#roberthouse69

[ulisaypo]

In my country it’s illegal for bosses to contact you outside of work hours. However, some people don’t like to be reminded of that fact.

[marquisedeserault]

NATHANIEL "NATE" COLTON • THE SOLE SURVIVOR

[rapturezoo]

A Matter of Honour (Fugue Feast 2025: Gift Exchange)

A lady's virtue, once lost, can only be remedied by the greatest of sacrifices. Lady Wendy Shaw's lapse of judgement during the last Fugue Feast has placed her in the awkward position of having to face a disgruntled lover, a rash husband and the implaccable scrutiny of Dunwall's high society during a prestigious dinner party. Some sins are too grave to be so easily forgiven.

My gift for the lovely @roberthouse69 as part of our Dishonored Server's 2025 Fugue Feast Gift Exchange, feating her oc Wendy Shaw!! Enjoy!!

[edwardsallow]

OBSESSED with your posts 💗💖💗🐥 do you think edward & joshua grew to be the men that they are due to their upbringing? when looking at them both, i’m reminded of leopold & loeb and how much of their wealth and sense of superiority played into the assholes they became—and why they ultimately believed they could get away with committing the perfect crime

this doesn’t make much sense sorry lol but the tldr; i’d love to read your thoughts on these two bone heads and their parents 💗

Content Warning: discussion of cult tactics, abuse, neglect, infanticide and general harm unto infants, pregnancy complications, emotional inc*st and inappropriate age gaps. This is also just a complicated read with a lot of moving parts, so be prepared for that.

No need to apologize! That’s a very astute comparison. If there’s a deviation between Leopold & Loeb and Edward & Joshua in terms of their social background, it would probably be that the former (to my knowledge) grew up in similar environments, while Edward and Joshua were raised in ostensibly very different cultures which they coalesced into one far more monstrous entity.

“Ostensibly” is carrying a lot of weight there. The Followers don’t necessarily embody these qualities, but historically, academia in the west has represented a font of organized racism and misogyny, legitimizing and promoting ideas that we nowadays look back on as cruel and ridiculous, like phrenology and such. (I fully accepted the popular hc of Edward’s family being from the ruins of USC partly for this reason, on top of the Trojans reference.) The fact that Caesar sprung from the only organized academic body in the wasteland can be taken as a continuation of that ugly tradition, and the Mormon Church’s ties to colonialism and it’s status as a modern day cult speak for themselves. Honest Hearts doesn’t engage with Mormonism critically, so the way Joshua’s upbringing in such a setting impacted him has to be inserted by us the players.

There’s a few articles you can read about the practices that make the modern day Mormon church a cult, and the impact these practices have on children raised in this environments. But some core tenants that seem relevant to Joshua’s growth are the instillment of fear and uncertainty into every aspect of one’s life, especially family and community, the hyperfocus on “cleaning” (both physically, to ensure members are always busy, and mentally/spiritually, as an exercise in paralyzing self-doubt,) and of course a tremendous amount of restriction placed on gender and sexual expression from an early age.

And this is draconian institutional abuse, not responsibility or healthy self-reflection or what have you. It’s a small wonder Joshua has something of a martyr complex when we meet him in-game: having been brought up in an environment that encouraged close surveillance over all human impulses, no matter how natural or innocuous, and never experienced a version of accountability that wasn’t a smokescreen for torture and control, all his desires need to be neatly wrapped up in diversion and justification to avoid giving credence to the idea that he’s sullied, disgusting, subhuman, unworthy of love. These themes of being taught that the loss of autonomy is virtuous/necessary so that the sufferer begins to perpetuate it themselves, and of being perpetually denied stability in spite of a seemingly endless mandate of labor, are the ones that I try to carry over into his mother’s story.

Her name is Dinah Graham, née Gardner. I work on her characterization with @dustwhirlsandrainbows. She has five co-wives.

She was very close with her mother, whose name was Madeline Gardner (née Talmage.) She, along with the rest of the community, raised Dinah to idealize a version of motherhood that revolved around obedience, self-sacrifice and participation in the colonial machine. Dinah’s mother died as a result of pregnancy complications, (as many women and children do in Quiverfull-esc religious sects,) altering but not deconstructing the way her daughter engaged with the edicts of their community.

