Maybe of something worth it after just a "payment". Even quite different for the newer, post-life.
Jan Serpent © Puss in Boots, Dreamworks Fanart © Me

seen from Türkiye
seen from China
seen from T1
seen from Russia

seen from Türkiye
seen from Malaysia
seen from China
seen from United States
seen from United States

seen from Malaysia
seen from Türkiye
seen from United States

seen from United States

seen from United States
seen from China
seen from Pakistan
seen from Russia
seen from United States

seen from Kuwait
seen from Russia
Maybe of something worth it after just a "payment". Even quite different for the newer, post-life.
Jan Serpent © Puss in Boots, Dreamworks Fanart © Me
Naked 6 – 53
primal swirl -
no you or me…
“I wonder though. All the weight of my life resides in the material. Where will they go? Who will keep them safe? Did you know they’re imbued with my very soul?! Splintered. Divided. Sectioned-out, but not equally. I wonder: do the objects frequently tied to me hold more? Is there a measurement for that?
Will the Direct Debits stack tall for the dead? Or do they get wiped clean?
Am I an expensive dead person?
Is it cheaper to be dead?
All the things left unsaid. All the “we’ll do that tomorrow”’s echo in my absence. All the platform boots; dust-laden, like gloves from a former battle. They’ll probably age more without my use.
And what will people say? Post? Tweet? What image will they select to brandish me as their friend, family, loved one?
If only I could prescribe this and make it easier for them.
Are there dead person brand guidelines?”
WORDS 04 (POSTHUMOUS)
[DIGITAL ARTWORK, 2023]
Prose typeset onto Portable Network Graphics (PNG) checkerboard pattern.
TYPEFACE:
‘Kern’ by Pizza Typefaces.
IMAGE DESCRIPTION:
A White and Grey portrait poster with Black printed text on stating “WORDS 04 (POSTHUMOUS) I wonder though. All the weight of my life resides in the material. Where will they go? Who will keep them safe? Did you know they’re imbued with my very soul?! Splintered. Divided. Sectioned-out, but not equally. I wonder: do the objects frequently tied to me hold more? Is there a measurement for that? Will the Direct Debits stack tall for the dead? Or do they get wiped clean? Am I an expensive dead person? Is it cheaper to be dead? All the things left unsaid. All the “we’ll do that tomorrow”’s echo in my absence. All the platform boots; dust-laden, like gloves from a former battle. They’ll probably age more without my use. And what will people say? Post? Tweet? What image will they select to brandish me as their friend, family, loved one? If only I could prescribe this and make it easier for them. Are there dead person brand guidelines? - Harry Vincent 2023” in ALL CAPS with “WORDS 04 (POSTHUMOUS)” highlighted in Red. All on a Black background.
there is a reason to have hope there is a reason to wake up
a friend i have
by me
Ears Wide Open: Post Life
Ears Wide Open: Post Life
Post Life make the kind of feisty, urgent indie-punk that never goes out of style — all exposed nerve endings set to racehorse rhythms and prickly guitars. Not that you should divine, either from their name or from songs like “23” (“Sometimes it’s all a waste / Sometimes it’s a disgrace”), that the L.A. quartet is somehow fatalistic, or just making noise so you can mosh your ya-ya’s out. The raw,…
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Friendly reminder that when somebody asks you what you’re doing with your life and you don’t want to answer, you don’t have to. You don’t owe anyone an answer.
Response options include:
walk away
turn the question around: what are they doing?
throw a smoke bomb and escape
live your dreams. Ex: “I’m going to train dinosaurs with Owen Grady.”