SURPRISE! MJF returned to MLW (Major League Wrestling) and Místico paid the price!
“I ain’t through with you…yet!”
seen from China
seen from Austria

seen from Malaysia
seen from United States
seen from Brazil

seen from Malaysia
seen from United States

seen from Netherlands

seen from Netherlands

seen from Netherlands

seen from Netherlands

seen from Netherlands

seen from Netherlands
seen from China

seen from Netherlands

seen from Netherlands

seen from Netherlands

seen from Netherlands
seen from Italy
seen from Yemen
SURPRISE! MJF returned to MLW (Major League Wrestling) and Místico paid the price!
“I ain’t through with you…yet!”
things that stuck with me after this ppv:
can’t believe mjf lost that match. because for all that people love him, mark brisco isn’t on that same level of serious wrestling that mjf is. hes a fun wrestler, he does cool stuff, but he’s doesn’t feasibly win that match. we’ve seen maxwell wrestle for an extraordinarily long time. we’ve seen him beat champions. and we’ve seen him play dirty and bloody. mark does bloody stuff, but the scale is different. are they trying to make mark a serious competitor? do they want this feud to go on longer? i don’t get it. we didnt have him come interfere with the hanger match either, which would've been a good reason for him to lose that match, so he could focus back on hanger. im just. they have this incredible worker in max friedman who is genuinely a once in a generation talent, who can act on camera and in the ring, who can wrestle like a maniac, who is so dedicated to this company that he has a tattoo of their logo and that he showed up when he could've been on his honeymoon. and they have this fascinating storyline of MJF's self-destructive behaviors and self-doubt and self-loathing and how he channels it outwards and how some of his external anger isn't uncalled for, because the fans really have fucked him over. they have hanger and him pulling the exact same move, and not only did he get booed when hanger got cheered, hanger won. these things he tells himself aren't just born of the ego he has created to live with himself, they're not just lies, they're real. and they. they keep putting him in this feud solely based on... what? MJF being an asshole, as is characteristic of him, and the class warfare, which is also characteristic of MJF? it's not born of any genuine thing, really. it's a much more clearly manufactured feud, and it doesn't do anything interesting with either character that couldn't be done with some other wrestler on either side. it's a fine feud, but it's not unique to their relationship. and in comparison to what they started between hangman and mjf before it? it's boring.
what the fuck. what the fuck. what the fuck. im genuinely so sick of this. its not a fun "oooh we're teasing marina wrestling in an aew ring again" thing. we've had several great times for her to hop in there and assert herself as a serious competitor, not just an aggressive protector and peacemaker of and for (respectively) the death riders. great. commentary mentioned her being violent. every once in a while we get her doing some underhanded thing that is violent. but like. we get stokely doing underhanded things that are violent. they're out of excuses for marina not wrestling- she has to be cleared to wrestle since she recently did AN INTERGENDER TAG MATCH WITH YUTA on ROH. im not expecting anything that good on aew because tony is afraid of intergender matches (or maybe just women), but come the fuck on. i love the death riders and i think the dynamics are so interesting and so important but we can't just see marina as a bodyguard/caretaker. claudio is also a bodyguard and a caretaker, and he's been swinging fully grown men around in a ring. come on. in this ppv alone there were at least three opportunities for marina to make a really interesting comeback, and i'm not even getting into the opportunities from before her recent tag match.
haha yay!!!!!! the jurassic express!!!!!! awww i love these guys so much. I really liked them when i started watching aew/wrestling, even before I knew much about wrestling. then i stopped watching aew for a while, and i made a brief return and jack perry was the scapegoat and luchasaurus was no longer vegan and i was so disappointed. then i returned for real like a year ago and neither of them were there and i was bummed. I was so excited for luchasaurus' return, even if it wasn't quite how i remembered him. and now jungle boy is back. and so is the jurassic express. i am so damn happy. the way jungle boy looked at his dinosaur, how he knew luchasaurus had his back, the big hug... nearly started crying.
2016 xmas pic from kahoinjapan on instagram:
9年前の今日、私はニューヨークにいた。一週間滞在していて多分4日目かな。私はずっと不登校で、振袖着る代わりに行ったニューヨーク。初めての一人旅、飛行機、そして海外。ニューヨークで過ごした一週間は、言葉では表せられないくらい特別なものだった。またみんなに会いたいな。
Can’t believe I was in NYC 9 years ago today!! I think 4th day of my 1 week trip. It was my first time to travel alone, get on a plane, and go abroad. A week that I spent in NYC will catch my heart. My power to live. I miss you all so much.
Graham Techler's new play runs off-Broadway at 59E59 Theaters.
What is The Panic of '29?
Max Friedman: I've been calling it a screwball tragedy. It's an alternate history comedy that imagines an America wherein, on October 29, 1929, beginning with the Wall Street Crash, history bends, and in place of the New Deal, an American apocalypse takes place. We follow this hilarious band of misfits, everyone from crime writers to a bar proprietress to cabaret singers and Wall Street secretaries, as they find their way into a collectivist future through an authoritarian regime.
Will Roland: I've been calling it a slapstick Lehman Trilogy meets the Fallout series.
Max: Part of what makes the play great is that, although the subject matter and themes are pretty weighty, it is primarily an afternoon or evening of entertainment.
How did you both get involved with this piece?
Max: Less Than Rent has been developing the play with Graham for a while, and I have been developing two of Graham's other plays. He'd been working on the script for quite a while, though he was kind of keeping this one to himself. It came to me about nine months ago and we had the opportunity to do two table reads, and now we're really guns blazing. When I read the script, one of the first things I felt was Will's voice leaping off the page at me in the role of Jimmy Armstrong. Graham says that Jimmy is sort of like his stand-in, and Will does a really good job of being Graham's voice in the action.
Will: I was so tickled by the script from the very beginning. Graham's style is truly unique. You can feel his roots as a humorist in the way that the dialogue exists. The language is incredibly dense, which I have an absolute blast with. Every line is like five sentences long. He's a wordsmith who loves language and loves to play with repetition. So the combination of Graham's style with the content of the play. I'm really preoccupied by society and economics and group social contracts, and this play is interested in how individual people exists within social contacts, within economies, within rules of law, and what happens when certain elements crumble and break apart.
day fourty eight
Max Friedman:Orient Gateway
Covers by Vittorio Giardino
NBM
“Summer 1938. Europe is teetering on the brink. In the far corners of the world, the intelligence agencies of the major powers fall into a frenzy of relentless warring. One Mr. Stern, an engineer, becomes the stakes in this shadowy conflict. In Istanbul, Max Friedman and the intoxicating Magda Witnitz will do everything to save him. “
bmc opening night cast and creative team posts as on 1:40pm EST!
in order, it's jason sweettooth williams, will roland, jennifer tepper (producer), gerard canonico, max friedman (associate director, i think?) and ashlee latimer (also a producer)