Like her mother, Dinah got married at a very young age. She named her firstborn daughter after her mother: Joshua was her second child. She was close with her husband’s second wife Abigail, who struggled with her fertility, but by the time the third Rebecca came along her husband was beginning to be less considerate towards her, which caused contention between them. The fourth abandoned New Canaan, to be subsequently treated like she’d never existed, and the fifth wed Mr. Graham when she was a teenager. He married the sixth soon after Joshua founded The Legion, which should tell you something about the way Mr. Graham related to his children.

Joshua bonded less with his father and more with his maternal Grandfather, Dinah’s dad and Madeline’s widower. He also becomes closer with his second-to-last stepmother Elizabeth after he returns from the burning: since he left New Canaan when her children were infants, they weren’t as affected by their relation to a war criminal as his other half/step siblings. She also had personal history which made her particularly sympathetic to his plight, but that’s another post. I usually use Laura Galán of “Piggy” as a fancast for her in her youth.

Ingrid Torelli of “Late Night With The Devil” is a good representation of how I imagine Dinah in her youth, especially with the off-putting, ragdollish body language. She’s playing a 13 year old here, but the actress is 18. Dinah was in that age range when she got married to Mr. Graham, who was a couple years older than her. Saint Olga of Kyiv bears a close resemblance to her in adulthood: fittingly, since she’s the patron saint of defiance, defense and vengeance.

Wives were offered to men in New Canaan as rewards for good service to the church, and conversely, to be married to an accomplished clergyman was considered an achievement for young girls. As such, Mr. Graham was generally inattentive to the welfare of his family, and put his myriad of children and step-children into the position of constantly competing for his attention and favor, which was connected to their social life external to the household by virtue of his own status. The vastness of their family is part of the reason why Joshua always references them in such nondescript terms: he had siblings, half siblings, aunts, uncles, stepmothers and step-grandparents, etc. His children suffered as a result of the infighting, resentment and awkwardness between their mothers, and some of them came into the family with pre-existing issues which caused them to lash out at the other kids.

(For example, during Rebecca’s previous marriage, her youngest child had been a victim of infanticide by a co-wife who was going through pregnancy induced psychosis. The incident caused her then-husband, Mr.Ballard, to abandon New Canaan, opening Rebecca up to be wed again. Her two surviving children, Jobe and Ethel, were left severely traumatized, and Jobe actually pressed Joshua’s hand to a hot pan when they were both still young. He’s become less aggressive by the time Joshua returns from the Legion, but his actions are re-contextualized by Joshua’s botched execution, so. There’s that.)

Here’s a good representation of Joshua’s relationship with his daddy.

It’s also an excellent segue into talking about Edward!

So there’s a theory that the breakdown of Joshua and him’s three decade long relationship was due in part to Edward’s personality changing from his untreated brain tumor. And while that idea makes the storyline more interesting, I think the game offers a more explicit example of a shift in Edward’s neurology within his stated backstory. The implication of Caesar’s mother taking him to The Boneyard after his father’s death is that whatever home they had been living in was destroyed in the same incident. Raiders don’t attack for no reason - maybe they were landholders. The loss of that kind of generational wealth would certainly contribute to that sense of aggrieved entitlement we see Edward display so aggressively in game. Growing up in the Boneyard, he wouldn’t have any direct connection to whatever rural culture they’d previously been apart of, except that which he would get through his mother. Maybe that’s where his need to assert himself as a supreme intellect comes from: insecurity about the fact that his people were (in his mind) uncultured and uneducated.

But the transition from one setting to another is less important than the circumstances in which that transition occurred. Having a parent killed and a home destroyed, then being taken on foot to another settlement by the remaining one, would represent an extreme disruption to the established patterns of safety in which infants are supposed to exist. “Neural development occurs most rapidly in early childhood and is shaped by experience,”and reactions to trauma in small children with limited expressive & defensive capacities are markedly similar to signs of cognitive impairment in adults: symptoms like the loss of previously established movement and language skills, detachment from & disinterest in their surroundings, appearing “frozen” or sustained periods of blank staring, sleeplessness and nightmares, etc.

