seen from Japan
seen from China
seen from Russia
seen from United States
seen from United States
seen from T1
seen from United Kingdom
seen from Spain
seen from New Zealand
seen from United States
seen from China
seen from China
seen from United States
seen from Belgium
seen from Malaysia
seen from United States
seen from China
seen from China
seen from United States
seen from Germany
Thank you to rmelton76 for all these wonderful things, Part Two!
Men of Letter Bunker Blueprints
Men of Letters Bunker Garage blueprint
Supernatural 12.17 The British Invasion shooting schedule
Supernatural 12.23 All Along The Watchtower prep memo
Page from the hell set - episode unknown
Thank you to rmelton76 for all these wonderful things!
Supernatural
Supernatural 2.10 Hunted Selkirk house layout
Supernatural 9.11 First Born Call sheets day 5-8
Supernatural 10.10 No Place Like Home Call sheets day 6-8
Supernatural 12.17 The British Invasion Picture Vehicle Breakdown
Supernatural 12.18 The Memory Remains shooting schedule
Supernatural 14.10 to 14.13 - second unit call sheet
14.13 Lebanon call sheet & prod. memo day 8-8
Pre-Production Documents - The Fiction Project
Final Script - Swings & Roundabouts
Marked Script
Storyboard
Shot List
Floor Plan
Blood Red Meat's Preparation Day/Call Sheet/Production Schedule.
All props were kept in the labelled boxes in the 'Props Cupboard'.
As a Props Master for this film, I was in charge of all the props that had to be in place on set. On the preparation day along with the Props Maker (Jonas Rotne) I was preparing the props for the filming day. I had to paint the vases and give them to the Props Maker who had to break them and glue them back again (for the film's purposes).
The crew was in charge of setting up the equipment and it was a really good opportunity to get the best insight how this process works.
***
In the evening, we all received a call sheet and production schedule for the next day.
Call Sheet created by Zöe Deltron:
Production Schedule created by the Director, Norman Tamkivi:
Humdrum's Preparation Day/Call Sheet/Production Schedule.
One day before the actual filming/production day the whole crew and art department arrived to the TV studio to prepare the set for the big day.
As a Set Decorator for this film, I was helping with putting turquoise vinyl stickers on cupboards. Nonetheless, everyone was helping with everything that had to be done - bringing the furniture, placing the props in the right position, etc.
Iw was a really good experience, especially because the entire team was working collaboratively. We finished on time and the set was looking fabulous!
The crew was in charge of setting up the equipment and it was a really good opportunity to get the best insight how this process works.
***
In the evening, we all received a call sheet and production schedule for the next day.
Call Sheet created by the Assistant Director, Boppy Mason:
Production Schedule created by the Producer, Simone Hendry:
Blood Red Meat's important production documents.
1) Colour Palette created by the Cinematographer, Jannik Schmoller:
2) Lighting Plan (position of the lights) created by the Gaffer, Carla Stebbing Belmonte:
3) Character Breakdown created by the Director, Norman Tamkivi:
4) Camera Blocking (camera positioning for each scene) created by the Director, Norman Tamkivi:
Humdrum's important production documents.
1) Kit List (equipment used on a filming day) created by the Producer, Simone Hendry:
2) Camera Blocking (camera positioning) created by the Cinematographer, Carla Stebbing Belmonte:
3) Lighting Plan (position of the lights) created by a) the Cinematographer, Carla Stebbing Belmonte & b) the Electrician, Florence Scott Anderton:
a)
b)
4) Lighting Breakdown created by the Electrician, Florence Scott Anderton:
5) Shotlist (A list of shots which helps in the planning and filming of the film) created by the Cinematographer, Carla Stebbing Belmonte:
6) Risk Assessment created by the Set Decorator, Me:
