HARRY––VINCENT

Harry Vincent is a designer whose work exists in the tension between Gothic and contemporary. Archivist in a field of decorators.

[harry--vincent]

Cursed. Singled-out. Lion confined to a mouse. Points. Pointed out and pointillised to pixel polygon. What is a pointer but the tip of who is pointing? You? A border, nib, edge to being. Well I am sevenfold, as are you. Be all 7. Layered cake of consciousness.

CurseOR?

[DIGITAL ARTWORK, 2026]

‘Existing digital imagery, recontextualised.’

IMAGE SOURCES: Cursor: Apple System 1.0 Cursor 1984 (Derived from Xerox Alto’s Cursor, 1973). CRTV Texture: ‘Sony Triniton CTR’ by Steven McFarlane.

IMAGE DESCRIPTION: A moving image sequence of a Lumen Red screen in the shape of a square, showing a computer mouse pointer appear on from the right side, in White outlined in Black moving around, stopping, then multiplying into 7 in a circle - before disappearing back into one and moving off to the left of the screen. All on a Black background.

[harry--vincent]

On Monday I laid my Dad, Clifford to rest. I a beautiful ceremony filled with love and amazing people. Thank you to everyone’s care, thought and intention the last 5 weeks since he has gone.

Today I share with you with a poem I wrote on the day he died. In my typical fashion I’ve transformed energy into creating something. As I did with image typically, I do now but in words. A CLIFF

[POEM, 2026]

‘Poem typeset in Lumen Red.’

IMAGE SOURCE: Cliff: IMG_1735.HEIC, Dad sitting on a bench, 2025.

IMAGE DESCRIPTION: A portrait artwork depicting longform text in a Red Sans-serif typeface. All on a Black background.

[harry--vincent]

After attending SISSY MISFIT’s album launch party - I acquired one of her iconic hats. This was a few days before starting the ‘GOD MOMENTUM III’ challenge in CHRCH (The Mystery School).

I’ve never worn hats before, but in this challenge it became some kind of uniform. Like physiognomy. Wearing a hat became a functional start top the day. I’ve always had functional outfits and clothing when to work - so what I wear has always been very indicative. I’ve had a hat on throughout this challenge and it’s only been off on cheat days. 

40 days later and during the challenge I saw that well, If the hat thing was staying - I needed my own.

I got several samples made, with several of my icons and insignia embroidered on it. Some have become tattoos on my body.

But the most important one  is the hex code for Lumen Red: #FF3C00.

And so it’s with this I’m launching a limited mail-order window for the hat. Embroidered in a bespoke thread on Beechfield B15 caps.

You can choose your typeface: Sans-serif or Mono.

The window is open now closes on the 7th April at 7:07am UK time only on: https://www.harryvincent.com/shop/p/the-ff3c00-hat

THE #FF3C00 HAT(s)

[SHOP ITEM, 2026]

‘Signature Lumen Red embroidered type on Beechfield B15 Black cap.’

VIDEO SOUND SOURCE: Harry typing on Keychron K2 keyboard, March 2026. 

IMAGE DESCRIPTION: A Black 5-panel sports-style cap hat with a Black brim that has “#FF3C00” embroidered on them in a Lumen Red thread in a Sans and Mono typeface. All on a Black background.

[harry--vincent]

The journey to the world is inward. New is out. You is in. A trend cannot comprehend the power of self. Forget new, use what is. Know you, unlearn that. Old hat. Product™️. When getting nothing you can get everything.

TYPEFACE:

‘Kern’ by Pizza Typefaces.

IMAGE SOURCE: [shoe] IMG_61511.HEIC, of a New Rock shoe on pavement, catching a Red reflection (Modified).

IMAGE DESCRIPTION: A portrait image depicting text in a Lumen Red Sans-serif font that reads: “I DON'T WANT SOMETHING NEW. I WANT SOMETHING YOU.” With a small thumbnail image at the bottom showing a metal clasp on a leather shoe toe that shows the New Rock boots logo, changed to 'New You' inside a Lumen Red frame. All on a Black background.

[harry--vincent]

Cut. Snip. Scalpel. Scoundrel. Slice. Screen. Scream in pain. Anaesthetic, the prophetic messenger of pain. Here it comes. Losing parts of yourself to fit in.