The sleep one is sticking with me. Insomnia can cause brain damage even in adults subjects, and babies with undeveloped brains are far more vulnerable to serious consequences from such disruptions. Consistency and routine are also important to a young child’s ability to rest: not only having it disrupted by an incident of violence, but being uprooted and taken to a new place in the immediate aftermath, could’ve severely damaged his ability to cope with the stress of that situation as it was happening, let alone in the years afterwards.

And that’s why I think going through something that would’ve been taxing & traumatizing for a grown adult as a baby with an extremely delicate brain is much more likely to have had an adverse impact on Edward’s neuroanatomy - and subsequently changed his personality for the worse on a physiological level - than a tumor that popped up when he was well into manhood. It’s difficult to ascertain, since two year old children don’t have full personalities in the first place. He essentially lives his whole life in the aftermath of that event.

These two themes - of the psychological interplaying with the physiological, and of growing up in reaction to traumatic experiences that preceded all other sense of identity - are the ones that I try to carry over into my writing for his mother. There’s also comparison & contrast made between Edward’s family and Joshua’s, my attempt to explore how people in vastly different situations can end up in similar circumstances. A key difference is that the Grahams are much more thoroughly influenced by their community and extended family, while the Sallows are more self-contained.

I call Edward’s mother Clarice. I’ve put down a frankly obscene amount of plotting, backstory, and analysis for her (and her associates,) but very little actual writing, unfortunately. Her full name is Clarice Belinda Sallow. She was born to Earl Sallow and his then girlfriend Lola on a ranch not far from the dilapidated USC campus, on October 28th of 2189, the same year the NCR was founded. A charming but emotionally unstable philanderer, Earl had several other illegitimate children by various women, but he didn’t pay any of them half the attention he paid Clarice. Clarice was Earl’s only daughter, and as such he (subconsciously) saw her birth as an opportunity to mold a woman from scratch, suited to his needs and incapable of abandoning him. Lola fled the family when Clarice was a toddler on account of Earl’s habitual adultery and intense jealousy, leaving her to be raised exclusively by her father. She spent her childhood performing the duties of a wife, tending the ranch, cooking and cleaning, washing and mending, etc.

Though Earl never SA’d his daughter, his emotional attachment to her was wildly inappropriate. He leaned on her for support, barred her from an outside education, and kept her largely isolated from other children, especially boys. He also dictated the clothes she wore, her spending habits and personal interests, and kept her on her toes with guilt trips and episodes of rage. The most aggressive of these incidents was when Clarice got her first boyfriend at the age of fourteen. When her father found out, he threatened her in extremely graphic terms which I can’t repeat on tumblr, and assaulted the kid she’d been dating.

Earl died after a grueling battle with spinal cancer in 2209, when Clarice was twenty years old. The last year of his life was painful and lonely, and he had little contact with anyone but Clarice. (This sounds cathartic on paper, but the legacy of this period is just further damage to his daughter’s mental health, so. Don’t cheer too loud.) In the aftermath of her father’s passing, Clarice was severely distraught, lacking a tangible identity after spending her formative years so devoted to one man. She fell in with Earl’s friend and neighbor, a carpenter named Frank Abendroth (nicknamed “Roth”) who managed his affairs after his death. Roth ended up abandoning his own family and bringing Clarice with him to a settlement in the north. There, he took a second mistress, an east coast transplant named Vanessa.

Roth and other businessmen in the USC area had had a handshake agreement with the local NCR which allowed them to store raw materials like lumber off the books, so they couldn’t be taxed for importing them. Roth assumed that the authorities in the north operated on the same terms. They didn’t, and he was arrested for customs fraud and sent to prison when Clarice was about twenty one. She found out she was pregnant with his child soon before, but was spared having to tell him by his arrest, and Vanessa helped her get an abortion. Together, the two girls went in search of Clarice’s oldest brother Paul, who was living in a flophouse in a semi-urban mining town. They moved in with him and quickly became enmeshed with his friend group, which included a bounty hunter, his wife, and her longtime friend, a native of the Boneyard named Roy Tillman.

