#magzines

[theopiumeater]

various pages from uk rave zine eternity: issue 5 (c. 1990s)

[schibborasso]

THE NEW YORKER nov 26 2001 enduring freedom cover by art spiegelman

[radioheadarchive]

Radiohead for Rockerilla #176, April 1995

[savage-kult-of-gorthaur]

"ALWAYS SAY, "BOY HOWDY!" -- 1980 SPECIALS EDITION.

PIC INFO: Spotlight on a "CREEM" magazine "Boy Howdy!" profile of English ska band THE SPECIALS, from the band's "More Specials" era, c. July 1980 issue.

HOME: "Wherever they hang their pork pie hats."

PROFESSION: "Sensual simian shoe shufflers."

LAST BOOK READ: "History of the 2-Tonic Invasion" by Adolf Costello.

LAST ACCOMPLISHMENT: "Paid for their barber’s Jamaican vacation."

QUOTE: "Sleep all day... it's the only way."

Source: https://flashbak.com/creem-profiles-one-page-spotlights-1970s-80s-musicians-395074.

[bob-juggerd]

“ Ines.Jma “ - Photographed & Habillée par #BOBJUGGERD in paris 

[fanhannitv]

[lamski]

Methods and Processes 🎨

One of the modules (BA Design @Goldsmiths) I took (early) last year was Risograph Printing - Popular among the zine and self publishing community due to low production costs, Riso prints come with a simple colourfulness that makes them seem easy to make. 

Appearances can be deceptive, though, as Risograph printing is not an easy technique to learn, let alone master. To create the perfect print requires finding the balance between your design and the way it will turn out best in print.

Digital prints look so dull next to Riso prints with its bold and intense colours. Often limiting your colour palette to two or three colours fits perfectly to this technique for printing and learning what images work well.

[sheikhsafwanelahi]

We’re all dalmatians!