Nicholas Britell, dear god. Your scoring, your musical genius. Every time I hear the Succession theme I could weep. Kill Hans Zimmer with your laser vision or something, you'll save us all from his milquetoast wrath.
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Nicholas Britell, dear god. Your scoring, your musical genius. Every time I hear the Succession theme I could weep. Kill Hans Zimmer with your laser vision or something, you'll save us all from his milquetoast wrath.
The Middle of the World - Moonlight Soundtrack
This is super nerdy, but his takes are really interesting and theoretical. I loved his explanation of when composers and directors work together to weave music that appears in the film and the music that underscores, making them blur. When the diegetic and non-diegetic converge like that, something kind of magical happens. So going to be listening out for this now.
Criterion: Nicholas Britell's Closet Picks
The composer reflects on his profound experience working on Barry Jenkins’s THE UNDERGROUND RAILROAD, praises favorite scores by Bernard Herrmann and Zbigniew Preisner, and shares why LA JETÉE inspires him to think about cinema’s infinite possibilities.
Nothing like putting on the entire Succession soundtrack to focus just to get jump-scared by L to the Og an hour later.
Oh so this is what the Spotify wrapped of an insane person looks like... Cool... Good to know…