(Never thought I’d get the chance to post this incredibly niche meme, but here you go.)

Leaving out some major life events for brevity (and because I might end up changing them,) Clarice eventually married Roy, and they settled on her father’s ranch before it was burned down. Theirs was a common law marriage, since Roy had already legally married someone else when he was younger, though they’d long since separated. That, (and the fact that property ownership in the wasteland is easier to prove when you share the surname of the former owner,) is why Edward has his mom’s last name.

Roy was something of a slimeball, being influenced largely by the opportunistic bastard trope and a willingness to tacitly profit off of, if not participate in, unjust systems. He spent a long time working as a moonshiner, outselling his competitors by producing cheap rotgut liquor. He met Paul when the latter was a bouncer at a dogfighting ring where he liked to gamble. His first love, the bounty hunters wife, had been a victim of labor trafficking, and Clarice also had unusually low standards as a result of her past. But whatever else Roy was, he was also markedly less dangerous and unpleasant than his male peers, causing Clarice to see him through rose tinted glasses and feel as if she owed him something. She gave birth to Edward when she was thirty five, and died of cancer around the age of fifty seven.

On that note, fun fact about the USC area: they, as a community, consumed irradiated food in huge quantities. For some families, it was all they ever ate. This practice began before the NCR was around to incentivize widespread sharecropping and educate wastelanders on the specific dangers of an irradiated diet. USC was landlocked and ecologically devastated, with the remnants of pre-war urbanization making it difficult to institute sustainable livestock farming. So eating radioactive food with every meal started out as a matter of desperation, when the area was still widely impoverished. By the time Clarice was in her teens, the practice had evolved into more of a rural masculinity ritual, the sort of habit meant to affect that one was tough and down to earth, (like beer, whiskey and meat in the South.) Earl partook, and he taught Clarice to partake, and Edward came out of Clarice.

That’s why they all get cancer.

As other people have discussed, Edward’s father’s murder at the hands of raiders and the destruction of their pastoral, patriarchally inherited land makes for excellent propaganda, and he’s used to using those events as a rhetorical tool when trying to recruit people. On an emotional level, Edward tends to look on his father with ambivalence or active disgust. To be killed in a failed attempt to defend their home, leaving his son in the care of a woman who was significantly younger and weaker than him, is a massive blow to the image of the kind of man Edward would like to believe he came from.

His relationship with his mother started out stable if not healthy, but became more fraught as he entered his teens. From the start, Clarice was deeply afraid of recreating the pseudo-incestuous bond her father had with her, especially after Roy was killed and they were left a family of two, much like she and Earl had been. Lacking positive examples of what parenting should look like, she embraced an authoritarian style of motherhood with firmly delineated parent-child roles, and had periods of neglect and abusiveness, like breaking/hitting things in rage when he was around or giving him alcohol to put him to sleep. Though these behaviors cooled as Clarice got older, and her life become more anchored, Edward resented his mother’s growing inability to (in his mind) justify her misgivings as a domestic authority by remaining a strong, imposing figure worthy of obedience. Part of the reason he accepted the assignment to the Grand Canyon was because Clarice was nearing the end of her life, and he didn’t want to be around for her demise.

Clarice’s face is square, and like her son she has a hooked nose, broad shoulders, brown eyes and blonde hair - a combination which is very difficult to find representation for when hunting for fancasts. But Olga Mironova in “Come And See” looks similar to her, as well as Leah from TLOU2, Kirsten Dunst in “Melancholia,” and Tammy Barnes from Far Cry 5. The woman in the black and white photograph is Andrei Tarkovsky’s mother. (Final image is from this gif)

[jacobseed]

for mari 🖋️🖋️🖋️ & neri 🖋️🖋️🖋️ 😈💖

aaaaah naomi ty!!!

