Jul 10, 2019
Lykke-Per (2018) dir. Bille August
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Lykke-Per (2018) dir. Bille August
Há pessoas que são atraídas pela aflição, aquelas que só encontram consolo no desespero e na solidão.
Lucky Per, Henrik Pontoppidan (1917)
He was drawn to her as a kind of anaesthesia to calm his mind, and he felt that only she could give him the hot and potent potion of oblivion he needed.
Lykke-Per, Henrik Pontoppidan
Such a huge city had something of the sea’s magic, its billowing fairy-tale attraction in the murderous struggle for existence, in this wild tossing about, in the ceaseless rocking that, up to the final destruction, lures one on with new and boundless possibilities.
— Henrik Pontoppidan, Lucky Per, trans. by Naomi Lebowitz
There was no hell other than what mankind, afraid of life’s joy and the body’s force, created in its monstrous imagination.
— Henrik Pontoppidan, Lucky Per, trans. by Naomi Lebowitz
When we are young, we make immoderate demands on those powers that steer existence. We want them to reveal themselves to us. The mysterious veil under which we have to live offends us; we demand to be able to control and correct the great world-machinery.
— Henrik Pontoppidan, Lucky Per, trans. by Naomi Lebowitz
Magnificently metaphysical and boldly human, Henrik Pontoppidan’s “Lucky Per” plays for the highest possible stakes.
“Pedro, el afortunado”, de Billie August, deslumbra con su realización y el retrato social que pone en pantalla
“Pedro, el afortunado”, de Billie August, deslumbra con su realización y el retrato social que pone en pantalla
Por José Luis Arredondo.
Pedro tiene sueños y ambiciones sin límites, grandes y desbordados como su talento para la ingeniería. Su mente trabaja con la posibilidad de extraer energía de los recursos hídricos cuando el mundo aún no ve más allá del carbón y el gas para funcionar. Diseña máquinas, aparatos y artefactos que sus contemporáneos aún no visualizan ni en sueños. Es un adelantado a su…
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