in the visible world, and this period saw him producing some of his most iconic works. Between 1917 and 1918 he created his series of “White on White” paintings. Malevich remained firmly rooted in Suprematism during these years, exploring its principles in depth through his art. One of the results of this you can see in the painting “Suprematism of the Spirit”. File:Suprematism-spirit-1919-1920.jpg – Wikipedia.
Seems that there were several versions made (by him personally?). The museum in Amsterdam has one on wood and the museum in Tel Aviv has one based on that one in Amsteram. But the version I mention above is shown in Unovis No 1 Vitebsk 1920 as annex to the facsimile edition and in Jahrbuch der jungen Kunst, Klinkhardt Biermann in the article of Kallai, Ernst (Konstruktivismus p.375) Leipzig,1924 as well as El Lissitzky/Hans Arp (Die Kunstismen /Les Ismes de L’Art /The Isms of Art) in 1924-1914 Erlenbach Zürich München Leipzig 1925 Pp 23 (illustration 45) etc. (More information available)
El Lissitzky, Wölkenbugel (1924)
Proun G.B.A, 1923
El Lissitzky
Homage.
5x5=25
Max, Graphic Design, tells us about Russian Constructivism and it's influence on design in "5x5=25"
A formative art show from 100 years ago When constructivism took hold in Russia during the early 20th century, the rest of the world knew little of how this specific movement would change the aesthetic and standards of art in the western world. It would take a number of decades before the values of constructivism were fully appreciated by western artists. Many of them began to morph and adapt…
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