"Goodbye, Jennifer, be a bad girl."
I MARRIED A WITCH (1942) | dir René Clair

seen from Canada

seen from United Kingdom
seen from T1
seen from Bulgaria
seen from Japan
seen from Spain

seen from Russia

seen from United States
seen from China
seen from Japan

seen from Japan
seen from United Arab Emirates
seen from China
seen from United Kingdom
seen from T1
seen from Australia
seen from China

seen from Malaysia
seen from Netherlands

seen from Hong Kong SAR China
"Goodbye, Jennifer, be a bad girl."
I MARRIED A WITCH (1942) | dir René Clair
I Married a Witch (1942) René Clair
March 17th 2026
Have you seen Sullivan’s Travels (1941)?
Yes
No
Haven’t even heard of this movie
Errol Flynn and Robert Warwick on set of Vincent Sherman’s ADVENTURES OF DON JUAN (1948).
Doctor X (1932)
"If you ask me, I think Dr. Xavier is using very unethical methods."
"Necessity has no ethics, sir."
Outfits from In a Lonely Place (1950)
Art Direction by Robert Peterson Set Decoration by William Kiernan Costume Design by Jean Louis (gowns) Makeup artist Clay Campbell Hair stylist Helen Hunt
In 1917, two Royal Corp pilots on patrol over France got attacked by Germans in World War I. Alexander Mackaye thought he was done for when his wing man flew into a cloud and actually disappeared. In actuality, the other pilot was transferred 42 years into the future. ("The Last Flight", Twilight Zone, TV, Event)
Impact
“Charming” isn’t a word normally associated with film noir, yet it fits Arthur Lubin’s IMPACT (1949, TCM, Tubi, Plex, Prime, YouTube). From the intricate plot in which everything falls neatly into place to the location photography in San Francisco and Larkspur, CA, to, most importantly, the not quite love scenes between Brian Donlevy and Ella Raines, it’s an ongoing delight. Wealthy industrialist Donlevy is driving to Denver for a plant opening when his wife (Helen Walker) contrives to have her lover go along for the ride and kill him. The lover is neither very good with a tire iron nor with a steering wheel and ends up dead in a fiery car crash while Donlevy, stunned to discover what the Mrs. had been doing, wanders the countryside until he winds up at war widow Raines’ filling station. Romance is as inevitable as Hollywood usually makes it. Meanwhile, police detective Charles Coburn, in one of his least fussy performances, tries to make sense out of the plot.
With lots of scenes shot on location (including the same San Francisco hotel where Kim Novak’s character stayed in VERTIGO), IMPACT is a lot sunnier than most film noirs, but the plot is so twisted and Walker such a great femme fatale it doesn’t matter. The script, by Dorothy Davenport (that’s Mrs. Wallace Reid to you) is a masterpiece of efficiency, with key facts and events planted effortlessly and events communicated through telegrams, newspaper headlines and even a radio broadcast by gossip columnist Sheilah Grahame. Raines was never distinctive enough to be a star, but she’s a darned good actress and lots better than you’d expect from a film noir good woman. Donlevy, whose leading man days were largely over by 1949, has beautiful moments as he realizes what’s going on in his life. Anna May Wong deserved a lot better than her brief role as Walker’s maid, but she delivers a solid performance in her next-to-last film. Her friend (and merkin?) Philip Ahn is on-hand in old-age makeup as her uncle. You may also spot Robert Warwick as a police captain, Clarence Kolb as chairman of Donlevy’s board, silent great Mae Marsh as Raines’ mother, Jason Robards, Sr. as a judge, Erskine Sanford as a doctor and horror film standby Morris Ankrum as Donlevy’s assistant.