A Priest's Manual. Nepal, 18th to 19th Century.
Los Angeles County Museum of Art.

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A Priest's Manual. Nepal, 18th to 19th Century.
Los Angeles County Museum of Art.
▪︎ Face of Bhairava.
Date: ca. 16th century
Place of origin: Nepal
Nepalese Lingzhi Fungus Mask, probably 19th century
This extraordinary mask has been formed from a large, single Lingzhi fungus (Ganoderma Lucidum). The natural structure of the fungus has been coaxed into forming a nose, ears, a mouth and eyes. Two holes on either side allow for a natural twine to have been threaded through so that the mask can be either worn or hung for (perhaps) ritual display. The surface is hard, glossy and dramatically wrinkled. It is believed that such masks were worn ritually to frighten off malevolent spirits. Most extant fungus masks are of black (or blackened) Lingzhi fungus. Pannier (2009, p. 68) illustrates a mask translated as a ‘mushroom’ mask which appears to be made from a single fungus – possibly a Lingzhi – but coloured with red pigment. Nepalese fungus masks are rare. Dating them is difficult. There are few in private or museum collections. The surface is glossy and encrusted with a varying patina suggesting some significant age. Possibly it was darkened with soot although there is no residual smokiness present. The example here is in an excellent, stable condition with just the odd small loss to the extremities as might be expected. The texture is hard and robust rather than crumbly and friable. It has a wood-like consistency.
Pair of Deity Earrings with Vishnu on Garuda (front) and chepu (monster mask) (back), Kathmandu Valley, Nepal, 1600s or 1700s. Cleveland Museum of Art (ID: 1915.338). A green Vishnu with four arms, each holding his attributes of discus (his upper right hand), mace (upper left), lotus (lower right), and conch (in pearl, lower left) rides on a coral Garuda with lapis wings, arms outstretched. The blue figures on either side are probably celestial beings praising him in dance postures, with one leg crossed over the other. On the back sides, delicate filigree floral scrolls form the backdrop of a protective mask popular in the Nepal; a sun over a crescent moon are inlaid above his head. (Cleveland Museum of Art)
Kiran Manandhar (Nepalese) - Aatma VI (acrylic on canvas, 2017, Aatma series)