#panasianrep

[panasianrep]

SAVE THE DATE! @mocanyc will be hosting the screening of @tcg_gram's #LegacyLeaders of Color Video Project featuring Tisa Chang on Weds., April 12 at 6:30PM! Join us in celebrating Tisa's 40th Milestone Season with us & forging the way with so many other incredibly inspiring individuals as part of the Asian American theatre movement! #LLCVP #panasianrep #moca #mocanyc #aaarts #theatre #tcg #diversity #inclusion (at Museum of Chinese in America)

[panasianrep]

photos give historical context for #NO-NOBOY New York Premiere, starting next week

NO-NO BOY by Ken Narasaki directed by Ron Nakahara Adapted from the novel by John Okada

Tickets: $37 - call Telecharge at 212-239-6200, visitwww.telecharge.com or the Theatre Row Box Office

Discounts available atwww.broadwayoffers.com |

212-947-8844 or the Box Office: Seniors (65+) $30 use codeTRNoSnr Groups (6+) $30 use codeTRNoGrp Students (25 and under, w/ valid ID, 1 per ID) $25 use code TRNoStu Contact Pan Asian Rep: 212-868-4030 [email protected] to attend: Opening Night ($75): May 15 at 7:30

w/ party

May 14 – 18, 2014  with School Matinees May 14th, 15th or 16th

Starring: Kimiye Corwin Chris Doi Glenn Kubota Karen Tsen Lee Whit K. Lee Claro de los Reyes Shigeko Sara Suga Hansel Tan Tony Vo Scott Watanabe

Sets: Sheryl Liu Lights: Tsubasa Kamei Costumes: Carol Pelletier Sound: Ian Wehrle Stage Manager: Elis C. Arroyo Assistant Stage Manager: Katie Kavett

at the Studio Theatre at Theatre Row 410 W. 42nd St

“Few dramas have as effectively depicted the sense of being torn between two cultures in a time of war”-LA Weekly

Adapted from the groundbreaking novel by John Okada, NO-NO BOY follows draft resister Ichiro Yamada as he returns to Seattle following his release from prison. Ken Narasaki’s vivid adaptation depicts Ichiro’s search for resolution among family, friends, and a community in transition following the resettlement of Japanese Americans on the West Coast after the war.

[panasianrep]

Pan Asian presents the New York premier of NO-NO BOY from May 14-18, 2014 in the Studio Theatre at Theatre Row- Tickets only $37- visit www.panasianrep.org for details.

NO-NO BOY takes its title from people who answered "No" and "No" to two questions on the Loyalty Questionnaire. Learn more about the questionnaire from the below excerpt of our Study Guide, put together by Tamio Spiegel: In February 1943, the War Relocation Authority, the branch of the US Military that ran the internment camps presented a questionnaire to all interned adults over the age of 17 to determine the degree of loyalty of internees. By this time, the US government had already declared and announced that internees could volunteer for military service.  The core of the “Loyalty Questionnaire” was Questions #27 and #28. Question #27  Are you willing to serve in the armed forces of the United States on combat duty, wherever ordered? Question #28  Will you swear unqualified allegiance to the United States of America and faithfully defend the United States from any and all attack by foreign or domestic forces, and forswear any form of allegiance to the Japanese Emperor or any other foreign government, power, or organization? These questions were asked of every interned adult over the age of 17 years. These questions were to be answered by 19 year-old male American citizens, 70-year-old Japanese immigrant women, and every other imprisoned demographic. The “Loyalty Questionnaire” caused much confusion, consternation, debate, and disruption within the camps. There has been speculation that the US Military made Question # 28 purposefully vague so as to assure there would be some ‘No’ responses, thereby justifying the internment, itself. People who responded ‘No’ to both questions became known, within the Japanese American community as ‘No-No’s. Following the release of the Questionnaire, the camp at Tule Lake was designated as the location in which to concentrate perceived ‘disloyal’ internees. Thousands of people who answered ‘No-No’ were relocated there, while thousands of people residing at Tule Lake who did not answer ‘No-No’ were displaced again and sent to other camps.

[panasianrep]

Haven't yet caught the "#highlyenjoyable" "#delightful" "#funnyandinsightful" "#mustseecomedy" #FishingForWives? Don't fret! Performances resume tonight at the Clurman Theatre at 7:30!

For tickets and details visit www.panasianrep.org

[panasianrep]

Tomorrow (4/10) is Opening Night of #FishingForWives. #WednesdaysWord ? #Congratulations to the entire cast and crew!  A very few tickets (which include invite to the afterparty) remain, call 212/868-4030 to purchase.

[panasianrep]

#FishingForWives starts 4/5, and It's time for #WednesdaysWord!

Learn how to say Happy Birthday in Hawaiian, and then put it to good use this weekend at Theatre Row (410 W 42nd Street) where we will have a double celebration on Saturday April 5:

not only will Sat have the first 2 previews of FISHING FOR WIVES (at 2:30 and 7:30), but it's also Tisa's birthday! In honor of this amazing confluence of events, we have a special ticket offer: 

Use code TRFace for $37 tix, Pan Asian alumni/ae use TRPArtist for $25 tix, at www.Broadwayoffers.com 212/947-8844 or at the Box Office

[panasianrep]

This could be your view 4/10 at the Opening Night of #FishingForWives!

