“For men to have steel, Conan, they must learn of its riddle! You must learn the way of steel!” by John Buscema, with Letters by Joe Rosen, Colors by Deborah Pedler and Lynn Varley, and a Script Adapted by Michael Fleisher.
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“For men to have steel, Conan, they must learn of its riddle! You must learn the way of steel!” by John Buscema, with Letters by Joe Rosen, Colors by Deborah Pedler and Lynn Varley, and a Script Adapted by Michael Fleisher.
Little Shop of Horrors
by Michael Fleisher, Gene Colan, Dave Hunt, Anthony Tollin and John Costanza
DC
Spider-Woman Omnibus by Marv Wolfman, Mark Gruenwald, Chris Claremont, Michael Fleisher, Ann Nocenti, Roger Stern, Carmine Infantino, Steve Leialoha, Trevor Von Eeden and many more. Main cover by Joe Sinnott. Direct Market cover by Leialoha. Out in November.
"Jessica Drew's entire first series in a single volume!
Far more than a mirror image of Spider-Man, Jessica Drew swung onto the scene in the late 1970s with a strikingly different spider-origin – and quickly became one of Marvel's most distinctive and dynamic heroes! SPIDER-WOMAN OMNIBUS collects all her classic adventures in a volume that won't gather cobwebs on your shelf. From her mysterious beginnings as a spawn of Hydra to her decisive turn toward heroism, Jessica's saga features the creation of her own formidable rogues' gallery and team-ups with the X-Men, Spider-Man, the Thing and more Marvel heavyweights – all brought to life by top talents including Marv Wolfman, Carmine Infantino, Mark Gruenwald, Chris Claremont, Steve Leialoha, Michael Golden and others! Collecting MARVEL SPOTLIGHT (1971) #32, MARVEL TWO-IN-ONE (1974) #29-33, SPIDER-WOMAN (1978) #1-50, AVENGERS (1963) #240-241 and ANNUAL (1967) #10 and material from WHAT IF? (1977) #17."
BHOC: CAPTAIN AMERICA #236
This latest issue of CAPTAIN AMERICA brought to a finale the long-running six-part Doctor Faustus storyline, one that seemed to amble and move along herky-jerky as though the specifics of the plot were being made up issue to issue. But this final installment made me re-evaluate the entire story, and in fact go back and read it all in a single sitting. So it’s a good example of how using a…
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"COMING SOON FROM DC COMICS..." -- A WESTERN GUNFIGHTER TRAPPED IN A SCI-FI FUTURE.
PIC INFO: Spotlight on a full page house ad for the American sci-fi/Western comic book series "HEX" Vol. 1, a then ongoing series published by DC Comics, starring Jonah Hex. It ran from 1985 until 1987. Artwork by Mark Texeira.
Source: www.dcinthe80s.com/2016/03.
Okay, so I'm saving this here because I'm blown away by the choices Michael Fleisher (story) and Al Milgrom (pencils) made. When I write, I try not to plagiarize. For example, I'll take three things from somewhere, change them a bit, and then combine those three pieces into one hopefully original idea. The brazenness here of shock troops upset with someone for owning books and equipping them with flame throwers (Fahrenheit 451), let alone their name being "Thought Police" (1984) is so crazy to me. Was it because they knew the audience was around twelve, so it'd be better to make the baddies something kids might know in order to make the story less complicated? Was it laziness? I'd love to just mash-up pop culture tropes into a story like this.
Here are all three issues of Morlock 2001, as published by Atlas Comics in 1975. This comic was written by Michael Friedrich (which I suspec
Haywire house ad (circa September 1988)
Samantha Reads Comics: Adventures in the Bronze Age DC Edition #12
One hell of an opening splash if I've ever seen one.
how perceptive!
Jeez, ALL these Aparo splashes are poster-worthy.
hate when this happens to me
Some, uh, really interesting ideas about how Hell works, going on here.