Rescuing and recycling period fragments to make furniture provides the best of both worlds - fluted pilasters and fielded panels along with deep work surfaces, roomy cupboards and ample shelving.
Country Kitchens, 1991

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Rescuing and recycling period fragments to make furniture provides the best of both worlds - fluted pilasters and fielded panels along with deep work surfaces, roomy cupboards and ample shelving.
Country Kitchens, 1991
Pilastres, cathédrale Saint-André, Bordeaux, 2017.
The Czartoryski Bridge by Henrik Sundholm Via Flickr: Spending my third evening in Kraków, Poland.
Palm pilasters at the Lunt-Fontanne theater in New York. The fronds are gold-painted canvas that’s been stuffed and sewn.
The building is from 1910, by Carrere and Hastings. According to Wikipedia the current interior is from 1958 by Roche and Roche. It’s sort of a mashup of art deco and rococo-revival design.
We were there to see Sweeney Todd. I recommend it if you’re able to go.
Kraków ul. Sławkowska 30 kamienica z przełomu XVII-XVIII w. fasada z 1825 r. foto z 28 sierpnia 2016
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Kraków, Poland 30 Sławkowska St. house built around the turn of 17-18th c. facade from 1825 taken on 28 August 2016
Temple of Baal Shamin
Si (Seeia), Hauran, Syria
33/32 BCE
The temple proper stands a little to the west of the middle of an oblong enclosure (24 m. X 50 m.) leaving a forecourt, approximately a square, in front of it. It is so oriented that its diagonals point almost directly toward the cardinal points. The forecourt is provided with colonnades on three sides, and was entered through a fine portal in the middle of its east wall. The entire enclosure about the temple is paved with large and beautifully-fitted blocks of basalt. Only the bare outline of the outer square of the temple was measured by M. de Vogue. The entire space within its walls was heaped high with fallen building stones and other debris. He cleared out the shallow portico between two projections, like towers, at either end of the facade, and the space in front of it, and made a beautiful drawing of the whole front in its actual state.
At the eastern end of the north .wall of the inner cella there are remains of a cross wall, other fragments of which show that it was carried entirely across the greater cella to form the front of the inner cella and the west walls of the two square towers which flank the portico. Only one end of the east wall of the inner cella was found; but this preserved a fragment of the jamb of a doorway still in place, which, from its position, indicates that there were either three portals leading into the cella, or two, one at either end. Fragments of wall still in place, and door-jambs of different designs lying near, show that there were doorways leading from the narrow passage between the wall of the inner cella and the wall of the portico, into the towers, and other doorways opening from the towers into the broad passage on three sides of the inner cella. Within the inner cella were discovered four bases for columns, one of which was in situ. The columns which stood upon these four bases probably occupied the angles of a rectangle within the cella, and may have provided for an open space in the roof, like the impluvium of a Pompeian house.
Sources: 1, 2, 3 (colorized using playback)
City Hall interior. San Francisco, California
#Built Beauty
Laura Sartori Rimini & Roberto Peregalli
Trompe l’oeil pilasters flank the doorway of a Milanese entry hall.
Simon Watson/Trunk Archive