When it comes to unnecessary but epic insults, internet is where it shines the most.

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When it comes to unnecessary but epic insults, internet is where it shines the most.
ELTINGTOBER DAY 2: NERD RAGE
Mario plans a get together, everyone is invited! I hope your MAR10 Day is super!
Wip of Vivienne showing off her very original and not Mary Sue character for DnD night.. the boys are clearly thrilled.
“The titan said Belos is evil tho! Are you stupid the show said he was evil!”“Masha said lil’ bro just got jelly that his brother got a girlfriend! He doesn’t have depth and his ending was supposed to be unsatisfying!”“But James Ironwood losing his arm is supposed to represent him losing his humanity”“Jason Rose said that James could’ve always become evil and sided with Salem”“They literally called him genocide general!”“But in this Q&A they said the puppies survived they just lost their laser powers! And in the tie-in material, they showed everyone was fine! You just hate Starco!”“The show/tie-in material/a fucking Q&A said blah blah blah!”These arguments are shit. TOH- “God says witches are evil so it is his duty to kill them!” is a pretty horrible justification for killing someone except when the titan says it to Luz. I don’t think Luz is in the wrong for killing Belos, he was a genocidal maniac and child abuser and genuinely irredeemable- nobody who hates the ending of The Owl House complains about Belos being irredeemable, they complain about the show flopping the cult critical message, how hunter’s possession felt like needless shock value, the show not properly setting up the collector or how the coven system/conformitorium’s writing is a mess or how Eda becoming a teacher makes as much sense as Toph becoming a cop and you can go ‘but the show said-’ what the show said had unfortunate implications, was uncomfortable to abuse survivors, and I can’t forgive the ass-pullery of the trailer-bait nightmare sequence or how in the hexside crew became irrelevant! When people complain about how Belos was handled nobody complains about him not getting a redemption arc- they complain that hunter should’ve been there to see belos die or how they hate Luz’s power up. RWBY -James Ironwood’s and Penny’s character arcs and deaths felt so ableist it’s actually uncomfortable to watch, I have ASD my sister, and like half of the people I know have PTSD, I don’t know any amputees but I’ve seen plenty making noise about how shit the writing was. Good, they should be mad! The show’s message about prosthetics/amputations was toxic! Not mention for all the hopeful messages Team RWBY screams at the top of their lungs about trust they knowingly broke Ironwood’s trust for very poorly defined reasons! while I do think ruthless pragmatism is a bad thing, team RWBY offered no alternatives, he wasn’t a villain- he was facing an ethical dilemma and got fucked over. And SVTFOE- I shouldn’t have to buy tie-in materials to understand the show- tie-in material should be a bonus not a supplement or requirement, I Don’t have to buy the ATLA comics inorder to understand the show, I don’t have to read all of Lord Of The Rings to understand the movies. It doesn’t matter how the show was supposed to be interpreted or how the audience is supposed to feel, and It’s perfectly valid for the audience not to care about damage control spinoffs (cough cough Steven Universe) or Q&A’s or whatever. I’ll admit sometimes the audience is fucking stupid and completely media illiterate but can we stop acting like anyone who doesn’t blindly consume product and go with what the writers said are stupid? I know im not articulating this well but I’m pissy rn and I’m having trouble deconstructing whats wrong with those kind of arguments but god there is so much wrong with these arguements
Nerds...
One has a big head, lol
I take advantage of the free time I have to draw, I hate school 🥺👉🏽👈🏽
How Disney Turned Star Wars Into Boner Kryptonite: A Deep Dive Into the Feminist Force That Ruined the Galaxy
“The Rise of Space Wokeness and the Fall of Male Dignity”
Let’s be real: Disney didn’t just buy Star Wars—they neutered it, slapped it with glitter, and handed the reins to writers who probably think the original trilogy is “problematic.” What used to be a testosterone-fueled space opera has devolved into a pastel-colored girl-brand where the Force is female, men are morons, and any trace of male empowerment has been sent to a galaxy far, far away.
And now, we have The Acolyte: a masterclass in how to make straight men everywhere vomit in their popcorn. Let’s talk about it.
1. Lesbian Space Witches: “We Don’t Need Men, Except to Kill Them”
So, The Acolyte introduces us to the concept of “lesbian space witches,” because apparently Star Wars wasn’t edgy enough. These witches spend their screen time practicing dark magic, wielding the Force, and reminding us that men are the root of all galactic problems.
Disney didn’t just go for girl power—they went for girl annihilation. It’s like they sat down and said, “What’s the quickest way to alienate the OG fanbase? Oh, I know! Lesbian witches in space!”
It’s not that lesbians in space can’t work—it’s that these characters feel like someone’s feminist revenge fantasy brought to life. And when you pair it with the next atrocity, you get a franchise so off-brand it makes Ewok adventures look like cinematic genius.
2. The Acolyte and the Jedi Love Triangle of WTF
Let’s not forget the main storyline: a girl falls in love with a dude who MURDERED her entire Jedi shift. Like, brutally. I’m talking lightsabers and limbs flying everywhere. And instead of vengeance, she decides, “Yeah, he’s kind of hot, though.”
Excuse me, what? Is this Star Wars or Twilight fan fiction? Who decided that the best way to tell a compelling Jedi story was with a romantic subplot pulled straight from the “toxic relationships are sexy” playbook? Oh, but wait, there’s more!
3. The Simp Jedi: Master Sol, King of the Weaklings
Master Sol deserves a whole section to himself. Here’s a guy who raised the main character like a daughter, only to be Force choked to death by her while he whispers, “It’s alright.”
IT’S ALRIGHT?! My guy WTF? She’s killing you, and your last words are basically, “You slay, bitch!”? This isn’t character depth; it’s a PSA for male submission. Master Sol’s entire existence is a Disney wet dream of what they think men should be: apologetic, weak, and ready to die for the sake of “female empowerment.”
4. Harvey Weinstein’s Ex-Assistant: The Icing on the Shit Cake
Oh, and did I mention the show’s producer is Harvey Weinstein’s ex-personal assistant? Yes, because clearly someone with that kind of pedigree should be lecturing us about morality and misogyny.
The producer justified Master Sol’s death as “revenge against benign misogyny” and “a rite of passage for women to rebel against their fathers’ teachings.” Oh, cool, so Disney is now officially advocating patricide as a feminist milestone? Great message, guys. Let’s just skip lightsaber training and go straight to therapy.
Also, calling Master Sol’s behavior “benign misogyny” is laughable. Dude was the ultimate beta, and they still found a way to justify his death. What’s next? A Jedi knight getting canceled for mansplaining the Force?
5. The Bigger Problem: Disney’s Galactic War on Men
Disney has turned Star Wars into a shiny platform for feminist rage. Every male character is either a doormat, a villain, or completely irrelevant. Meanwhile, the female characters are written like they came from a Tumblr blog circa 2014: overpowered, underdeveloped, and painfully preachy.
The original trilogy was about balance—light and dark, male and female. Now it’s just dark-sided feminism with a splash of rainbow marketing. Where’s the grit? The stakes? The fun? It’s all gone, replaced with space witches and feminist vengeance fantasies.
Final Thoughts
Disney has taken Star Wars from epic space battles to soap opera-level drama with a side of woke virtue-signaling. And The Acolyte is the pinnacle of this mess: a show designed to make men squirm, women cheer, and the original fanbase run for the hills.
Want more unapologetic takes on the madness of modern media? Follow The Most Humble Blog for brutally honest breakdowns and enough laughs to make up for whatever Disney does next. Because let’s face it—things can only get weirder from here.