#patrick mccarthy

[mikyapixie]

GOOᗪ ᒪᑌᑕK ᑕᕼᗩᖇᒪIE - 𝐉𝐚𝐧𝐮𝐚𝐫𝐲 𝟕, 𝟐𝟎𝟐𝟔

[nofatclips]

Lost Cartoon Flashback Presents: The Black Sabbath Show - From episode 5 of TV Funhouse

[thehauntedself]

Men seem to feel a huge, absolutely unbearable terror that they will find themselves one fine day alone, quite alone, faced with nothingness.

Patrick McCarthy, Céline: A Biography

[mikeoliveri]

Great explanation of kata for those who don’t understand or who criticize its utility. 

[thehauntedself]

. . . 'at a certain point of their misery people don't care a rap about understanding', says Céline, 'they just feel'.

Patrick McCarthy, Céline: A Biography

[balkanin]

Patrick McCarthy, koordinator Radne grupe za BiH : Kemal Kurspahić mi je pomogao da shvatim da etničke podjele u BiH nisu uzrok rata, već njegova posljedica

Patrick McCarthy, koordinator Radne grupe za BiH : Kemal Kurspahić mi je pomogao da shvatim da etničke podjele u BiH nisu uzrok rata, već njegova posljedica

Radna grupa za Bosnu i Hercegovinu se oformila kada su se entuzijasti i volonteri iz bosansko-američke zajednice okupili sa dugogodišnjim prijateljima BiH iz SAD-a i svijeta. Obavezali su se da će se zalagati za slobodnu, ujedinjenu i demokratsku BiH u kojoj vladavina prava garantuje pravdu, dostojanstvo, ljudska prava i jednakost za sve građane i građanke. Često se u bosanskohercegovačkim…

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[wiki-bio-age-net-worth]

Patrick McCarthy Wiki, Biography, Age, Death Cause, Wife, Net Worth

Patrick McCarthy Wiki, Biography, Age, Death Cause, Wife, Net Worth

Patrick McCarthy Wiki – Patrick McCarthy Biography

Patrick McCarthy was a past chairman and editorial director of W magazine and Women’s Wear Daily. He was born in 1957 in Dedham, Massachusetts.

McCarthy died on February 26, 2019, aged 67, from undisclosed causes.

He graduated from Stanford University’s journalism school in 1973 then began his career at Fairchild Publications at WWD in London.…

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[ojamesy]

The passages on pages 185-86 that describe Shem's artistic processes in terms of bodily functions, first in Latin and then in English, constitute ironic, deromanticized versions of images that Joyce first introduced in A Portrait of the Artist. Apparently filled or inspired by the words/food in his house, or perhaps by the "brooled and cocked and potched" eggs he prepares (184.17-18), Shem produces ink from his feces and uses it to write "over every square inch of the only foolscap available, his own body" (185.3536). Ultimately the squidlike artist is hidden from the world, his body covered by his own ink, which is to say that the artist's personality disappears or is subsumed into the work. Not only are the mundane materials of the world transformed, through this process, into a work of art, but the artist becomes indistinguishable from the body/work that has recycled the words in Shem's house into ink.

Consider, now, how these images serve as travesties of those in the last two chapters of the Portrait. The image of the bird-girl on the beach that "passe[s] into [Stephen's] soul for ever" (172) is exchanged for the passage of words as food through the digestive and alimentary systems; what Stephen calls "the phenomena of artistic conception, artistic gestation and artistic reproduction" (209), specifically "the virgin womb of the imagination [in which] the word was made flesh" (217), is replaced by more profane parallels between creation and the production of human waste; and the famous image of the godlike artist who "remains within or behind or beyond or above his handiwork, invisible, refined out of existence" (215) gives way to the image of artist as squid, hiding rather than revealing himself with every word that he writes on (literally on) himself.

---Patrick McCarthy