imo the pov character should be lying to themselves and concealing shit from themselves constantly

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imo the pov character should be lying to themselves and concealing shit from themselves constantly
Local Writer Shocked As She Realises Planned 'Short Fanfic' Is Turning Into Multi Chapters Plot Oriented Slow Burn Fanfic
。゚゚・。・゚゚。 ゚。 BUILD A FIC ゚ 。・
( pick a quote + a feeling + a trope ! let’s see what fic you end up with. )
author's addition: this lil build-a-fic is inspired by @scealaiscoite ’ s adorable idea ! her prompt lists are literal perfection. go stalk her blog pls she’s the best ever 🧸 you’re welcome to tweak phrasing as needed, but please don’t add to or rewrite the original post. give credits to @fawndrip / @suprclark if using.
— QUOTE
❛ stop smiling like that. it’s distracting. ❜ ❛ you make it really hard to stay just friends. ❜ ❛ why does it feel like a goodbye? ❜ ❛ you’re blushing. ❜ — ❛ no i’m not. ❜ ❛ just friends don’t look at each other like that. ❜ ❛ i missed you. that’s all. ❜ ❛ you remember the little things. that’s what gets me. ❜ ❛ tell me to stay. and i will. ❜ ❛ my hand fits so perfectly in yours. it's like i'm made for you. ❜ ❛ do you want me to leave? ❜ — ❛ no. i want you to stay forever. ❜ ❛ i think i knew it was you. even back then. ❜ — ❛ then stay. ❜ — ❛ but that's the thing. i don't know if i know you anymore. ❜ ❛ i don’t know how to stop wanting you. ❜ ❛ this means something. don’t pretend it doesn’t. ❜ ❛ you’re not just anyone. you’re you. ❜ ❛ if we kiss now, everything changes. ❜ — ❛ i know but that's a risk i'm willing to take. ❜ ❛ i’ve been in love with you since the night we met. ❜ ❛ tell me it meant nothing. lie if you have to. ❜ ❛ i was easy to leave, wasn’t i? ❜ ❛ you don’t get to miss me now. you lost that right when we broke up. ❜ ❛ say something. anything. please. ❜ ❛ i loved you. that should’ve been enough. ❜ ❛ i wish i didn’t remember everything. ❜ ❛ don’t look at me like you still care. ❜ ❛ i’m tired of pretending this doesn’t hurt. ❜ ❛ you said forever. i believed you. ❜ ❛ if you didn’t mean it, why did you say it? ❜ ❛ you chose them. you always do. ❜ ❛ i don’t hate you. i just wish i’d never met you. ❜ ❛ you let me go like i was nothing. ❜ ❛ please don’t make this harder than it already is. ❜ ❛ are you sure? cause whatever this is it doesn’t feel like love. ❜ ❛ it’s always been you. i just didn’t know how to say it. ❜ ❛ say that again. i dare you. ❜ ❛ you really don’t see it, do you? ❜ ❛ i think i like you. like, like like you. ❜ ❛ do you always look at people like that? ❜ ❛ you make it really hard to think straight. ❜ ❛ oh my god. you’re blushing. ❜ ❛ this means something. don’t pretend it doesn’t. ❜ ❛ i should’ve kissed you when i had the chance. ❜ ❛ you’re not helping. you’re being pretty. it's distracting. ❜ ❛ you make me nervous in the best way. ❜ ❛ every time you look at me, i forget what i was saying. ❜ ❛ just admit it. you like me. ❜ ❛ if you don’t kiss me right now, i might explode. ❜ ❛ you’re dangerously good at that smile. ❜
the look of love ೀ
how to describe a loving gaze
⇸ eyes darting all over your face, trying to figure out which part of you they want to set their eyes on the most (it's impossible)
⇸ gazing at you like you're miles away only when you're a few feet away, standing with another person. their stare is hard, intense, but also melting and blank.
⇸ a featherlight touch to your arm with their eyes softly peering up at you. they can't believe that you're allowing them to touch you like this—so innocent, so softly.
⇸ late nights where its just the two of you in a car. they turn over to look at you but immediately turn. for the safety of the both of you, they can't stare at you any longer
⇸ when you're teasing them, they have to bite down extra hard to not release that smile from their lips. their eyes are squinted more tightly than usual. still, they're glued onto you.
⇸ meeting their eyes from across the room, and the two of you have the exact same thought. you turn away first to hold back your laughter, but their eyes are pinned onto you.
⇸ a softened gaze in a random moment. there's no reason for them to be looking at you like that—with slightly hooded eyes and parted lips—except for the fact that they just love seeing you
⇸ you're twirling around in your new outfit, showing the 360 angle. their pupils look like they're completely taking over the iris of their eye. suddenly, breathing becomes a lot more faster than they remember.
When world-building starts to feel like this.
Honestly. Best feeling ever.
Thoughts on flipping from "TV brain" to "prose brain" when writing fiction
Lincoln Michel Dec 12, 2024
I’m using “TV” as a shorthand for any visual narrative art from feature length films to video games. A lot of fiction these days reads as if—as I saw Peter Raleigh put it the other day, and as I’ve discussed it before—the author is trying to describe a video playing in their mind. Often there is little or no interiority. Scenes play out in “real time” without summary. First-person POV stories describe things the character can’t see, but a distant camera could. There’s an overemphasis on characters’ outfits and facial expressions, including my personal pet peeve: the “reaction shot round-up” in which we get a description of every character’s reaction to something as if a camera was cutting between sitcom actors.
[...]
My theory is that we live in the age of visual narratives and that increasingly warps how we write. Film, TV, TikToks, and video games are culturally dominant. Most of us learn how stories work through visual mediums. This is how our brains have been taught to think about story. And so, this is how we write. I’m not suggesting there is any problem in being influenced by these artforms. I certainly am. The problem is that if you’re “thinking in TV” while writing prose, you abandon the advantages of prose without getting the advantages of TV.
[...]
When I talk with other creative writing professors, we all seem to agree that interiority is disappearing. Even in first-person POV stories, younger writers often skip describing their character’s hopes, dreams, fears, thoughts, memories, or reactions. This trend is hardly limited to young writers though. I was speaking to an editor yesterday who agreed interiority has largely vanished from commercial fiction, and I think you increasingly notice its absence even in works shelved as “literary fiction.” When interiority does appear on the page, it is often brief and redundant with the dialogue and action. All of this is a great shame. Interiority is perhaps the prime example of an advantage prose as a medium holds over other artforms.
Author rant incoming, but I don't know what pisses me off more: lazy assholes who act like they're 'the real deal' because they have an AI make a book or story for them.
Or actual authors who have no class solidarity & use AI slop for their covers.
I can't be the only one who gets pissed at that. There is just so much here to say about how little solidarity there is between different types of creatives, how easily one group will get rid of another because they can save up on money or they already get most of the money. The recent strikes for actors and animators are proof enough that some people got theirs so they don't care about other creatives.
But as a writer who's dirt poor & STILL would never consider using AI for a book cover, I can't help but be bloody disappointed in these people.
It's like that adage of 'if you couldn't be bothered to make it, why should I be bothered to consume it?' Except it's 'if you couldn't be bothered to support a fellow creative, why should I support you?'