Skycamp at Joshua Tree
On the mountain, just past the water tower, in the desert with raised hands like the land’s namesake and primary population.
Sun and wind.
Illumination and turbulence.
Heat and flow.
Mess, knot, and tangle.
Drawing presence.
Painting process.
Dancing around an ideal.
Honest difficulty.
Directionality.
Zapped energy.
Golden hour.
Baptism of the day.
Business of the sacred.
Balancing in between.
Liminality and blurred lines.
Open hearts, minds, eyes and ears.
All eyes and ears.
And stars.
Tongues that spill, share and taste.
Reflective glue with contemplative unity in mind.
Spirit massage.
Pain of healing.
Purge and burn yet remain sensitive.
Nuanced vulnerability.
Shockingly humorous.
Evaporating control and its temptation.
Salve of peace.
Campfire sands.
Singing solitude alongside the slower and larger emerging movements.
Love in unshaping.
Shadow of playful articulation.
Smile of shade.
Joy of kindred fascination.
Spectrum of personality.
Faithful integration.
Continuum of color and changing formation.
Blending, unravelling, and reflecting the views of viewers and location.
This summer I was invited to create an installation piece by my friends Kimberly and Gary Bowers. Kimberly owns a small campground located on the side of a mountain overlooking Joshua Tree called Skycamp. There’s a lean-to for shade, an outdoor shower, flat spots for tents and an evolving collection of artwork made on site.
I started the installation during a photography retreat sponsored by Hipcamp and Eddie Bauer. It was amazing to have so many encouraging people around before engaging the depths of solitude. But the stillness and silence came and time dried up before my eyes. The whole process was a struggle with the landscape.
I spent everyday with the sunrise. It was the only time in the dessert mountain majesty that I could paint without the colors drying directly onto my brushes. I communed with the wind and shade in the midday for minor relief while reflecting on the morning’s musings. The ritual of a cold shower after lunch brought dreams to my siesta. Friends and fire would gather under the stars. Deep slumber marked the brutality and the wonder of days spent oriented and exposed to the sun. In return, I would rise again the next day to make new marks and layers that would slowly evolve into a cohesive whole.
Before I returned to the city, my friend Julia Parris (and her husband Able) captured me making the final brushstrokes on the double sided painting. The sun and the wind left their marks on me for leaving behind my marks with them.













