yeah yeah Fitz might be able to make Olivia moan and whatever (and so does Jake but let's leave that for another post) but does he know what her favourite meal is? Would he even know what to order her from Gettysburger?
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yeah yeah Fitz might be able to make Olivia moan and whatever (and so does Jake but let's leave that for another post) but does he know what her favourite meal is? Would he even know what to order her from Gettysburger?
Has anyone else ever wondered if a tiny part of Liv shut down B613 because of her conversation with Jake in 3x16? You know, after the 'I asked you to save me, and you said no' conversation. My God, my heart. Someone include an appropriate wall slide, chest clutching gif for this please.
Well, yes and no. No to 3x16, because she had already decided to shut down B613 in 3x14. But yes, its effect on Jake was her catalyst for this decision. And it wasn’t a tiny one, either, it was pretty much her main motivator. So here’s a chest-clutching gif as per your request:
Liv’s been horrified and disgusted by B613 ever since she found out it existed. But did she go on a dangerous all-out crusade to shut it down? Um, no. When she saw what her dad and B613 did to Jake between seasons 2 and 3, did she set out to end it then? Still no. In fact, that whole experience scared her into submission even more for a while. Then she found out what Jake did in “No Sun On The Horizon” (perfect episode title, btw) and all of a sudden it’s “Brick by brick, we’ll tear that building down until there’s nothing left but a hole in the ground.” Like whooaa, ok. 😬
We know she was already pissed about Jake being made Command from when she railed on Fitz about it. But then she accepted it, found a way to keep him close (if you like the interpretation that it was a partial, maybe even subconscious, motivation for Jake the fake boyfriend), even used his position to her advantage (“little errands”, keeping tabs on Rowan, watching out for Quinn). Plus, she really believed he would at least take B613 in a different, better, Rowan-less direction. And then, the man who just one episode prior asked her to save him from that place, committed a triple cover-up murder, and one of the victims was her own friend. Now Jake wasn’t just a deployed gun, a toy soldier, but the one who made the call. He was fully converting over to the dogma, “the B613 in your brain.” (Speaking of 3x16, after she asked him if, basically, he could hear how crazy something like “I would never kill your friends” sounds, if he could hear the B613, he admitted that, “Yeah, I can hear it.” And that’s when she starts to move closer to the door. Because, the way he said it, yes, he can hear it, and he wishes he didn’t. He begged her to save him from it, and she didn’t, and it took him. Yikes, this scene! 😫) This was what Olivia was afraid of when she devastatingly admonished Fitz, “You know what that place is like, you know what it does, and you made Jake, Command.” And one more time for emphasis, because I love this scene:
She was soooooo pissed…
Again, she later resigned herself to the comforting belief that Jake as Command would be different. And, technically, he did operate differently, just not in the ways she would have wanted. I don’t know what all she thought Jake could possibly do tho, considering B613′s very specific purpose, but I guess knowing that at least Rowan wasn’t in charge was enough. The last thing she ever would’ve wanted, probably actively dreaded, was for Jake to become her father 2.0, as she pretty much screamed at him in their fight in 3x14. And the whole first part of her tirade just screams of the denial she was in. Seriously, “Who put you up to this?”? Ummm, he’s Command. No one puts him up to anything. But apparently when she found out B613 was behind it, her mind went to, Someone made Jake do this. He would never choose to do this. That wasn’t even in the realm of possibility for her until she confronted him. Then there’s these moments where you can actually see it finally click for her, the realization that it was indeed him, all him. So apparently this is what it looks like when Liv’s biggest fears come true right in front of her face:
Considering her fear and anger at the thought of Jake becoming like her father, it’s kind of interesting and ironic that it’s Rowan she goes to after this, and Rowan who’s the first trigger to her ultimately forgiving Jake. And there’s something I noticed while skimming thru some of these scenes before answering this. So Liv reaches out to Rowan after flipping out on Jake and she’s all in her feelings and questions what the hell the point of it all is if everyone she loves (coughcough) “is a monster”. When he finally asks her “What happened?” that has her spinning out like this, she tells him about Sally Langston murdering her husband, and that “Jake killed 3 people to cover it up…” And Rowan goes, “Oh, that.” And I love this, and how he said it. Like, Of course, it always goes back to your precious Jake, doesn’t it? He’s always been pretty insightful about their relationship, even when they themselves weren’t. Sally killing her husband was crazy and awful, but Liv’s honestly dealt with worse, and Sally obviously wasn’t one of the people in her life she was stressing about. James’ death, if it happened any other way, if it actually had been a carjacking, would’ve made her sad, not wig out on an existential crisis about no one in her life being “worth saving” (…saving. Which just so happens to be her and Jake’s thing.) So anyway, that’s when he goes into his “183” defense of Jake monologue. Which starts Olivia on taking a bit of the blame off of Jake, and placing it on B613 in general. As she later says to David, “Jake Ballard did what anyone in his position would have done. The problem isn’t Jake, David. It’s B613, and the fact that it even exists.”