Mari:

🖊️ If there’s one thing Mari loves besides daud or art, it’s her wolfhound. daud doesn’t love it, but it just so happened that she bonded with it and now it would never leave- which, in the end, he accepts the creature bc it protects mari and keeps her company when he’s not around.

🖊️ She’s always wanted to be a mother, but her poor health doesn’t allow that. So as she gets older, the whalers are her children and against several suggestions, she treats them as such. however, they all love her and her presence commands only loyalty and respect from them.

🖊️ Mari used to be afraid of rats, but her years of living on the streets of dunwall have eased that fear to love. she doesn’t have the ability to command the rats- as much as she really wants to- but she feeds them and handles with absolute care (at least, before the rat plague).

Neri:

🖊️ I like to think that Neri managed to get Ketheric to surrender and she is able to put his soul at rest. Her travels have turned her soft as much as she hates to admit, but she felt deeply sorry for the old man, but never excuses his actions. Grief is a horrible thing and she believes he was so consumed by it that he couldn’t find his way back on his own. and i also like to think she visits his grave at least once.

🖊️ Walks around camp naked most of the time. at first everyone was annoyed but then it just became so normal - she didn’t make it weird in anyway and usually it was because she wanted to bathe or she had clothing she was mending.

🖊️ Dances with Wyll! All the time! Not romantically of course, thats her brothers boyfriend, but Niko isn’t a huge fan of dancing (he’ll never say no to wyll tho) but if he’s busy or really not feeling it, she will join in. She becomes close with him and they love sharing tales of fantasy and adventure, but they are both a fan of drinking and dancing and so you will always catch them twirling around the fire.

[uptownlowdown]

sorry bam im back again 💗🫣

do you think any of wilma’s family and friends’ descendants survived and are out there in the wasteland? maybe a vault?

samesies for ladybird! well, sort of. but does her family ever find out what happened to her after she was ambushed by Benny? i know the wasteland is a shit fest but i can’t imagine there wasn’t anyone out there who may have been waiting for her to return and just… hadn’t heard anything from her—assuming she experienced some mild amnesia from the bullet! :(

NEVER APOLOGIZE QUEEN thank you for sending!! 🩷

i’ve thought about wilma unknowingly interacting with her distant relatives in the commonwealth soo much. some are probably descended from like… cousins who were able to get into the vaults, or even others who survived outside for generations. her brother was gay so there wouldn't be any descendants from him but he probably made it to a vault or shelter.

i wouldn’t be surprised if one or two settlers in a MM outpost or in diamond city are related to her. perhaps the same nose... same green eyes.. it just sucks that it may never come up because the average wastelander might lose interest in their ancestors after a few generations. i'm sure they all have that lange family brickhead though.

ladybird is interesting bc she’s my only character whose entire family is still alive. she was sending money and IOUs back to the bishop family in new reno who essentially have her family as prisoners so they worry when it stops. luckily they get to move back to vegas with her post-game :) and they meet tommy too lol

[uptownlowdown]

1, 2, 7, 10, 11, 19, and 26 for rochelle x skelter and ladybird x tommy pleaaasee <333

i'll split this in to two posts for each couple! here's skelter and ro

1. What appeals you to the ship?

the slow burn and the yearning of it all! yum! also, i think its hot when person a can't admit they're really attracted to person b who they're already struggling to get along with or trust.. LOL

2. What are the character's usual types?

rochelle likes people who are thoughtful with their words and generally disciplined... someone who doesn't show off. i think skelter is attracted to people who are intelligent and sure of themselves, someone who leads or does their own thing, and is not a follower. this paired with him being generally more solitary means it takes time for skelter to learn these things about rochelle, and vice versa.

7. Which character confessed their feelings first?

skelter! they hung out a few more times as "friends" while occasionally doing anarch work around the city together before he finally said something. rochelle could've said something... but she is a toreador so of course she likes the chase.... the push and pull..

10. Do they have anything they don't like about one another?

ha... skelter thinks rochelle is flighty and flippant, almost to her detriment. he's unsure if it's because of her being a fledgling and new to everything or if it's her personality (or both) rochelle doesn't like how quick skelter can be to anger or irritation. likewise, she doesn't know if it's a gangrel thing or if its his personality.

