Discover Top Posts Tagged with #nfcdab2018

#nfcdab Gol 2018 Near-Field Communication Digital Art Biennale 4. - 6. May 2018, Gol, Norway PARTICIPANTS Anon, Diego Bernaschina, Bob BrueckL, Fanny Bruno, Chih Yang Chen, Joana Chicau, Sarawut Chutiwongpeti, Cyborg Art Collective, Alexander Christiaan Jacobs Dekker, Jagoda Dmochowska, Diana Galimzyanova, Silvia Gatti, Bransha Gautier, Emilie Gervais, Kyriaki Goni, Ben Grosser, Olga Guse, Marcus Guttenplan, Karl Heinz Jeron, Tibor Horvath, HYENAZ, iXtupor, Hyeseon Jeong, Kihuun Park, Jiha Jeon, UBERMORGEN, Ayshe Kizilçay, Kappala Kumar, Jan Robert Leegte, Julie Libersat, Robert Lisek, Bjørn Magnhildøen, Amelia Marzec, Nick Mattan, Konstantina Mavridou, Zsolt Mesterhazy, Diego Fernando Ospina Melo, Karina Palosi, Lanny Quarles, Frère Reinert, Mario Santamaria, Maarten Schuurman, Diego Faskner Silveira, Anthony Stephenson, Alex Zakkas, Joubin Zargarbashi. #nfcdab - A DIY international and independent digital art biennale that uses wireless technology, light waves and electromagnetic fields e.g.: Wi-Fi routers, QR codes or NFC tags for accessing content with your smartphone. the idea of the biennale is to take advantage of the potential of near-field communication and other sharing technologies for making web-based digital art accessible in physical settings. it's also an attempt of bringing this art outside the framework of galleries and institutions. #nfcdab 2018 is a multi-centered, travelling biennale which will take place in Gol(NO), Warsaw, Wroclaw(PL), Amsterdam(NL), Valencia(ES), and possibly Prague(CZ), Berlin (DE), Athens(GR) throughout 2018. #nfcdab Gol is taking place from Friday 4th to Sunday 6th of May 2018. The biennale uses public space as its platform for exhibition and events: * PLANTER EXHIBITION of 50 works at Flekken park. Media: visual-, video-, web-, network-, essay-, performance-, installation-, descriptive-, imaginary-, simulated-, dissimulated-, sound-, site-specific-, land-, phenomenological-, game-, personal satelite radio system broadcast-, spam-, chatbot-, and other arts. The digital works are accessed through QR codes on smartphone and tablet. * ROAMING ACTIVITY by organizer and public consisting of an exploration of the wider surroundings as psychogeography, tagging, scanning, as artist-bricoleurs within the technological and social given. * ALTERNATIVE MAPPING strategies of exhibition and roaming. Adding works and findings into an essayistic, forking narrative as a sum-over-histories, resisting the collapse of dimensionalities, empowering the virtual as human experience. * EXPERIMENTAL CATALOGUE AND DOCUMENTATION practice. Fictionalization, obfuscation, and muddling of information, activating associative, lateral, derailing storylines. a staging of events, not for common digestion all bombyx (written on a box of canned silk worm pupaes). there should always be the possibility that the biennale doesn't exist. it may be a practical joke or simply a hallucinating of arcane references found in public spaces, toilet walls, and bricked streets. the character of the gol biennale is low-tech and low profile, even to the degree of being 'bricked' (unresponsive) as a strategy against the spectacle which is technology. #nfcdab Gol is organized by noemata in collaboration with nfcwproject/dominik podsiadly and browserbased. more info http://noemata.net/nfcdab3/