So in conclusion, yes, for Olivia personally, B613 finally went one step too far by corrupting her Jake (Abby literally calls him “Your Jake” in 3x14, ha), her formerly sun-chasing Jake, so for that it had to go. 😊 Maybe she didn’t think about it in terms of saving him, exactly. But she’d be damned if that place continued its homicidal underground reign with her Jake, of all people, at the helm. And her dad did say that the point of her was
And drag Jake away from B613 and back towards their sun she surely did, whether it happened the way she planned or not (it didn’t), whether he liked how she did it or not (he didn’t). ¯\_(ツ)_/¯
Scandal 5X13: Desperate Times Call for Desperate Measures!
Regarding Jake’s... fingering scene:
“I want to be with you, do you want to be with me?”
This is essentially what Jake is indirectly asking, or WANTS, in this scene. Jake has wanted to be with Olivia forever, so it wasn’t surprising to hear him say that, after all Vanessa brought to the table, she still wasn’t Olivia. Yet, he feels a bit foreign to the Jake we've come to know over the seasons. He feels different to Olivia as well, which is why she asks with a confused look on her face, “What are you up to, Jake?” This unfamiliar quality we are picking up from Jake is the act of manipulation he was employing in trying to push Olivia to finally break through her internal barrier. The very same barrier he refused to knock down in the season 4 finale, no matter how wide open she was for the taking (emphasized by her literally pushing her living room door wide open).
Was just rewatching some S4 Olake scenes and I came across the episode where Jake's in custody and Liv is missing her boo so she's leaving him messages.
I'm left with these unanswered questions - Did Jake listen to them? Did they talk about it??? Like surely that was something that could've been revisited?
But alas Olake were never meant to be in Shondaland....
...So has anyone written a fanfic on this?
I have been rewatching scandal and i never noticed but i just noticed that there's a sound that plays when olake have some special moments themselves. do you know that sound? song? and i think it just only started playing on s4?
Yes, they have a love theme, and it started in season 4. I think it was first played in 4x06, when Olivia went to see Jake when he was locked up.
Scandal Fantasies...
Is the island just as much a fantasy as Vermont?
Olivia experienced both Vermont and the island, and she wanted both of them, which she has explicitly stated.
However, just as Olivia can't escape her internal problems and truth by escaping to an uber fantasy life in Vermont, she certainly can't escape by running away to some far off, remote, romantic island to live out the rest of her days with Jake. The only thing all of this serves is Olivia avoiding the acknowledgment of and full on dealing with internal dysfunctions that absolutely will not go away until she addresses it! This is not to say that she can't enjoy Jake or the experience of an island when well, but they won't fix her internal problems. Until she faces them head on, a broken person breeds broken relationships, no matter how much you love the person you are with.
This avoidance brings to mind Solange Knowles's song, "Cranes In The Sky"
"I tried to drink it away. I tried to put one in the air. I tried to dance it away. I tried to change it with my hair. I ran up my credit cared bill, thought a new dress would make it better. I tried to work it away, but that just made me even sadder. I tried to keep myself busy. I ran around in circles, think I made myself dizzy. I slept it away, I sexed it away, I read it away. Away, away, away...."
Olivia Pope can't island it away, Vermont it away, can't drink it away, sex it away, can't formidable it away, can't Pope it away.
She can't Fitz it away, nor Jake it away....
Of course, as stated in a prior post, the door has finally opened. In comes the light.
Olivia Pope: Primary Journey
@roundabout02: I’ve been thinking about your thought as to what Olivia was so afraid of in embracing the truth of her relationship with Jake. I’ve had my theory on this and would like to share it here. Excuse any grammatical errors, too tired to edit right now....
We as Olaker appreciators primarily see – or talk about – Olivia through the facet of the Olake relationship. Collectively, we’ve thoroughly discussed and have presented an outstanding, fleshed out perspective of Olivia Pope prior to the island and after the island, which is the facet of her life primarily focused on. However, this point of view reflects Olake’s journey, and as we know; Olivia does not amount to Olake. There exists a far bigger perspective of Olivia Pope - I’d say the grand perspective or the whole encompassing all other facets of Olivia; THE journey - that can address the great question as to why Olivia Pope has, or had, so much trouble embracing Jake. I see many angry or frustrated and short with her because of this, since she comes off as both dense and stubborn in recognition of this man, even selfish and inconsiderate. I certainly can’t say that she hasn’t been all of these things during the Olake Journey, but for me, it all logically fits into my theory for why this happens; her primary journey.
