What is that Huichol Indian woman doing who is about to give birth? She remembers. She intensely remembers the night of love from which the child to be born comes. She thinks about it with all the strength of her memory and her joy. Thus the body opens, happy with the happiness it had, and then the good Huichol is born, who will be worthy of the joy that made him.
A good Huichol takes care of his soul, his luminous life force, but it is well known that the soul is smaller than an ant and softer than a whisper, a thing of nothing, a little breeze, and in any carelessness it can be lost.
A boy stumbles and rolls down the mountain, and his soul breaks free and falls into the rut, bound as it was only by spider silk thread. Then the young Huichol becomes stunned, falls ill. Stammering, he calls for the guardian of the sacred songs, the witch doctor priest.
What is that old Indian searching for, digging in the mountains?
He follows the trail where the sick man had walked. He climbs, very silently, among the sharp rocks, exploring the branches, leaf by leaf, and under the pebbles.
Where did life fall? Where was it frightened?
He walks slowly and with his ears wide open, because lost souls cry and sometimes whistle like a breeze. When he finds the wandering soul, the witch-priest lifts it on the tip of a feather, wraps it in a tiny cotton ball, and carries it back to its owner inside a hollow reed, who will not die. (Eduardo Galeano - Memory of Fire II. Faces and Masks)