Reflective Blog Post 1: Red vs Blue - Finished Animation
This is my finished Animation from the Red vs Blue brief. I am relatively happy with how this turned out, however there are still a few aspects that could be improved.
Things to improve - Feedback from 1-1 and in class:
* One aspect that could be vastly improved is how the characters are composited with the background. Due to how my characters were exported from Toon Boom to Premier Pro (the software I used to edit the video assets together) there is a pixelated line around the drawings that I could not fully get rid of when keying out the background. The issue I had was if I made the keying too strong the colours of the animated frames would be distorted and they would appear slightly transparent, this less aggressive keying however has left a small but noticeable outline around each of my drawings.
* If I had more time on this project I would have also liked to include shadows on and around my characters. I feel that this would improve how the characters and background work together rather than the characters looking like cut outs over a flat image.
* At one point my Blue character does not move in time with the background and they slide from one point on the ground to another. This also detracts from the believability of the animation .
* I should have been more ambitious with some of the character movements. I focused more on getting this project done on time rather than experimenting with the character acting and having fun with the technical aspects of the film. For example I could have played with the long gangly arms of the red character more and implemented real world references of Orangutans into their movements and mannerisms. If I were to expand on this film I would do a lot more visual research and create much more elaborate, engaging and exaggerated characters to really showcase their different personalities in the film.
* One criticism I received about the films narrative was that the blue characters change of heart (from being hostile and guarded against the red character to the two becoming friends). This was a change I tried to rectify by adding in the head scratch scene but since this is the main turning point of the narrative I may need to make this more apparent. I could probably do this by exaggerating the character movements in the animation to add to the visual storytelling.
Things I liked/ Positive Feedback:
* I’m happy with the fluidity of the animation in this film, although the movements could be more elaborate and the characters more expressive what I have here does look like a finished product in terms of animation.
* My narrative was understood and the general tone of the film and how the characters were conveyed came across well. The personalities of my two characters were obvious to my audience and the low angle shot I added of the Orangutan (the red character) as he looked down on the Blue character was successful in highlighting their size difference and in portraying these characters as very different from one another.
Characterization and Character Performance:
Wells, P., 2009. The Animated Bestiary: Animals, Cartoons, and Culture. 1st ed. New Brunswick, N.J.: Rutgers University Press.
If I was to move forward with this idea I would like to make improvements to the character performances, particularly the performance of my Red character. I am happy with the expressions and mannerisms of this character, and feel as though his calm performance contrasts the feisty nature of the Blue character he is trying to befriend, however, the characters movements do not resemble that of an orangutan.
Pages 94 to 98 of The Animated Bestiary goes into detail about the use of anthropomorphic animals as characters, describing Disney’s Donald Duck as having quote: “A big mouth, belligerent eyes, a twistable neck and a substantial backside that’s highly flexible” and concluding that these features make duck characters ideal candidates for animation.
Similarly I could have taken advantage of the unique characteristics of Orangutans when animating my red character such as their long gangly arms and their tendency to use their hands as feet. This would have added a lot to my red characters performance.
Wells, P. (1998). Narrative Strategies: Acting and Performance. In: Taylor & Francis, ed., Understanding Animation. London: Taylor & Francis Group, pp.104–111.
This section of the book titled Acting and Performance went into a lot of detail about characterisation through character performance and motivations that drive character. The chapter cites Stanislavski who breaks down performances as having one of three different sets of objectives,
It was beneficial to consider character motivations and objectives when constructing the story and characters for this animation so their decisions and actions seem coherent and intentional throughout.
