7 - 2 = 5.

Happy now? Happy to see me, more like you. More like, new. Less though? Am I more now I have lessened the difference? Or have I now just given up what “God gave me” - I wish I hadn’t in the first place.

I have to pay, to feel more myself? What a great world that is. That it is, existing. Pay to play. But this isn’t fun.

fEEEEEElEr — fourth

[DIGITAL ARTWORK, 2026]

‘Lumen Red outlined illustration of two (previously 7, now) 5-fingered hands.’

IMAGE DESCRIPTION: A square Off-white artwork depicting two hands both clasping a thing triangular shard between them both, with 6 other shards at angles beside, floating. The hands have scar lines on the thumbs and fingers, all in a single weighted  Lumen Red outlined graphic illustration style with Light Pink shading. All on a Black background.

[harry--vincent]

C I P H E R S | B I V I O U S

[DIGITAL ARTWORK, 2025]

‘Typeset Kentrogram* into linework layout.’

*Kentrogram /ˈkɛn.trə.ɡræm/ noun A collection of words, phrases, numbers, or other sequences of symbols that share the same middle letter, number, or symbol. The shared character must appear in the central position of each sequence, with an equal or nearly equal number of elements on either side.

IMAGE DESCRIPTION: A portrait image of Lumen Red graphics containing a Sans-serif text that reads ‘BIVIOUS’ inside several circles single-weight lines centralised and surround the ‘O’ and slightly touching on the viewer’s right-hand side. On a Black background.

[harry--vincent]

And we kept it UK. But keeping, provides weeping. Gate-keeping. Goalkeeper. Goalies. Lies. Limerence for Lineker. Crisps. Chips. Wor’ah. God save the bling. Crown. Geeza. The Ginger Spice Dress. Jack. Flag. Let’s start a union.

HEPTUK

[DIGITAL ARTWORK, 2026]

‘Bespoke layered graphic insignia patch.’

REFERENCES:

“UK7” and other insignia, from ’Alien’ (1979), designed by Ron Cobb.

IMAGE DESCRIPTION: A seven-pointed star-shaped graphic with Blue, White and Lumen Red sectors that form a 7-segmented Union Jack graphic, on a Black background.

[harry--vincent]

Diverge. Disperse. Go yonder and beyond. Infinite potential. Rays of becoming. Straying, praying to one. Become one. Whole. Singular. No-one like you. Like me. Like the few. One-of-a-kind (they say) but aren’t we all just the sum of what we’ve seen? Been? No. Nay, I say. More, behind the mask. Behind and in the vessel. Watching the mind, not are the mind. Experience the sensations of the globe. De-robe and un-prefer. Un-dislike. Un-avoid. Un-fear. Un-lust. Un-wind. Un-learn. For the path is just the one that exists right now. 

EARTH: EVOLVE LAND - 3rd Protrusion 

[DIGITAL ARTWORK, 2025]

‘Bespoke graphic in outlined Lumen Red beams.’

IMAGE SOURCE: Lightbulb at ‘Thin Air’ exhibit at The Beams London space.

IMAGE DESCRIPTION: A portrait image with a globe in the centre in Red and Black, with a single vertical Red line coming up from the bottom through the centre, diverging into multiple lines with symbols inside the dispersing lines at the top, all on a Black background.

[harry--vincent]

Struggle, struggle to be, to me, to we, to independently be free. Flee-ing, fleeting fears of forbidding future-visions. Blackened - no - void of colour. Why colour? Such light as spectrum - life-bringer. Light. It’s lit.. But I’m not. Not for, until I see (if seeing is what you’d call it) the hot, lava-flow of stream from mine eyes. Burned-out (in more ways than one) and bore holes of breached not-black. Burned skin. Scorched Earth (The yesterday mindset). I wish my skin was Rains®. In coming out, what comes out I cannot control. Do you like me?

GLYPH-REAPER-KAPPA

[MIXED MEDIA ARTWORK, 2023]

‘Bespoke painted portrait with water-based acrylic paints on A4 300GSM paper. Scanned and digitally manipulated.’

IMAGE DESCRIPTION: A square artwork depicting a Black and Lumen Red silhouetted humanoid figure with tears streaming down both eye holes, featuring a heptagram in their iris. All on a Black background.

