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Some Literary Terms & Devices
Literary devices and terms - are the techniques and elements that writers use to create narrative literature, poetry, speeches, or any other form of writing.
Anadiplosis - a figure of speech in which a word or group of words located at the end of one clause or sentence is repeated at or near the beginning of the following clause or sentence. This line from the novelist Henry James is an example of anadiplosis: "Our doubt is our passion, and our passion is our task."
Bildungsroman - a genre of novel that shows a young protagonist's journey from childhood to adulthood (or immaturity to maturity), with a focus on the trials and misfortunes that affect the character's growth.
Chiasmus - a figure of speech in which the grammar of one phrase is inverted in the following phrase, such that two key concepts from the original phrase reappear in the second phrase in inverted order. The sentence "She has all my love; my heart belongs to her," is an example of chiasmus.
Diacope - a figure of speech in which a word or phrase is repeated with a small number of intervening words. The first line of Anna Karenina by Leo Tolstoy, "Happy families are all alike; every unhappy family is unhappy in its own way," is an example of diacope.
Epizeuxis - a figure of speech in which a word or phrase is repeated in immediate succession, with no intervening words. In the play Hamlet, when Hamlet responds to a question about what he's reading by saying "Words, words, words," that's an example of epizeuxis.
Foreshadowing - a literary device in which authors hint at plot developments that don't actually occur until later in the story. Foreshadowing can be achieved directly or indirectly, by making explicit statements or leaving subtle clues about what will happen later in the text. The Russian author Anton Chekhov summarized foreshadowing when he wrote, "If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off." The description of the gun on the wall, in other words, should foreshadow its later use.
Hubris - excessive pride or overconfidence, which drives a person to overstep limits in a way that leads to their downfall. In Greek mythology, the legend of Icarus involves an iconic case of hubris: Icarus is given artificial wings made of wax and feathers so that he can fly (a superhuman feat), but he ignores his father's warnings and flies too close to the sun, melting his wings and drowning in the ocean.
Irony - a literary device or event in which how things seem to be is in fact very different from how they actually are. If this seems like a loose definition, don't worry—it is. Irony is a broad term that encompasses three different types of irony, each with their own specific definition: verbal irony, dramatic irony, and situational irony. Most of the time when people use the word irony, they're actually referring to one of these specific types of irony.
Juxtaposition - occurs when an author places two things side by side as a way of highlighting their differences. Ideas, images, characters, and actions are all things that can be juxtaposed with one another. For example, it's a common plot device in fairy tales such as Cinderella to juxtapose the good-natured main character with a cruel step-sibling. The differences between the characters, as well as their close relation to one another, serve to highlight the main character's good qualities.
Kenning - a figure of speech in which two words are combined in order to form a poetic expression that refers to a person or a thing. For example, "whale-road" is a kenning for the sea. Kennings are most commonly found in Old Norse and Old English poetry.
Litotes - a figure of speech and a form of understatement in which a sentiment is expressed ironically by negating its contrary. For example, saying "It's not the best weather today" during a hurricane would be an example of litotes, implying through ironic understatement that the weather is, in fact, horrible.
Metonymy - a type of figurative language in which an object or concept is referred to not by its own name, but instead by the name of something closely associated with it. For example, in "Wall Street prefers lower taxes," the New York City street that was the original home of the New York Stock Exchange stands in for (or is a "metonym" for) the entire American financial industry.
Narrative - an account of connected events. Two writers describing the same set of events might craft very different narratives, depending on how they use different narrative elements, such as tone or point of view. For example, an account of the American Civil War written from the perspective of a white slaveowner would make for a very different narrative than if it were written from the perspective of a historian, or a former slave.
Onomatopoeia - a figure of speech in which words evoke the actual sound of the thing they refer to or describe. The “boom” of a firework exploding, the “tick tock” of a clock, and the “ding dong” of a doorbell are all examples of onomatopoeia.