View from the Skyroom NYC where Pan Asian will host the opening night party of FISHING FOR WIVES on April 10!  Tickets are $100 and include a fabulous show (7:30 curtain) plus chance to eat, drink and mingle with the artists in this luxurious setting!  

To purchase call 212/868-4030

More about Pan Asian: www.panasianrep.org

More about the venue at http://www.skyroomnyc.com/ 

[panasianrep]

#WednsedaysWord: Gettin' ready for #FISHING FOR WIVES! Todays word is Honu

Honu is Hawaiian for Turtle!  A scene from FISHING FOR WIVES features a magical turtle, learn more about the significance to Hawaiian culture below:

From http://www.hawaiianlife.com/content/hawaiian-honu-and-its-meaning:

There is a petroglyph or ki’ pohaku of a turtle or honu found in the Pu’u Loa lava fields on the Big Island Hawaii – although the meaning of most of the petroglyphs have been lost through time, the turtle has always had held special meaning to the Hawaiians.

     The petroglyph shows a simple sketch of a turtle with its four flippers out as if swimming in the ocean, and a vertical line down its shell. The turtle also symbolizes the navigator that is able to find its way home time and time again, just as in real life, the green Hawaiian turtle will swim hundreds of miles to its own birthing place to lay eggs.

Honu as Aumakua

     The honu is also revered as an Aumakua or guardian spirits that can take the shape of any animal. It is in mythology a bearer of good luck, a frightening monster to be released among enemies, a living bridge that brings two lovers together and the foundation of some of the islands. There is even a hula honu which closely imitates the action of a turtle furiously digging through the sand for a place to lay its eggs

     Ancient Hawaiians were animists and believed that their Aumakua or guardian spirits could take the shape of any animal. These guardians were also viewed as the embodiment of their ancestors. The green Hawaiian turtle is the only indigenous reptile to the Hawaiian islands, is revered as a sacred symbol of the life force and could only be consumed by the royalty or ali’i for its attributes of longevity and endurance. Members of the honu clan in old Hawaiian however refrained from eating the turtle

     The ancient Hawaiians used every bit of the honu – its flesh and cartilage were made into soup or stew and even the internal organs were cooked and eaten Its shell was broken into pieces for tools, such as fish-hooks and as an instrument to scrape the bark off the paper mulberry tree or wauke. The bark was then used to make the tapas cloth. The skin of the honu was made into leather.

     The honu was also presented as an offering to Kanaloa, the God of the Ocean, who was also believed to assume the shape of the honu when he needed a physical form.

     Protection has seen their numbers increase again after exploitation for their shells

  Legends of the Honu

     There are some Hawaiian legends which said that turtles were the first to guide the Polynesians to the Hawaiian islands, while other myths attribute that to the golden plover. Nonetheless, there is a longstanding legend of a big green sea turtle, Kailua, who could turn itself into the form of a girl at will. In human form, she would look after the children playing on Punalu’u Beach

     Her mother, Honu-po'o-kea, was an exceptional, magnificent and some deemed supernatural, turtle and her head was pure white like the snows on the slopes of Mauna Kea. She dug a hole to lay a brown egg which was as beautifully and smoothly polished as Kailua wood. Her mate Honu-ea, who had been bobbing in the water waiting for her, crept up to shore and together, they dug a hole from which fresh water gushed to form a little pool

     The egg hatched into Kailua who lived at the bottom of the spring and she would turn herself into the form of a girl at will and in this form, would keep a careful eye on the children playing by the ocean. She became the turtle guardian of the keiki, and also brought with her the gift of fresh spring water to ancient Hawaiians.

Basking in the Sun

     Dozens of green turtles can be seen swimming off the black sands of Punalu’u Beach at the southern point of the Big Island, either chewing on seaweed, or gliding around with the tide as the sea waves wash over them. Even now, fresh water bubbles through the lava sand in a continuation of Kauila’s legacy.

     The green turtle is the most popular of the four species of honu found in Hawaiian waters. However, the hawksbill or ‘ea remains endangered and the leatherback turtle, which has a hard leather carapace, lives in deep waters and is rarely spotted. At one stage, the ranks of the green honu were almost completely decimated but their numbers have been restored. They can now been seen basking in the sun, a relatively new phenomenon which may have arisen because they feel now safe on Hawaiian beaches.

Honu in the Chant of Creation

     The honu is mentioned in the fourth chant of the Kumilopo, the Hawaiian chant of creation as follows:

“The night gives birth to rough-backed turtles

The night produces horn-billed turtles

The night gives birth to dark-red turtles”

  Further in the ode it says,

“Born is the turtle living in the sea

Guarded by the Maile seedlings living on land”

The Honu, a link to our past and future

     While they are young juveniles, the honu will hover around the coastal waters of the Hawaiian islands where they are prey to pollution, speed boats, fishing nets and plastic and trash in the water. At maturity, around 25 years, they swim more than 800 miles to the French Frigate Shoals in the remote Northwestern Hawaiian islands where they mate. Drift nets and long fishing lines are dangers to them during the migration and sharks are their main enemy during the mating ritual.

       The honu is a pretty good indicator of ocean health and the restoration of the numbers of green turtles is a wonderful testimony to the efforts of preservation and conservation. The honu is a creature from a time when the earth was young and is believed to be 150 million years old. It is our link with our past and its continued existence is our link to a hopeful future.