[harry--vincent]

SERMUN vv. III: Lens.

Exhausted and beaten. They say “beauty is in the eye of the beholder”, as is despair, morality and what colour something is.

Truly no one has your lens.

The depth and overlap, the exact groove of them are yours. At best you’ll find someone at maybe 72% of you.

[DIGITAL ARTWORK, 2024]

‘Poem typeset with outlined Lumen Red.’

IMAGE SOURCE: Eye: IMG_3391.HEIC, Harry’s eye, 2025.

IMAGE DESCRIPTION: A portrait artwork depicting longform text in a Red Sans-serif typeface, with Red outlined graphics around it in the shape of a vertical ellipsis with emanated lines outside of it. All on a Black background.

[harry--vincent]

A behind, beckoning buttocks of the bludgeoned body of being. Don’t look back, though back is just blackness - and so is forward. Uncertain. Undefined. Unseen. Unforecast. Unloved. Unrendered. Unknown. Closing is the sliver of guiding light. Closing of the day, the dawn. Butt. Rising. Rising buts. Rising ifs. Rising what’s. Rising. No Compromising. Constructing is this light - light full thread of becoming. Become you.

FINAL-07 Clamp

[DIGITAL ARTWORK, 2024]

‘Coffin-boxed portal with captured imagery texture and small graphic focal centre.’

IMAGE SOURCE: Scratched metal: iStock-96356944 “Grungy instant print image background” by nwinter.

IMAGE DESCRIPTION: A hexagon coffin box shaped image with a Lumen Red outline, depicting a scratched metallic surface that features a  coffin box shape executed in Y-shaped brackets, with 7/8 complete in a single-weighted line. All on a Black background.

[harry--vincent]

Even my objects have subjects. Are. Subjects. Subjective. Perspective. Prolonged profound proud presently presenting personal preferences of pronouns. Don’t subject yourself to others’ own objects in their mind. Be kind - remind. Remind yourself. Rekindle and read… Kindles? Grow. Beyond now. Beyond here. Beyond there. Or was it “their”? idk. Misremember, gandering at gender. The fender bender of the self-actualising… end… er… man? Body goals.

ＴＨＥＭ

[DIGITAL ARTWORK, 2025]

‘Lumen Red bespoke type scalable vector graphic.’ IMAGE SOURCES: [cover 1] HIM - Greatest Lovesongs Vol. 666, 1997. [cover 2] HIM - Razorblade Romance, 2000. [cover 3] HIM - Deep Shadows and Brilliant Highlights, 2001.

TYPEFACES: Mason Serif by Jonathan Barnbrook.

REFERENCES:

Lil Uzi Vert “THEM BEANIE”, 2024. DOWNLOAD:

IMAGE DESCRIPTION: A Serif type typeface that reads “THEM” in ALL CAPS with a slanted line striking through the whole text at a slight upward left angle. All on a Black background.

[harry--vincent]

The way that visual culture exists now, work that is ephemeral, clipped from context, and uncredited - is spiritually hollow.

I want to live in a world where image holds weight again and nothing exists without acknowledging its before.

I am building this world by embedding lineage and reference into my work, and designing with a visual language: linework and pathways with Lumen Red - which acts as a kind of spiritual infrastructure. Not nostalgia, but continuity. Challenging the fast, shallow culture.

I am for the people who feel like outsiders in their artistic pursuit.

Who want beauty beyond the surface-level.

That know there’s more to artist practice than hustle, and who hunger for ethical work and art that pulls you into light from the dark.

[SELF-PORTRAIT, 2025]

‘High-contrast Black printed portrait on acetate.’

IMAGE DESCRIPTION: A square image of a high-contrast Black and Lumen Red portrait of a person’s face with spiked back hair but shaved head, with double-grommet choker and Black eyeliner on - their face is all over-expoed with just the eyes showing. All on a Black background.

[harry--vincent]

As part of the WRKSHOP curated and run by Bronques over the last 8 weeks, all of the remaining artist participants - including myself - responded to the theme of ‘DUALITY’,  by constructing a piece of work before the final week.

I wanted to push myself and make something physical, and wearable.

