#my comparatives

[aconissa]

René Magritte, L'État De Veille (1958) Philipp Igumnov, Cloudhouse (2013)

[nameahappyhero]

Hidden in their own little world

I’ll Give You the Sun, Jandy Nelson (2014)

Rest on the Flight into Egypt, Rembrandt van Rijn (1647)

Orange is the New Black, Jenji Kohan (2013-2019)

She Walks in Beauty, Lord Byron (1814)

The Kiss, Auguste Rodin (1901-04)

Into My Arms, Nick Cave (1997)

The Dig, cin. Mike Eley (2021)

Soldier’s Heart, Alex51324 (2020)

Four Weddings and a Funeral, script. Richard Curtis (1994)

[rotgospels]

i) Hannibal, 2x08 ii) Catherynne M. Valente, Deathless

[aconissa]

Shirley Jackson, We Have Always Lived in the Castle Vincent van Gogh, Garden at Arles (1888)

[aconissa]

WRITERS + DIRECTORS ON THE POWER OF HORROR

Catriona Ward, interview for The Guardian Mark Gatiss, in A History of Horror (2010) Pascal Laugier, for Electric Sheep Candyman (1992), dir. Bernard Rose Colin Dickey, Ghostland Carmen Maria Machado, for Paris Review Kier-La Janisse, House of Psychotic Women Possession (1981), dir. Andrzej Żuławski Mariana Enríquez, ‘Notes on Craft’, Granta Guillermo del Toro, Haunted Castles, Dark Mirrors

[aconissa]

John William Waterhouse, Circe Invidiosa / Sally Gall, Thirst

[aconissa]

Jeanette Winterson, Written on the Body Richard Siken, 'Portrait of Fryderyk in Shifting Light' Victor Tkachenko, Emerald (2019) Audre Lorde, 'On a Night of the Full Moon' Mitski, 'Heaven' The Shape of Water (2017), dir. Guillermo del Toro Vanessa Taylor & del Toro, The Shape of Water script Mitski, 'Strawberry Blond'