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Some women resent the concept of their own biology. The absence of equity and their position in the gender hierarchy causes them to hate their own nature and resent the fact that they are, on the whole, at a disadvantage.
There are many ways to cope with living in such a position. Some women, unable to meaningfully change these fundamental aspects of our species and probably lacking social capital within their own sex, direct their resentment towards men. However, since the average man is stronger and they can do little to harm them, they target the weak, such as the disabled, infants, and the unborn.
I can only imagine that existing as a woman must be horrifying. The very act of lashing out against the weak and vulnerable is degrading and humiliating. Acting in such a way, and doing so because it is the only thing they can meaningfully do to experience power and control over others, is incredibly pitiful and sad. The worst thing is that these experiences are nowhere near the worst thing that could happen to them.
The grass is always rotten on the other side.
Over the years, the SCP Foundation's conception of memetics has evolved to such a degree that it's barely recognisable as Dawkin's original writings, and that's what makes it so fun
It went from "What if we applied evolutionary biology principles to ideas?" to "What if Plato's World of Forms was a death world filled with patchwork gods, ideological plagues, and is two weeks away from having its ecosystem overtaken by the conceptual equivalent of an invasive species?"
On the consumption of g@y p0rn
Going beyond erotic entertainment, homosexual pornography functions as a repository of queer cultural memory and desire. For many, it remains the only space where queer male longing is visualised, ritualised, validated, and satisfied. In heteronormative societies, gay porn becomes a means of asserting that queer bodies not only exist but also desire each other. It serves as a mirror of fantasy through which the queer subject learns to recognise himself within a circulating economy of libidinal exchange.
Owing to this mirroring power, gay porn is remarkably effective as a memetic system. It distills complex social codes (dominance, submission, idealised masculinity, eroticised otherness, etc) into repeatable and transmissible visual units. Its frames and gestures (poses, archetypes, tropes, fetishes, etc) spread across platforms like viruses, reproducing norms and counter-norms alike. The still images, GIFs, and camboy performances become semiotic capsules of queer ideology. In our digital era, porn operates as the most successful queer propaganda tool. It infects the social imagination with erotic possibilities that exceed the grammar of heteronormative language.
I view gay porn as an archive and algorithm of male desire. It is a libidinal infrastructure that programs bodies in the art of recognition and replication. Its necessity lies in not only the satisfaction of lust but also in the preservation and mutation of queer ontology within the capitalist regimes of visibility and code. Through repetition and imitation, it produces an evolving mythology of what the gay body is, wants, and performs. It functions as viral semiotics: images circulating as content-as-contagion, infecting users with both fantasy and formation, scripting the erotic unconscious of an online networked generation.
[Memetics was much like many other wings and sites in the sprawling world of the Office, white walls, neutral carpets, cool colors elsewhere, but something was different.
It was like the measurements of the walls didnât add up, or the signage didnât quite say what they should the first time you saw it. I could have sworn a lighted âEXITâ sign said âEDIT.â Twice I felt like I had to move a few feet to the side to walk around someone that wasnât there. It wasnât world-shattering, I wasnât spinning dramatically with my hands on my head, but there was a distinct feeling that something was wrong.
Up ahead, figure leaned out of the office door and waved me down.]
Rowan] Hey! Here. Over here.
[I was grateful for the distraction, checking the sign on the door as I was guided in: Dr Rowan Milne.]
in the most recent Girl Genius comic, one of the Dreen has made a tactical error and accidentally rearranged Klaus Wulfenbach's priorities under his spark wasp control -- and now he has no choice but to aim to kill them. Oops!
I threw this together in a fit of inspiration -- I assume the next comic will go differently, but I wanted to publish it anyways because the concept really just seized on me as soon as the Dreen in-comic mused "Say - What is that Music?"
đđđYo quiero dar mis clases y talleres con lĂĄminas tan geniales como estas... Despedida en dos dĂas, pero lo que nos Ăbamos a reĂr, eso harĂa que casi valiera la pena (fuente abajo)