As a Designer I’ve always strayed away from making physical works and then I had this epiphany - calling if you will - before Halloween to go more into the physical realm and not just make an ‘object’ (merely a photo translated) - yet when I look back I’ve always loved costume and cosplay as story-telling. One we week we had to talk to strangers - which alone essentially put me on this path - meeting Steve from East Essex Hackspace who delightedly told me about the facilities there - where I could complete something I couldn’t of before - making this acrylic diss physical and not just a mockup.

The piece answers the idea of “Do we become our parent(s)?”

The Continuance Cloak embodies the duality theme by merging the inherited weight of the past with the luminous act of self-redefinition. Both as burden and beacon. Lineage and liberation. It features bespoke acrylic dials portraying 2 previous generational figures (my. Granddad and Dad) with signature glyphic and data-centra frames, depicting Date of Birth/Death; Astrological signs (Sun, Moon and Rising respectively); Political parties, Football team and finally, whether on Dialysis or not (a worry of mine as both before me have been).

Highlighting the difference yet combined similarity of the shared lineage and my continued existence. The current chestplate is a rigged A3 backlit tracing pad with metal prongs to hold the discs arranged in a seven-pointed star shape. The base garment, made from 2 used leather jackets - cut and re-assembled.

CONTINUANCE CLOAK v1.1.0

[PHYSICAL WORK, 2025]

‘Reconstructed 2nd-hand leather garment with Lumen Red ancestry dial chestplate.’

TYPEFACES: [names/D.O.B/D.O.D] ‘Kern Medium’ by Pizza Typefaces. [spliced poem] ‘Webdings’ by Vincent Connare.

IMAGE SOURCES: Portraits captured at Belton Hills Nature Reserve, Leigh-on-Sea. [model] : Harry Vincent [photographer] : Cameron Russell

[harry--vincent]

CLU𝕞SY (On Acrylic)

[MIXED MEDIA REWORK, 2024]

‘Bespoke illustration graphic with typography engraved onto acrylic.’

TYPEFACES: ‘Kern’ by Pizza Typefaces. (M) ‘VTF Mixo’ by Velvetyne Type Foundry.

IMAGE DESCRIPTION: A portrait translucent Red acrylic plastic sheet with an illustration of a hand dropping an ice cream cone. At the left, rotated type that says “CLUMSY” in Sans-serif typeface, with the ‘M’ being made up of single-lined layers. Text underneath reads in a Sans-serif typeface “SOMEONE OR SOMETHING THAT IS SHAPED, MADE OR MOVES AWKWARDLY; LACKING IN GRACE OR SKILL.” All on a Black background.

[harry--vincent]

It’s called work for a reason, dumbasses. [FURTHER READING] 1. META POLICY ON ADULT SEXUAL EXPLOITATION https://transparency.meta.com/policies/community-standards/adult-sexual-exploitation/ 2. ARTICLE BY MAEDB JOY https://open.substack.com/pub/maedbjoy/p/history-is-being-erased-how-metas 3. DEPLATFORMING SEX EDUCATION ON META BY JOANNA WILLIAMS https://journals.sagepub.com/doi/10.1177/1329878X231210612 

TYPEFACE: ‘Kern’ by Pizza Typefaces.

IMAGE DESCRIPTION: A portrait image depicting text in a Red Sans-serif font that reads: “SEX WORK IS WORK.” With a Black small thumbnail image at the bottom showing an Instagram post removal screenshot inside a Lumen Red frame, which inside depicts this full image in a Dorset effect. All on a Black background.

[harry--vincent]

Reaching. Bleached surface, hot. White light, right. Charm dangled, deceit. Rife, writing hands fumble to comprehend what is in front. Above. Below. Sides, divides and insides. Plight is the mightiest internal force. Bingo! Lucky seven. Extra, one - not two - more. Indulgence is a pretty thing? Desire it all. Lust for life, rife, a wife?

fEEEEEElEr — third

[DIGITAL ARTWORK, 2025]

‘Lumen Red outlined illustration of two 7-fingered hands.’

IMAGE DESCRIPTION: A square Off-white artwork depicting two 7-fingered hand (2x Thumb, 5x Fingers) both reaching for a triangular pendant dangling between their finger tips, in a Lumen Red outlined graphic illustration style with Light Pink shading. All on a Black background.