REVOLUTIONARY GIRL UTENA ↳ EPISODE 23 / EPISODE 29 / EPISODE 39
seen from Malaysia
seen from China
seen from Bangladesh
seen from China

seen from Malaysia
seen from Tunisia
seen from Malaysia

seen from United States

seen from France
seen from Pakistan
seen from Thailand
seen from United Arab Emirates

seen from Poland
seen from Pakistan
seen from United States
seen from China
seen from Brazil
seen from China

seen from Martinique
seen from Iraq
REVOLUTIONARY GIRL UTENA ↳ EPISODE 23 / EPISODE 29 / EPISODE 39
EP 16: THE COWBELL OF HAPPINESS || EP 27: NANAMI'S EGG
JACOB ANDERSON as LOUIS DE POINTE DU LAC in INTERVIEW WITH THE VAMPIRE (2022-)
S1E1: IN THROES OF INCREASING WONDER S2E8: AND THAT'S THE END OF IT. THERE'S NOTHING ELSE
SPIRITED AWAY (2001) dir. Hayao Miyazaki THE BOY AND THE HERON (2023) dir. Hayao Miyazaki
“Maître in the bedroom. Maître only when it's hot or convenient.”
Interview with the Vampire, S2E6, 'Like the Light by Which God Made the World Before He Made Light' (2024)
The Duke of Burgundy (2014) dir. Peter Strickland
“Yearning, by Mikio Naruse, is one of my favourite films, and I loved the way restraint became the main emotion throughout that film. The question became how to do it. I decided to go back to basics, to really play with the bare minimum in the screenplay. I didn’t want all these subtle emotions expressed through words, but at the same time I wanted to make sure the audience fully understood, and felt, how the characters were feeling.” —Park Chan-wook on the inspirations for Decision to Leave
Final scene of Decision to Leave (2022) // final scene of Yearning (1964)
Jeanne Dielman, 23 Commerce Quay, 1080 Bruxelles (1975) dir. Chantal Akerman // Emily Wilson's introduction to The Odyssey
Ikiru (1952) dir. Akira Kurosawa