The Hazbin Hotel reconsideration commentary begins NOW!
I'm only watching it for the second time. The first time I watched it was with my best friend who's absolutely in love with this show! There's fanfics and everything. But the first time around, it didn't Hook something in me enough to consider myself a "fan". I enjoyed it and DEFINITELY enjoyed the music, but not quite enough to revisit it.
Season two completely changed that. I can't quite put my finger on why; the writing was just more intriguing, the plots more compelling, the characters explored on deeper levels. Maybe because they didn't need to introduce such a wide cast, so they could focus more on the integral character moments and develope the plot? (Though I definitely think the music was leagues better, too!)
The thing is, Hazbin Hotel isn't exactly my... usual fare. My mother called it low-brow, and she has a point. (She also called its concept "deceitful" though, which was NOT a fair point. Like, yes, it's a made-up situation, that's what fiction is. We enter into a show already agreeing that we're going to be told a story. She's a bit of a bible-thumper though, so that's probably what she meant.)
But it can definitely be low-brow. It has a lot of the kind of humor my middle-school lunch table was throwing around at age 14. But you know what? It gives this show its personality.
It's genuinely irreverent, and I think that's so FUN. Not just for saying "fuck" or making "harder, Daddy" jokes. But there's something both freeing and refreshing in being ABLE to make a show like this. Being able to watch it, widely available, and just have fun with it. Most adult-specific media I've been exposed to is just... boring. Formulaic and drawn-out in a way that tortures my ADHD. But this one was FUN!
Because sometimes it does startle a laugh out of me. Sometimes hearing bubbly Charlie, who sings songs about rainbows and brings crayon drawings to an important meeting, heave an exasperated "SHIT" when it doesn't go well is just funny.
Plus there's a really fun juxtaposition in the Broadway-adjacent musical style being used to sing songs about how much you suck (affectionate), or how miserable Hell is, or enjoying slaughter.
I'll admit that a lot of the jokes don't land with me. But there are also a solid few that do.
And the plots of each episode are genuinely INTERESTING! The characters may not have the in-depth dramatic heart-to-hearts I love so much, and in season one, the self-contained one-episode subplots generally don't go very in-depth with the stakes or worldbuilding, either. But there IS heart there, and the vast majority of its sub-plots are character-driven, which I really appreciate.
Not to mention, the "monster of the week" style is a writing format I sorely miss. It's nice to get bite-sized stories sometimes, and it's nice to have them self-contained. I actually ENJOY pacing more when it's rapid-fire events. (Sidenote that this even comes through in my writing; one of my favorite authors ever once critiqued my writing by saying "It feels like we're careening from plot point to plot point." I think that kinda applies here too. But to each their own!, because I LIKE that about it!)
And yet, it's not ALL "monster of the week"! Season one ended with a GRAND slew of dangling plot threads to be picked up in season two, and they sure picked them up!
Season one alone didn't earn enjoyment the heights of which lead to hyperfixation for me. But then you get to season two, and HOLY STARS. Subplots galore, and you DO get some of those heart-to-hearts (even in song form!), and the characters interact with a little more emotional intelligence.
…some of them. The gift baskets were Not evidence of emotional intelligence. But I actually really enjoyed that this show showed angels as not being all-knowing high-empathy wisps of love and light and wisdom. They had flaws, and they had depth. They're interesting CHARACTERS! This show introduced the ANGELS as the VILLAINS! I love a good perspective shift!
And the music in season two is AWESOME. I don't know what changed, but there are more instruments in each song, they incorporated motifs across multiple songs, the stylistic differences in each song really shined. My favorite sequence to listen to, from the bouncy Like You to heart-rending Sera's Confession to Lute's furious rock anthem Gravity, spans a HUGE emotional range and style!
But now I'm getting ahead of myself. I'll dive more in-depth with that when we get there. What I'm trying to say is, season two made me appreciate the characters and setting enough to revisit Season One with more appreciation for what was present there, too.
So there's my overall opinion and my journey with this show so far. Up next: DETAILS!