11. How would they deal with those things?

skelter accepts that as long as rochelle isn't getting herself or anyone else into trouble or doing seriously ignorant things, she's got to come up into her vampirism in her own way.

if skelter is angry, he can cuss, cry, and huff--she doesn't care. but rochelle will not tolerate yelling. even when he and damsel give her a hard time during the game, she tells them to cool it after it gets to a certain point. otherwise she ignores his moods.

19. Do they have any fears or set backs in terms of relationships?

i think whether you're human or kindred, there's always a fear of the person you love breaking your trust or hurting you.

for their relationship in particular, they never blood bond (ok they do, its very very rare and only the first tier but nothing beyond that and they are normally very careful about it) because they both have their own hang ups about freedom and control. it muddies real love and twists it into something ugly. skelter in particular has never seen it work out once it gets to that final tier, so it's something they fear enough to keep in mind.

26. How would they celebrate things like birthdays, valentines day, anniversaries, etc..?

i think skelter normally celebrates those things at the last round but i think it would be nice for them to go on a roadtrip to celebrate a milestone like an anniversary. maybe to vegas!

[marquisedeserault]

marionette for leonelle 🙂‍↕️💗

Naomi, I absolutely love you because this is very apt for her. XX. Marionette | One Word Writing Prompts

"I never wanted to fight you, my prodigal diva." The memory of his voice crawls over her skin as she aggressively scrubs at it, the heat scalding her skin pink. His blood, his glaive had never touched her skin, but so deep had his rot and grime been inside her for so many years that she continued to scrub at the same spots until the skin feels raw. "Still, the fate of rulers in these lands are not written by you or me, but by a certain fey we both know."

Her grip loosens on the sponge, letting it drop into the water and she draws her legs up to her chest, wrapping her arms around her skins and resting her cheek against her knees. Every word of his had made her skin crawl, made her feel unclean. He had dredged up what she had been manipulated into doing to survive, making everyone know that the lovely young queen of the Stolen Lands was some tarted-up whore — an expensive but frigid lay — to everyone at the Rushlight Tourney.

"You and I, we are alike. Her twin marionettes, both dreaming of cutting the strings." Irovetti had drained that golden goblet of dark wine, sploshes of it staining his cloth-of-gold doublet then. He had tossed it aside with a clang.

"I am nothing like you," she whispers to the air. Her voice trembles and chokes as she remembers his hands pawing at her waist, her wrists, at the front of her gown. Her nails clawing at his face in a desperate attempt to wrest herself away from him, followed by a swift knee to the groin. He had doubled over in pain, giving her enough time to dart around the room. She had thrown a half-drained goblet of wine at him to cover her escape. "I don't force people to love me."

My sweet, you made people pay to love you.

Leonelle bites down on her lip so hard that the flesh splits. She tastes blood. Droplets roll down her cheeks, and the seal has been broken. For the first time since she returned from Pitax, she lets herself cry. Her shoulders shake, breaths coming in short, sharp gasps.

When she finally lets herself up for air, it is because there is a knock at the door, a demure, feminine voice asking if she is ready. Leonelle shivers. Her muscles protest as she gingerly gets out of the bath, the tiles sending another chill through her as her bare foot makes contact. One step after another, until she grabs the robe waiting for her on the side, next to a vanity table. The mirror reflects back at her a gaunt face that had lost much of its roundness, dark circles beneath her eyes, smudged make-up , thick black curls that look more like a bird's nest. She pulls her robe around her, then wipes her tears away with the back of a hand.

"You can come in."

The attendant she has had ever since she became a Baroness - to help her dress, arrange her hair, do her make-up - bustles in and starts her work, chattering away about how elated everyone in Pitax is for one of their own to be their queen now, that the trade houses are back in charge, that maybe now the Curator will work with some of the Pitaxian theatres. Leonelle offers weak smiles here and there as Lottie runs an ivory comb through her curls. It is all she can do to stop her pretty mask from cracking again.