1/2 I was reading some Olake fan analysis. It talked about how the real marriage in 5x18 was Olivia and Jake. That it was consummated and agreed to when Jake asked her does she want to be with him and she nodded yes. Simple, honest and oddly innocent. Very OP relationship wise. Very Olake as well bc their biggest moments have almost always been quiet. And death or the threat of death parted them like you were saying as well. They were making a commitment to disappear for who knows how long.
2/2 Also in 5x18 Jake came off real to ppl who hadn’t liked him bc he was really vulnerable I think. He never let onto Liv before how much it hurt to not be chosen. Unless he was angry or reading her. Usually he’s so solid and confident that Liv can lean on him. Even during 5a w the Fitz drama. Liv probably still doesn’t know how hurt he is over her “not choosing him”. And him letting her and us in that night made us all melt. I’m curious how they will fix the broken trust between them in S6.
Geeeeez, you just said All The Things… Anyway, I think I know what post you’re talking about (this one by @roundabout02), and yes, I love that interpretation of what transpired between them in 5x18. I mean, like you said, it feeds right into my realization that the title “Til Death Do Us Part” is probably partially referring to Olake in that episode.
About their big moments being “simple, honest, innocent”, very Olivia, and very them “bc their biggest moments have almost always been quiet” - yes, yes, and YES! SO true! On the last point, I think that’s why so many people took so long to see them as the real deal love story that they are. O/itz was written to be a loud, distractingly intense focus- puller, while gradually and subtly being torn down (until season 5, when Shonda & Co didn’t even bother with the subtlety anymore); Olake, at first and on the surface, may have seemed like Liv’s “2nd choice/consolation/settle-for/take-it-or-leave-it” relationship, but was gradually and subtly being strengthened and built up. Until we get to 5x18 and some of the last skeptics were like, “Ooooohhh…” 😯 Meanwhile, Olake’s development wasn’t really subtle at all to the people who weren’t easily distracted by O/itz’s theatrics. But even an Olake supporter on here once told me that they didn’t really have “romantic” moments. And sure, their most emotional and meaningful scenes are usually quiet, simple, and tend to be played out on Liv’s side as understated and mostly in her face and eyes. But I’ll be damned if moments like…
“Maybe I can help you not be so sad.”Liv’s “Close your eyes” callback“Your face saved me.”“I’m not going anywhere.”“…I loved you. I loved you. I love you.”“It feels like a first step.”“I want us to stand in the sun together.”“Don’t ever talk about me, and the sun, and another man again. Don’t ever do that. OK?” “OK.”“Man, do I love you.”“You’ve saved my life multiple times, and all I can do is sit here, hold your hand, and hope that you don’t die.” “We never should have left that island.” (Liv’s concern for him in that whole episode, tbh)4x22 goodbye scene 5x02 motel sceneTHIS 👇
…are not ROMANTIC AS ALL HELL.
intensity/torturous angst/volume/melodrama =/= romance; quiet/simple/honest/understated =/= devoid of romance
The 5x18 scene where Liv agrees to be with him obviously fits right in with these, and since I’m currently re-watching s5, you mentioning it brought to mind a parallel with O/itz (and a bit of a tangent) - Fitz’s doomed proposal. Shonda gave them a typical cliche textbook “romantic” marriage proposal, that Fitz didn’t even set up himself (strike 1)…and it was totally beside the point of what Olivia wanted from him, so it immediately went down the trash shoot as she soundly rejected it (O/itz in a nutshell). Then she glumly and reluctantly agreed to marry him out of obligation (romance!), then hightailed it outta that impending wedding the first opening she got (thanx daddy and Mells!). The whole thing made O/itz look even more lame and laughable, and the audience agreed. Even YahooTV shaded them on Twitter.
Then there’s 5x18. Olake has half an episode of angst, emotion, breaking down of all pretense and, like you mentioned, exposing of vulnerabilities. And in Liv’s childhood home and bedroom, of all places. Jake straight-up asks if she truly wants to be with him, she runs to and embraces him like they’re reenacting the tarmac scene from The Bodyguard (I swear I will never shut up about the Olake/Bodyguard parallels). And the audience was In. Their. Feelins. Especially after Rowan went and ruined everything. Because only one of those “proposal” scenes was actually romantic. And heartfelt and real and included a man who Olivia wanted to commit to.
Aaaand Ok, I’m done. Again, wonderful ask! I enjoyed answering it.