#recordjunkie

[antikorpersession]

Will President Trump and Satan's baby be a boy or a girl? Post the correct answer in the comments and win NOTHING, you pathetic crap!

©+℗ South Park S27E05

[artofthesleeve]

“Just Can’t Get Enough,” a single by Depeche Mode

Sleeve artwork by Neville Brody

Mute Records

⚜️ ARTWORK

Mute Records released “Just Can’t Get Enough” on September 7, 1981. The sleeve artwork was designed by Neville Brody. [1]

Brody appropriated a photo of a cat from an advert by the Bradford carpet company Kosset for the 7” vinyl sleeve. [2]

Brody is a graphic designer, typographer, and art director. He is an alumnus of the London College of Communication and Hornsey College of Art, and is known for his work on The Face magazine (1981–1986), Arena magazine (1987–1990), as well as for designing record covers for artists such as Clock DVA, Cabaret Voltaire, the Bongos, and Depeche Mode. He created the company Research Studios in 1994 and is a founding member of Fontworks. His work is included in the permanent collection of the Museum of Modern Art (MoMA). He was the Dean of the School of Communication at the Royal College of Art, London until September 2018. [3]

Vic Tory

Art of the Sleeve

⚜️ SOURCE(S)

[1] “Just Can’t Get Enough.” Depeche Mode, http://archives.depechemode.com/discography/singles/03_justcantgetenough.html. Accessed 25 May 2021.

[2] Dineley, Andrew. “Pop Art.” Pocket Mags, https://pocketmags.com/us/classic-pop-presents-magazine/depeche-mode/articles/729616/pop-art. Accessed 25 May 2021.

[3] “Neville Brody.” Wikipedia, https://en.m.wikipedia.org/wiki/Neville_Brody. Accessed 25 May 2021.

[cannabiscourtney]

[voodoorhythmrecords]

A Record Junkie, thats what i am #recordjunkie #reverendbeatman https://www.instagram.com/p/BpzSeYBgeLx/?utm_source=ig_tumblr_share&igshid=1i1ulanfurqrk

[djajahdjajah]

20years ago in oktober this awesome record came out . Around the Fur is there second studioalbum of the band #Deftones with the songs "My Own Summer (Shove It)" and "Be Quiet and Drive (Far Away)" released as single and came with awesome videoclips. . . #fortheloveofmusic #vinyllover #recordjunkie #vinylcollection #setup #turntable #worldofmusic #vinylgems #recordhunter #vinylcollective #thevinylbasterds

[monsteriousbeat]

Day 1 #mayvinylchallenge #oldestrecordinyourcollection Arthur Tracy - Play To Me, Gypsy! b/w Home On The Range 1934. Old-timey style singing, the kind done in parlors. I believe I got this as part of a lot at an auction, along with many other shellac records. #shellacrecords #vinylcollection #records #vinylcommunity #78rpm #78s #recordcollection #recordjunkie #10inch #vocalionrecords #brunswickrecords #arthurtracy #1934 (at Chicago, Illinois)

[jllull]

The cover and I are twins. 🤓#twinning MIKE REP & the quotas 7inch. I love Mike Rep to bitz and also Rocket Music On is the raddest song ever. Songzzz from '75 & '76, but reissued in 2014. Got this @waterloorecords "PUT THAT ROCKET MUSIC ON, TILL YOU'RE GONE" 💥🚀🚀🚀🚀 #hozacrecords #hozac #vinyl #vinylcollection #records #currentlylistening #recordjunkie #waterloo #mikerep #midwestpunk #punk #wrecklessjess #7inch

[artofthesleeve]

“Love Will Tear Us Apart,” a single by Joy Division

Uncredited design and artwork by Peter Saville, Ben Kelly, and Trevor Key

Factory Records

⚜️ ARTWORK

Factory Records released “Love Will Tear Us Apart” in June 1980. Pictured is the uncredited sleeve and label artwork by Ben Kelly and Peter Saville for the UK 7” vinyl sleeve. [1]

The words of the song title had been etched upon a sheet of metal, which had subsequently been treated to a process of ageing with acid before being left exposed to weather with the intention being the resulting appearance of a slab of stone. [2]

A conversation with Kelly is now streaming on Art of the Sleeve’s Spotify podcast (# 19). The designer talks about his new book “Haçienda Landscapes,” as well as his experiences working with Factory Records, Sex Pistols, and OMD.

Vic Tory

Art of the Sleeve

⚜️ SOURCE(S)

[1] “Discography.” Joy Division, http://www.joydivisionofficial.com/discography.html. Accessed 22 July 2021.

[2] Curtis, Deborah. “Touching from a Distance.” London, England, Faber & Faber, 1995, pp. 138.