Okay, so I'm saving this here because I'm blown away by the choices Michael Fleisher (story) and Al Milgrom (pencils) made. When I write, I try not to plagiarize. For example, I'll take three things from somewhere, change them a bit, and then combine those three pieces into one hopefully original idea. The brazenness here of shock troops upset with someone for owning books and equipping them with flame throwers (Fahrenheit 451), let alone their name being "Thought Police" (1984) is so crazy to me. Was it because they knew the audience was around twelve, so it'd be better to make the baddies something kids might know in order to make the story less complicated? Was it laziness? I'd love to just mash-up pop culture tropes into a story like this.
Here are all three issues of Morlock 2001, as published by Atlas Comics in 1975. This comic was written by Michael Friedrich (which I suspec
