#nadamiami

[supportblackart]

@shikeith Blessed and Highly Favored. 💙 Come see my solo presentation at NADA Miami with @ltdla Booth 9.14 🙏🏾 #supportblackart #shikeith #nadamiami #blackart #miamiartweek #representationmatters (at Nada Miami Beach) https://www.instagram.com/p/B5tIHv9BmxE/?igshid=1nppbtbu0s2fz

[anuminium]

‘Juicer’ 2o24 oil on linen 25.5 x 50.5cm (diptych)

‘Limber’ 2o24 oil on linen 37.5 x 37.5cm

‘OJ’ 2o24 oil on linen 30.5 x 55.5cm (diptych)

‘Baldi’ 2o24 oil on linen 30.5 x 25.5cm

‘Bangku’ 2o24 oil on linen 30.5 x 25.5cm

[galeriapotencja]

Miami NADA Projects Art Fairs, 5-8.12.2019, Karolina Jabłońska, Tomasz Kręcicki, Cyryl Polaczek, Ice Palace Film Studios, Miami

[xenoandoaklander]

NADA Art Fair Miami! Come get a signed screenprint of ANGELIQUE at Kayrock’s booth E9 - open now til Sunday - @newartdealers @kayrockscreenprinting #nadamiami #newartdealers #kayrock #kayrockscreenprinting #kayrockedition #screenprinting #silkscreen #xenoandoaklander https://www.instagram.com/p/B5veBukngb6/?igshid=1ubw4xl9nd6s5

[parksfineart]

Adiós, Miami! Your embrace is equal parts irresistible and irksome. Here, some examples of the former. @artbasel @newartdealers #artbaselmiami #nadamiami #artadvisor (at Miami, Florida) https://www.instagram.com/p/BrGridMFicR/?utm_source=ig_tumblr_share&igshid=k57jbnyg28ak

[amirshariat]

Throwback to a great encounter with Derek Fordjour at NADA Miami #derekfordjour #nadamiami #miami #icepalacestudios #lucegallery #ninajohnsongallery #artbaselmiami (at Ice Palace Film Studios)

[carbon12gallery]

Last day to catch us at NADA MIAMI!

Booth #6.10

Carbon 12 proudly presents a duo presentation with Bernhard Buhmann’s (b.1979, Austria) painterly explorations of social milieu and Amba Sayal-Bennett’s (b.1991, UK) series of drawings and sculpture of interpretive encounters as they both investigate the strength of the formality in geometric reduction.

There is a synergy between the works of the artists that compels one to examine the relationship between their practices with great interest.

In A Thousand Plateau’s Deleuze and Guattari use the term ‘plane of immanence’ to signal a turn away from notions of transcendence, pre-existing forms and original genesis. The clarity of the formal language and the exactness of the composition may have their correspondence on the superficial, theoretical level in the concept of immanence. In the image plane the constructive elements dominate and build the prerequisite on which the quality of the relativity, the relationships, can develop.

Sayal-Bennett presents drawings and a sculpture, the latter can be understood as drawings in an expanded sense. She is interested in how formal elements or relationships between certain objects can generate references outside of the work’s physical material context. The two large scale paintings of Buhmann create a similar tension.

Beginning with formal reduction both gain their breadth of content in the formation of different kinds of relationships, the relationship itself being the central moment. In Sayal-Bennett's work, the relationship to the viewer is essential. Which references are generated, what references are produced, and how do they differ from other interpretations? The fragmentary character of Buhmann's work represents the ongoing process of reciprocal references and at the same time symbolizes the contingent and transient nature of all social negotiation processes. His particular interest is the emergence of social negotiation processes, whereby relationships (as in the case of Sayal-Bennett’s work) get into the focus as a constitutive element.

More information

[email protected]

[kiragondecksilvia]

Just met Chuck Close! 🙀 #chuckclose #miamibasel #artbasel #nadamiami (at Ice Palace Film Studios)