Illustration of magical instruments, Le Clavicule ou la Clef de Salomon, French, 1796, MS.4669, Wellcome Library, London.
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Illustration of magical instruments, Le Clavicule ou la Clef de Salomon, French, 1796, MS.4669, Wellcome Library, London.
Portada principal de la iglesia de N.S. de la Merced de Lima, labrada inicialmente en 1702 y atribuida al alarife mercedario fray Cristóbal Caballero. Severamente remodelada a inicios del siglo XX, fue reconstruida por el arq. Emilio Harth Terré en 1943. #lima #igerslima #peru #igersperu #arquitectura #architettura #archilovers #architecture #architecturephotography #barroco #baroque #barocco #barock #salomonica #salomonic #patrimonio #heritage #arte #art #virreinato #colonial #iglesia #church (en Iglesia la Merced Centro de Lima) https://www.instagram.com/p/CSiiDAmLogk/?utm_medium=tumblr
Fredrik Eytzinger, trans., Salomonic Magical Arts: Being two Swedish Books of the Black Art, comprising The Red Book and The Black Book (Richmond Vista, CA: Three Hands Press, 2013). 280 pages. Standard Hardcover Edition. Full black cloth with dust jacket. Limited to 1200 copies. https://www.ebay.com/itm/254661215753
Fredrik Eytzinger, trans., Salomonic Magical Arts: Being two Swedish Books of the Black Art, comprising The Red Book and The Black Book (Richmond Vista, CA: Three Hands Press, 2013). Special Edition. Full mottled red and black goatskin binding, marbled endpapers, with slipcase. Limited to 23 copies. https://www.ebay.com/itm/254532299388
Fredrik Eytzinger, trans., Salomonic Magical Arts (Richmond Vista, CA: Three Hands Press, 2013). Special Edition. Full mottled red and black goatskin binding, marbled endpapers, with slipcase. Limited to 23 copies. https://www.ebay.com/itm/254532299388
Beautiful Jacobean style chair. I found it in trash! #jacobean #salomonic #armchair #restoration #therestorerchamber #luckyperson #jacobeanstyle #losangeles (at Los Angeles, California) https://www.instagram.com/p/B7wAiR7Avoq/?igshid=9mqd5p64zyak
September 13, 2018.
Trascoro of Cusco Cathedral, with the retablo of Our Lady of La Antigua (Juan Tomás Tuyru Túpac, 1694).
One of the main features of late gothic and early rennaissance spanish cathedrals is the presence of an enclosed coro or choir in the middle of the central nave of the church. The choir is an autonomous space, with three sides closed by walls while the fourth is closed by a fence facing the capilla mayor or main altar. This particular disposition blocks the view of the high altar from the main door of the church, while providing a different approach by creating a unique feature to spanish cathedrals: the trascoro. The outer walls that close the choir are usually adorned with small retablos, but the back wall, which faces the main entrance, is usually given a special treatment. In Cusco Cathedral the trascoro is adorned with a beautiful baroque retablo, built by indian artist Juan Tomás Tuyru Túpac in 1694 and gilded by Gaspar de Morales in 1714. It is a one story high composition with four huge salomonic columns dividing it into vertical sections. In the middle section is placed the image of Our Lady of la Antigua, a canvas painting placed inside a sagrario with rolling doors.
Photo by the author, 2016.