Polyptoton - a figure of speech that involves the repetition of words derived from the same root (such as "blood" and "bleed"). For instance, the question, "Who shall watch the watchmen?" is an example of polyptoton because it includes both "watch" and "watchmen."
Quatrain - a four-line stanza of poetry. It can be a single four-line stanza, meaning that it is a stand-alone poem of four lines, or it can be a four-line stanza that makes up part of a longer poem.
Red herring - a piece of information in a story that distracts readers from an important truth, or leads them to mistakenly expect a particular outcome. Most often, the term red herring is used to refer to a "false clue"—a piece of evidence that misleads readers to believe that a crime (or other action) was committed by someone other than the actual culprit.
Sibilance - a figure of speech in which a hissing sound is created within a group of words through the repetition of "s" sounds. An example of sibilance is: "Sadly, Sam sold seven venomous serpents to Sally and Cyrus in San Francisco."
Theme - a universal idea, lesson, or message explored throughout a work of literature. One key characteristic of literary themes is their universality, which is to say that themes are ideas that not only apply to the specific characters and events of a book or play, but also express broader truths about human experience that readers can apply to their own lives. For instance, John Steinbeck's The Grapes of Wrath (about a family of tenant farmers who are displaced from their land in Oklahoma) is a book whose themes might be said to include the inhumanity of capitalism, as well as the vitality and necessity of family and friendship.
Understatement - a figure of speech in which something is expressed less strongly than would be expected, or in which something is presented as being smaller, worse, or lesser than it really is. Typically, understatement is used to call attention to the very quality it pretends to downplay. For instance, if you had just eaten the most delicious meal of your life and licked the plate clean, you might jokingly tell the chef that "It was edible," making use of understatement to humorously express how much you appreciated the meal.
Verbal irony - occurs when the literal meaning of what someone says is different from—and often opposite to—what they actually mean. When there's a hurricane raging outside and someone remarks "what lovely weather we're having," this is an example of verbal irony.
Zeugma - a figure of speech in which one "governing" word or phrase modifies two distinct parts of a sentence. Often, the governing word will mean something different when applied to each part, as in the sentence, "He took his coat and his vacation." The verb "to take" makes sense with and governs both "coat" and "vacation," but is appropriate to each in a different way.
Source ⚜ More: Writing Notes & References
40 Literary Terms Book Lovers Should Know
Happy Book Lovers Day! 📚 Celebrate on 9 August by exploring 40 literary terms every book lover should know. Learn the words writers and readers use to talk about books, from familiar terms to a few you may not know.
Drabble vs. ficlet
“The main difference lies in the precision of the word count:
A drabble is a story with exactly 100 words (not including the title) and serves as a formal writing exercise, while a ficlet is a more general term for a very short piece of fan fiction, usually under 1,000 words, but more flexible in terms of word count (e.g. 90-110 words). A drabble is therefore a type of special ficlet, but not every ficlet is a drabble.”
Nobody ever told me the difference, and it is strange that I only checked for myself now. But I'll leave this here for others who may want to know.
Literary Terms with The Owl House
Simile: a comparison using like or as. (Eda: "He is like a little teakettle")
I knew a few of these, including the rather beautiful “petrichor”, but I’m reeling from the knowledge that I’m overly fond of interrobangs and that I can legitimately write a sentence like “Cassian Andor had a permanently wrinkled glabella when he was stressed, which was most of the time” - and get away with it. 
a quick reminder
protagonist = main character
antagonist = main opposition to the protagonist, i.e. determined by whoever the main character is
while these terms are often applicable in stories featuring heros and villains, they should not be used interchangably
heros & villains = determined by morality
not every main character is a hero, not evey antagonist is a villain. vice versa.
protagonist & antagonist = not determined by morality
in some stories, its intentionally flipped and that reversal can be key to the story's key message. e.g. Megamind
can you think of any stories where this has been the case? what did you like about them? what are some examples of stories where this is an important distinction to make?
AP Lang fam unite. 💪