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"Blinks and Blares" (眨眼和刺耳声)
Shel Silverstein led one of the most interesting lives that has been lived in the last century. A college dropout, artist, and writer, one might have expected to find him waiting tables or washing toilets. Instead, he was a soldier, a cartoonist and columnist for playboy, and a playwright before becoming a beloved children’s book author. He didn’t get there using alliteration… but agreeably for almost anyone, he used it after. One poem in particular is the anthem of our age: Standing is Stupid. In this poem, he argues that physical activity is useless and that instead we should spend our time lying down (truly he was ahead of his time). After taking his advice, lying and thinking for what felt like a lifetime, the little mysteries have become elucidated: it’s all in the lights. Those bright lights, those flashing lights—those that make us turn our heads and hold position with mouths hanging open. They’re just…so Shanghai, and their movement almost makes me forget where we are.
"Blinks and Blares" (眨眼和刺耳声)
102*102cm
island6.org/blinksandblares
Art for sale: [email protected]
C Dance (C舞蹈), Liu Dao
Description: Wu Yandan (performance & choregraphy) Zane Mellupe (art direction) Thomas Charvriat (technical direction) Tom Lee Pettersen (video) Cai Duobao (video animation) Yan Jiaqing (production assistant) photo:Zane Mellupe Medium: LED display, paper collage, sand & resin coating, Hessian Year Created: 2008 More info at: http://www.island6.org/LiuDao08.html
https://www.saatchiart.com/art/New-Media-C-Dance-C/79245/580444/view
"Seize The Means Of Pollination" (抓住授粉的方法)
Graffiti. When we strip the layers of painted meaning down to the brick, what are we left with? What were those early experimenters in 1983 New York City trying to express? The underground nature of the medium lends itself to an energetic feeling of wild reformation, of a mode that subverts not only the artworld, but those other forces of colonization, greed, and evil present in all corners of discourse. Were the imaginative needs of those artists so different from those of their forefathers? Is the Peranakan pattern on this vase any less graffiti than what’s painted onto the wall across the street? Maybe it boils down to a difference in the how rather than the what, a difference of expression rather than one of content. We’ve heard well-dressed people discuss in hushed yet excited tones heavy with the smell of expensive champagne that graffiti is a return to something primitive, to a preliterate time of big Gods and little gods, that it’s a “good investment…”. And so far, they’ve been right, but only because with a snap of their fingers and a clap of their hands, they’ve decided this is how it would be.
"Seize The Means Of Pollination" (抓住授粉的方法)
47*66cm. Unique
Art for sale contact [email protected]
Follow us on IG: island6_gallery
"Every Sixth Day Of The First Month" (正月初六)
The nameless is the boundary of Heaven and Earth. The named is the mother of creation.- “Tao Te Ching”
Tian Yuan Di Fang (天圆地方), is a traditional philosophy that first appeared in the Chinese classic text “Tao Te Ching”. It literally means the sky was round and the earth was square. The concept became popular and heavily influenced the architecture of Chinese temples, with their square bases rooted to the ground and a circular or octagonal shape when viewed from above. Zengzi, one of Confucius’s disciples, had another theory - what the words truly implied is way more complex than a geographical description. The sky (round) and the earth (square) symbolize Yang (motion state) and Yin (stationary state). They balance and complement each other in Chinese philosophy. Thousands of years ago, as our ancestors looked upon the same sky we do now while standing firmly on Mother Earth, they sought the secrets of the universe and searched for the purpose of our existence. How exciting! At some point, we all have the experience of feeling deeply connected with something larger than ourselves. Personally, temples possess that kind of magic. They embody the wisdom and the faith carried by our ancestors in a mysterious yet obvious way. It celebrates life and all the inevitable forces that come with it. Now ladies, remember this when visiting temples. Find the perfect angle and strike a pose. After all, it’s your time to shine!
"BOOM" (轰)
What do you taste when you hear Igor Stravinsky’s Rite of Spring? What colors do you see wisping and waving through the air when Richard Wagner’s Ride of the Valkyries presents itself to your ears? And where do you go when you hear Yu Boya and Zhong Ziqi’s High Mountain and Flowing Water? Stravinsky questioned how we separate civilization from barbarism, and how we might tell the difference between them. His return to Russian folk traditions caused mixed reactions from patrons and critics alike, with the opening night of Rites described later as a “riot” of booms, crashes, and hisses. Wagner demanded domination with the gentle hum that grows into thunderous roars separated by metallic clanks. He demanded synthesis. Valkyries was a song of war, an auditory claim for praxis which has been motivated time and time again. Similarly Yu and Zhong plucked their guzheng strings to the plunk-plunk-plunk of water flowing down a mountain which reflected the harmony of their own friendship. So what shall our other senses make of noise if music represents mirrored synthesis, domination, and perfect harmony?
Art for sale: [email protected]
141*176cm
"Gou Gou Gou" (围棋)
During the Second World War, the Enigma Machine created a possible 159 million million million code combinations each day. Every morning, the code was reset and new possibilities for secret communications would burst forth. What many forget is that of these vast possibilities, the Enigma code still ended in a singularity, in actionable consequences, in history. In other words, possibilities don’t stay possibilities forever. Eventually even the Hugh Hefners, Richard Bransons, and all the other bon viveurs who lap up possibilities become settled. The shifting nature of realities dictates that what was taboo yesterday is in fashion today; what was new 5 minutes ago is today a tired dog. The trick is to accept the target as moving, to live comfortably within whatever circumstances you find yourself. Some scholars of the Zhuangzi have identified this behavioral trend in Daoist texts, coining the term “genuine pretending” to describe it. Destruction and hollowing of the self allows for more adaptation to the present moment; in shifting times, what else can you ask for?
"Gou Gou Gou" (围棋) 103*103cm Artwork page: https://island6.org/gougougou Price inquiry contact [email protected] ✨Follow us on IG🪄 island6_gallery
"366 Yunnan Nan Lu" (云南南路366号)
Hungry for something succulent and packed with flavor? Allow me to suggest the exquisite and iconic Jinling Salted Duck (盐水鸭). The earliest records of the dish date back over a thousand years ago to the Six Dynasties (AD 222-589). A keystone of Jinling cuisine, the tender white duck meat is fragrant and moist, with taut skin. The savory dish has been popular with many throughout the years, especially the founding emperor of the Ming dynasty: Zhu Yuanzhang. Legend says there was a dispute over a loud noise in the city, so the emperor issued a decree to kill all the roosters in the land. The people of Nanjing (formerly known as Jinling), had no chickens to eat, so the answer was simple... Ducks! This gave rise to the prominence of duck dishes, salted duck being one of the most exceptional. If you ever find yourself craving it, head to Yunnan Nan Lu food street. You’ll also find boiled chicken, spareribs with rice cakes, Nanxiang steamed bread, and Shandong dumplings. Although personally we recommend the unique salted duck. Let’s keep it between us!
51*51cm
TFT display, acrylic painting, media player, Vietnamese linen, teakwood frame
Art for sale : [email protected]
Follow us on Instagram: island6_gallery
Hungry for something succulent and packed with flavor? Allow me to suggest the exquisite and iconic Jinling Salted Duck (盐水鸭). The earliest